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Sort of playing off of "Frankenstein", a Boris Karloff-resembling mad scientist sends a big, hairy monster after Bugs Bunny, whose brain he wants to give to a robot. Sure enough, Bugs isn't gonna take it lying down, especially since he can turn into a (seemingly gay) hair stylist, and then make himself invisible.

I gotta wonder how they came up with such hilarious, twisted stuff. But the point is: they did it. And they went all out here. I'm especially surprised that they were able to sneak in what could have been a reference to homosexuality (isn't it a stereotype that hair stylists and people like that have to be gay?). But whether or not he was supposed to be, the cartoon's still a hoot. I guess that even floods can have neat results!

Water Water Every Hare is a great Looney Tunes cartoon, helped by chiefly the beautiful artwork, the voice work and the script.

The story I do think is the weakest element here. Don't get me wrong, it is great and compelling enough, but everything else was even stronger.

The artwork is a thing of true beauty. You can never go wrong with beautiful backgrounds and sharp character features and this cartoon succeeded in both areas.

The music is also beautiful. Featured is the Raindrop Prelude by Frederic Chopin, and you know what, it works orchestrated. It gives a somewhat lyrical feel to it.

The script is fine, Bugs has some very snappy lines and the Evil Scientist is really sinister with his appearance, lines and especially his voice. The monster is hideous at first, but really is quite cute.

The voices are perfect. Mel Blanc excels as always, and John T Smith does a superb job as the evil scientist. All in all, excellent cartoon. 10/10 Bethany Cox

A HAIR-RAISING HARE was a wonderful cartoon featuring Bugs Bunny and the attempts by a mad scientist to use him for his evil experiments. The film also featured the orange monster as the scientist's evil assistant.

Well, they are back, though slightly changed due to the passing of six years between the two cartoon shorts. Plus this time the scientist is not modeled after Peter Lorre, but is a large cranium-ed Boris Karloff wannabe. But the cute orange monster is pretty much the same and Bugs is once again at the top of his game in his attempts to foil these two. This cartoon only receives a slightly lower score because it was less original and ground-breaking that A HAIR-RAISING HARE.

The water in the title refers to a flood that takes Bugs and his bed to and from the mad scientist's home.

Classic Bugs Bunny short from the great Chuck Jones. Bugs' rabbit hole is flooded while he's sleeping and his bed is sent down river to the castle of a mad scientist modeled off of Boris Karloff (although the voice sounds more like Vincent Price). The scientist intends to take Bugs' brain and put it inside the mechanical man he's created. When Bugs wakes up and tries to escape, the scientist sics his big orange hairy monster on him. This monster is called Rudolph here but today we know him as Gossamer. Wonderful voice work from Mel Blanc and John T. Smith. Lovely music from Carl Stalling. The animation is beautiful with well-drawn characters and backgrounds. Love the mad scientist's lab and whatnots, including mummy sarcophagi he has lying around for some reason. Very funny short with some great gags and lines. Bugs does his "IN-teresting hairdresser" routine, which is always a treat. Definitely a short to seek out if you're a fan of Chuck Jones.

Chuck Jones's 'Water, Water Every Hare' is significantly better than its truly dreadful title. Pitting Bugs against a bulbously headed green faced scientist and his furry orange, sneaker wearing monster (later dubbed Gossamer but here referred to as Rudolph), 'Water, Water Every Hare' features some breathtaking visuals in the opening minutes. His home beset by flooding, an oblivious, soundly-sleeping Bugs is washed away on his mattress. This sequence is glorious to behold with its flowing water and cascading waterfall. Ultimately, this watery subplot plays only a small part in the cartoon, making the dreadful title even more unforgivable. Most of the action takes place inside the castle. The most famous sequence is the hairdressing scene in which Bugs assumes the role of a camp beautician spouting a monologue about all the "inter-resting" monsters he's met (this is actually a rehash of a similar routine in the previous Gossamer cartoon 'Hair-Raising Hare'). Far more memorable, however, is the climactic chase scene in which Bugs and the green faced scientist are both under the influence of ether and bound across the screen in slow motion. It's an appropriately striking climax to a particularly handsome and dreamlike cartoon which proves to be inventive and entertaining in equal measures. A lesser talked-about classic, no less.