Moulin Rouge

Whether or not the film accurately portrays the life and personality of Henri de Toulouse-Lautrec correctly, one thing you certainly have to say about "Moulin Rouge" is that it is a gorgeous movie. Not surprisingly, it won two Oscars--for Best Art Direction-Set Decoration, Color and Best Costume Design, Color. I am also a bit surprised it wasn't nominated for Best Cinematography, Color--as the film was exquisitely filmed--giving it a look and color that is second to none. It also received quite a few important nominations--including Best Picture, Best Actor and Best Director (among others). So, it is clearly a standout film for the era. I also suspect that the film might have been overlooked a bit over the years since, as an even more spectacular biopic of a painter, "Lust for Life" gained even more notoriety in 1956. Both films are absolutely gorgeous.

As to the life story of Lautrec, I am far pickier than most because I am a (among other things) a retired history teacher. I look for inaccuracies others might not notice. So, when I see Lautrec brooding CONSTANTLY in the film, I ask why they almost never show him smiling or acting human?! Sure, the real life character was a pathetic man in many ways, but he was a man--a three-dimensional man. Although Jose Ferrer did good in many ways, his performance lacked the fullness of a real man. He got the main and depression quite well--just not anything else. I also think that the film sanitized and over-glamorized Lautrec's relationship with one particular prostitute--whereas the real Lautrec had MANY sexual relationships--many. In the film, however, he hangs out with prostitutes and is quite chaste! Part of this, I am sure, is due to the Production Code. Sure, it was being relaxes in the 1950s--but not THAT much! Overall, a wonderful film but one that isn't perfect--but incredibly beautiful--breathtakingly so. For a great double-feature, try watching this immediately preceding or followed by "Lust for Life".

By the way, I realized why they changed Lautrec's life here and there for dramatic reasons, but he never fell down the steps and broke his legs. The legs actually were very brittle and broke doing much more mundane activities--such as falling out of a chair and breaking one of them. In other words, his genetic problems caused the break and the dwarfism--not some dramatic fall.

It's colorful, it's inspiring, it's striking....it's an artwork come to life. "Moulin Rouge" is an extremely well-made movie about the life of the famous French painter Henri de Toulouse-Lautrec. The first time I saw this movie it automatically became one of my all-time favorites. John Huston, the director of this movie, did an excellent job in depicting the life of Toulouse-Lautrec, a painter who lived a life of hardships yet became one of the most respected painters in the world. The twenty minute opening sequence is outstanding, showing a night at the Moulin Rouge, with its diverse performers. The sets throughout the whole movie are wonderful; you get to see everything from the brightly-lighted Moulin Rouge to the dark alleys of late 19th century Paris. The cinematography is just as wonderful; the shots perfectly capture the dance sequences. The performances are amazing. Jose Ferrer is great in the lead role. In fact, he plays two roles: as the painter Toulouse-Lautrec, and the painter's father--two great performances in one. Also, the actress named Collette Marchand gives a fantastic performance, playing the prostitute named Marie in the movie. Furthermore, it was interesting to see a then-young Zsa Zsa Gabor in this movie. She was actually pretty when she was young. I think that the most notable thing about this movie is how the director focused on Toulouse-Lautrec's sadness. In his moments of deep sadness, the painter was able to produce some of his greatest works of art....in spite of his alcoholism and his overall gloomy life, he made some very colorful paintings. 1952 was a very interesting and noteworthy year for movies. This movie was one of the motion picture highlights from that year. **** out of ****.

A drama/biography/musical from 1952? My wife just wasn't interested. But I insisted that there's no film like the original (i.e. the REAL) "Moulin Rouge." It's a biography of the renown French artist Henri de Toulouse-Lautrec from the 1890s who had very short legs and grew to stand only about 4'11" due to an accident and bone disease. Although he was from an aristocratic family he chose to live alone in Paris to pursue his art career. He would spend time at a local cabaret, Moulin Rouge, where he'd find inspiration for his art, as well as fuel for his increasing alcoholism.

Although Henri (José Ferrer) was brilliant artistically & intellectually, he understandably had a poor self-image due to his dwarfism, which was constantly reinforced by various mean-spirited people. Yet, he discovers love for the first time when he meets a spirited woman bred in the cobblestone jungles of Paris (Colette Marchand). Will this love enhance his life or ultimately poison him? I'll leave that for you to discover.

INTERESTING ITEMS:

• The opening dance hall sequences are highlighted by Katherine Kath (the redhead) and a young Zsa Zsa Gabor.

• José Ferrer is great as the protagonist with his commanding voice and interesting dialogues. His commentaries on life are brilliant and brutally honest, but also cynical.

• The viewer REALLY wants to see Henri find true love, happiness and victory, despite his deformity, but his cynicalism and alcoholism sadly enshroud him.

• The story is both entertaining AND thought-provoking. My wife & I had some good discussions after the film. For instance, real-life people & couples that the story brought to mind, the nature of existence as "unattractive" and unloved, missed opportunities thrown in our laps due to poor self-image and addictions, being a "has-been" and a "continue-to-be", etc.

• There's another significant female character who shows up in the third act, but I'm not sure of her name (in the movie or real life). In any event, the viewer will notice that she's NOT embarrassed to appear with Henri in public like the pathetic Marie Charlet. This is an important part; take note.

Since the film is a biography it could only end one way, but I won't spoil it for you if you're not familiar with the true story.

The film was shot in Paris and England and runs 2 hours.

FINAL WORD: Make no mistake, "Moulin Rouge" is a masterpiece. There's really nothing else like it. It's the perfect antidote to modern 'blockbuster' drek. Disregard the fact that it was released in 1952, particularly if you have a distaste for old movies, as "Moulin Rouge" is a timeless film both hugely entertaining and thought-provoking, not to mention REAL. After watching my wife expressed how much she liked the film and thanked me because she would have never chosen it on her own.

GRADE: A+

With the appearance of the 2001 movie entitled "Moulin Rouge" (see review) I went back to the Jose Ferrer version to add a review of it. Note that both films are entirely different in style and purpose; to equate them is to compare apples to pineapples.

This version, so well directed by John Huston, is not a wild frenetic musical but a very touching and moving character study of the great artist Henri Toulose-Lautrec, whose legs were badly mishappen and shortened by an accident early in his life leaving him basically a midget. His frustration at his appearance, and unattractiveness to women, forever scarred his short life that was curtailed by drink and other excess. Jose Ferrer was superb as this tortured yet brilliant soul; Ferrer also played expertly Henri's powerful father descended from French nobility.

"Moulin Rouge" began with a long scene in the club itself filled with dancing, exciting music, beautiful women, good friends,and lots of drink. The sets and costumes and were colorful and beautiful. After about half an hour we follow Henri home - and we see him, alone, so short and vulnerable, walking all alone through the dark streets of Paris. The contrast was most effective. Such was the REALITY of Henri's life. The remainder of the film focused on his unsatisfactory relationship with a prostitute he befriends, along with flashbacks to his privileged wealthy childhood.

Perhaps the most emotional scene was at the end. With Henri dying in his bed his father there tells him that he is the first living artist to be honored by having his work displayed at the Louvre. As he appealed for forgiveness for his previously harsh treatment, saying "I didn't understand", all Henri's old friends from the Moulin Rouge, as spirits (or hallucinations), visited him.

Like with the fine movie about Van Gogh, "Lust for Life", this even better movie is not necessarily always true to historical fact, but it is a cinematic classic.

HIGHLY RECOMMENDED!

Set around the fictionalised experiences of Toulouse-Lautrec this is a quite moving account of one man's search for love and artistic acceptance whilst struggling with his own sense of remoteness brought on by his disability.

The film is a touch longer than I felt it needed to be (some of the musical numbers could have quite easily been cut) and occasionally seems to lose it's momentum but is saved by gloriously gaudy direction and a great performance by Jose Ferrer as the diminutive Toulouse-Lautrec.

The scenes in the Moulin Rouge don't really convey how outrageous this club must have been back then - but I suppose that says more about our society than the film. Having said that, most of the dances come across as saucy fun and give you a bit of an idea of the atmosphere in the club.

This stands alone as a well crafted film that needs no comparisons with any other versions of Moulin Rouge due to it's focus on the difficult love and remoteness of it's main character. That said it does have patches that drag and sometimes it is easy to lose your concentration.