O Diabo, a Mulher e a Carne

There are many reasons to watch this movie:

1. Pier Angeli- this compelling beauty stirs a certain something in our hearts - at once familiar and then somehow mysterious.

2. Gene Kelly- in one of his rare turns in a serious, non-singing, non-dancing part...I agree with another reviewer who says he was a showman not really an actor - - but he does a fair turn here.

3. Historical- few people know that the Nazi movement did not die immediately after Hitler died. The besieged German people had not forgotten the horrors and were still susceptible to somber outlooks.

4. Geo-Architectural- those pictures in the Eagle's Nest were spine-tinglingly eerie, if not thrilling to see since it has been apparently taken down. Other scenes in the German towns and countryside are vastly more interesting than so many other canned backdrops to which we are normally subjected.

All in all, this film occupies its time well - it's not world-shaking, but to me, it will be unforgettable because of the former reasons - especially the historical and geo-architectural...but also, one of our few looks at the beauty of the co-star, the stunningly beautiful Pier Angeli.

The closing scenes of this film were shot at the ruins of the Berghoff, which was Hitler's actual residence in Berchtesgaden, most famous for the huge picture window that framed a picture-perfect view of the mountains of Germany and Austria. Since the actual building was torn down by the post-war German government during the 1950's (they were afraid of it becoming a Nazi shrine), this film represents a rare, motion picture view of what the site actually looked like during that period.

The location is now the site of the luxury Hotel- InterContinental Berchtesgaden and visitors can still see the same view of the mountains that Hitler built for himself.

"The Eagle's Nest", located nearby, was the informal name given to the Kehlsteinhaus, or the Fuhrer's Tea house, custom built for Hitler at the top of Kehlstein Mountain during the 1930's. The site survived the war and is now a tourist attraction owned by the local government and features a road carved into the shear rock face of the mountain and a deep tunnel with a brass elevator that takes visitors to the top. It was said that Hitler didn't like heights and only visited the Kehlsteinhaus a few times during his lifetime. Contrary to popular belief, the "Eagle's Nest" is not believed to be featured in this movie.

Until recent NATO reductions-in-force, the Americans had many military recreational facilities in Berchtesgaden which have since been turned over to the German government.

I don't have much to add besides what others have commented, except to support what was said previously, that the filming locations in post-WWII Germany and Austria are the most interesting features in this film. Views of Munich and Saltzburg give a clear picture of the extent of the devastation that resulted from bombing raids at the end of the war. But for me, what I found the most interesting was the last scenes filmed at Berchesgarten in the ruins of Hitler's Eagle's Lair where the head of the Neo-Nazi organization seeks refuge after being chased by Gene Kelly et-al. This is the only movie I recall that showed this location before it was eradicated.

During WWII, American pilot Jeff Eliot (Gene Kelly) was shot down over Germany and hidden by a German family. Since then, he's been sending packages regularly to them. After all, post-war Germany is a mess, food is severely rationed and poverty is everywhere. Now, several years later Captain Eliot is returning to Germany during his Christmas break to renew old times with the family. However, he soon learns the family was burned out in a bombing raid and another family has been pilfering the packages and saying nothing.

A bit later, he recognizes the daughter, Willie (Pier Angeli) in a cheap cantina and they renew old times. However, oddly, he never mentions these care packages when she treats him like an ungrateful American. I have no idea why this was done this way. Regardless, they eventually decide to spend the holiday, in part, in Salzburg and he doesn't realize that she works for scum-bags from 'Silhouette'...a group of ex-Nazis working evil in post-war Germany. When the American military bring this to his attention, Eliot is a bit dippy and doesn't believe his sweet fraulein could be in league with these people...and does she even know who they are?

This is a decent espionage film shot on location in Germany and Austria. The scenes are quite nice and add a lot to the authenticity of the movie. My only quibble is that it seemed very odd that they cast Ms. Angeli in the lead, as she's Italian, not German.

One of many of the post-war (WW II)films built around the theme of German nationalist's out to rebuild the Nazi Reich, this one is a bit less documentary-styled than most of the others. But the screenplay( by Jerry Davis) pulls few punches in depicting the Munich of 1947---the bombed-out homes, the bitterness, the German self-pity (justifibaly so in most cases, but with the blame placed on the wrong doorsteps) and the struggle and fight for survival.

Simplified, the story has U.S. Captain Jeff Elliott (Gene Kelly) returning to Germany to visit the family that once saved his life, learns that the only one still alive is the family's youngest, Wilhelmina "Willie" Lehrt (Pier Angeli), as the rest of the family were victims of an Allied air raid strike. "Willie", now working as a cabaret singer and forcibly-involved with a gold-smuggling gang, working to restart Hitler's 1000-year reign-plan,does not receive Elliott with open arms.

The film, as originally shown in the USA in the 96-minute version, is primarily all-characters speaking English, but IS sub-titled when the characters speak German. (Maybe they felt no need to outside of English-speaking countries.) Shot on location, including shots at Salzburg and a scene in the Mozarteum and the finale which finds the Nazi leader trapped in the ruined desolation of Hitler's Berchtesgaden Eagle's Nest.

Songs heard in the film include "Can Love Come Back Again." "Oh, Christmas Tree" and "Wie Sole Das Bazahlen."