O Diabo, a Mulher e a Carne

There are many reasons to watch this movie:

1. Pier Angeli- this compelling beauty stirs a certain something in our hearts - at once familiar and then somehow mysterious.

2. Gene Kelly- in one of his rare turns in a serious, non-singing, non-dancing part...I agree with another reviewer who says he was a showman not really an actor - - but he does a fair turn here.

3. Historical- few people know that the Nazi movement did not die immediately after Hitler died. The besieged German people had not forgotten the horrors and were still susceptible to somber outlooks.

4. Geo-Architectural- those pictures in the Eagle's Nest were spine-tinglingly eerie, if not thrilling to see since it has been apparently taken down. Other scenes in the German towns and countryside are vastly more interesting than so many other canned backdrops to which we are normally subjected.

All in all, this film occupies its time well - it's not world-shaking, but to me, it will be unforgettable because of the former reasons - especially the historical and geo-architectural...but also, one of our few looks at the beauty of the co-star, the stunningly beautiful Pier Angeli.

One of many of the post-war (WW II)films built around the theme of German nationalist's out to rebuild the Nazi Reich, this one is a bit less documentary-styled than most of the others. But the screenplay( by Jerry Davis) pulls few punches in depicting the Munich of 1947---the bombed-out homes, the bitterness, the German self-pity (justifibaly so in most cases, but with the blame placed on the wrong doorsteps) and the struggle and fight for survival.

Simplified, the story has U.S. Captain Jeff Elliott (Gene Kelly) returning to Germany to visit the family that once saved his life, learns that the only one still alive is the family's youngest, Wilhelmina "Willie" Lehrt (Pier Angeli), as the rest of the family were victims of an Allied air raid strike. "Willie", now working as a cabaret singer and forcibly-involved with a gold-smuggling gang, working to restart Hitler's 1000-year reign-plan,does not receive Elliott with open arms.

The film, as originally shown in the USA in the 96-minute version, is primarily all-characters speaking English, but IS sub-titled when the characters speak German. (Maybe they felt no need to outside of English-speaking countries.) Shot on location, including shots at Salzburg and a scene in the Mozarteum and the finale which finds the Nazi leader trapped in the ruined desolation of Hitler's Berchtesgaden Eagle's Nest.

Songs heard in the film include "Can Love Come Back Again." "Oh, Christmas Tree" and "Wie Sole Das Bazahlen."

The movie grabs your attention immediately and doesn't let go until the end. Post WII Germany is one of the main characters here and it's fascinating to see the bombed out buildings and how people had to live after the war. The fact that it was filmed on location in winter only adds to the mystery.

As for Gene Kelly not being an actor but only a showman, watch him in Inherit the Wind, and you may change your mind. His non-dancing roles were not really all that rare, even during his heyday as a dancer.

Pier Angeli, who was Italian, is cast as a German girl. That doesn't quite work for me, as her German isn't good enough for her to have been a native, yet her appealing nature, her huge eyes and her inherent sweetness help her performance as woman whose innocence has been lost.

The corruption and struggle to rebuild in Germany and Austria after the war is something that most people do not really know much about. Other recommended movies that deal with this subject are A Foreign Affair and The Third Man.

The concept of the movie is pretty interesting; The post WW II effects on Germany. Too bad that the movie chooses a completely uninteresting approach.

The story seems to be going nowhere and for an hour it mostly consists out of continuing drivel between Gene Kelly and Pier Angeli. The movie shows some mystery and action tendencies but none of them really pushes through. It makes "The Devil Makes Three" an unsatisfying and also quite redundant movie to watch, despite its very interesting and also original concept. There really aren't that many movies that concentrate on post WW II Germany. Too bad that they couldn't come up with a more interesting story and approach of it.

The movie does get much better and interesting in the end, when a new Nazi order comes in the story but there is nothing in the story before this that even hints to this plot-element. The movie as a whole therefor feels disjointed and the ending comes too late to safe the movie as a whole.

Director Andrew Marton had more success working as a second unit director, with movies such as "Ben-Hur", "Kelly's Heroes" and "The Day of the Jackal".

It definitely helps that the movie was obviously shot at location and in the early '50's, right after WW II. Germany was still in ruins for some parts and the movie uses this backdrop gratefully. It helps to make the movie look and feel realistic and it works obviously better than the normal fake- and studio work. All of the locations seem to be the real thing, including Hitler's Eagle's nest (The Kehlsteinhaus), that was near Berchtesgaden, which at the time of filming was subsequently used by the Allies as a military command post until 1960, when it was handed back to the State of Bavaria.

Guess lots of people are having trouble with seeing Gene Kelly in such a serious role as this one but in all fairness, he pulls it off quite well. He shows that he also knew how to act, besides being normally mostly just a 'show-man' or entertainer. Pier Angeli also plays nicely but her character just isn't the most compelling one. At first you mostly hate her and she is irritating, in the second halve of the movie you're supposed to care about her. This approach just doesn't work out, at least not good enough.

Not an awful movie but still an uninteresting and redundant one.

6/10

http://bobafett1138.blogspot.com/

I don't have much to add besides what others have commented, except to support what was said previously, that the filming locations in post-WWII Germany and Austria are the most interesting features in this film. Views of Munich and Saltzburg give a clear picture of the extent of the devastation that resulted from bombing raids at the end of the war. But for me, what I found the most interesting was the last scenes filmed at Berchesgarten in the ruins of Hitler's Eagle's Lair where the head of the Neo-Nazi organization seeks refuge after being chased by Gene Kelly et-al. This is the only movie I recall that showed this location before it was eradicated.