Paper Bullets

This movie is still alive and kicking today thanks to the presence of Alan Ladd. This is good in one way because the movie has some interesting things to say, but bad in another because everyone who watches it expecting that tough-guy Ladd is going to hoop through his usual paces, is going to be mighty disappointed. Without fanfare or introduction, Ladd is suddenly introduced in the third reel. True, his role is a key one but it's small and likely to get lost in the shuffle. There are many key roles in former newspaperman Martin Mooney's ambivalent screenplay which hits out at all political alliances and quite ruthlessly denigrates Reform candidates. It's the lovely and extremely talented Joan Woodbury who ties the various strands of the wide-ranging story together. Unlike the usual Hollywood production, the plot actually proceeds in a series of jumps, much like the films later turned out by the French "New Wave", though easier to follow here, especially if you are aware that the film's original title was Paper Bullets. Nonetheless, some of the film's narrative and character switches are a little disconcerting, particularly in the role played by Jack LaRue who has wisely elected to act the part in a strangely non-committal way. One of Jack's best acting jobs ever, but no-one is likely to notice, alas!

Although Alan Ladd has a supporting role in Paper Bullets and in fact gives the film its title, the star here is Joan Woodbury who plays a girl done wrong by the worthless guy she loves and then starts taking it out on a lot of people.

In a brief prologue to the story Woodbury as a child sees her gangster father gunned down for being a stool pigeon. She then spends the rest of her childhood in an orphanage where she meets two of the men who would later play critical roles in her life.

This woman learned not a thing from her tough upbringing however. She stupidly agrees to plead guilty to a vehicular homicide that her drunk date Philip Trent committed and she goes to prison for it. That gives her a far more cynical attitude and for the rest of the film, Woodbury is giving as good as she gets as she rises in the gangland underworld.

Woodbury developed one interesting character, it's a pity that it is attached to a muddled story which drifts off on tangents. The two men in her life are aircraft designer John Bryant and gangster Jack LaRue who also were in that same orphanage. LaRue has a similarly interesting character, but he's also defeated by the script and horrible editing.

As for Alan Ladd he's the only reason this PRC B feature is remembered. He also shows something of what his tightlipped screen persona would be like when he became a star. Ladd plays an undercover cop.

As for the title Ladd tells one of his associates that the gangsters now use Paper Bullets to control a city which are votes. Now that's something today's audience can identify with.

I couldn't make heads or tails out of this terrible film noir.

The plot was confusing, the acting was alright, but the picture quality was awful! Though I bought this at a "Gansters Double Pack" (8 movies on two discs) at WalMart for $5.50 and when you put the DVD in, it apologizes for the awful picture quality that some of the movies may have.

The plot was flip flopping everywhere I couldn't understand it and had no idea what was going on...then "The End" popped up and the movie was over.

What a waste of my time!

I say don't waste your money or time on this! Or if you too bought that Gansters Double Pack then just skip over this one...

2/10

This obviously was a pretty low budget production, but the cast was pretty decent, the basic premise had promise, and something more could have been done with it, but the script wasn't that great- the plot is incoherent and seems almost random at times and the dialog is stilted and terrible.

Basically, a girl's father gets whacked by fellow gangsters, and later she becomes a robber, and wants to avenge his death, and then it goes into a mob protection racket involving corrupt politicians.

Alan Ladd gets top billing but he really plays a very minor role.

I have to say I found it mildly entertaining in its archaic B-grade hokiness but it really is shoddy and pathetic.

As a young lass, beautiful Joan Woodbury (as Rita Adams) was orphaned, after her "stool pigeon" father was shot to death. As a young woman, Ms. Woodbury finds herself struggling to keep a job, as her murdered father's ex-convict status makes Woodbury a bad business risk. Woodbury rooms with understanding songstress Linda Ware (as Donna Andrews), who advises Woodbury to get in touch with old orphanage friends John Archer (as Bob Elliott) and Jack La Rue (as Mickey Roman). But, none of her friends can help when Woodbury is the victim of a scam, which lands her in prison. Upon release, Woodbury decides to give the male mobsters a run for their money…

Re-titled "Gangs, Inc.", this is an obviously weak, cheap mobster melodrama. Still, it's a lot of fun to watch Woodbury work wonders with inferior material. She plays the innocent growing more sophisticated "Rita" quite convincingly; and, she tosses in a great bit as a blonde hooker. Woodbury must be added to the list of unfortunately underutilized Hollywood actresses of the past. "Paper Bullets" also features an early Alan Ladd (as Jimmy Kelly aka Bill Dugan). Ms. Ware, who sang the hit "An Apple for the Teacher" with Bing Crosby, sings a couple of fair '40s numbers nicely. But, mainly, it's Woodbury's show.

**** Paper Bullets (1941) Phil Rosen ~ Joan Woodbury, Linda Ware, Alan Ladd