Minha Vida com Caroline

With a few exceptions (such as THE STORY OF MANKIND), Ronald Colman could have appeared in almost any film and made it worth watching. His smooth and apparently effortless performances made many mediocre films (such as this one) well worth seeing. As usual, he's THE reason to see this movie.

MY LIFE WITH CAROLINE has a pretty shallow and impossible to believe plot. His wife is an apparently brainless idiot (Anna Lee) and falls in love at the drop of a hat with other men who pay attention to her. He husband, Colman, is either completely cold and indifferent to her (leaving her alone for months at a time) or he is an ardent manipulator and suitor--a strange combination to say the least. None of this really makes sense and the characters seem....dumb. However, even though the plot is mindless, if you suspend belief you CAN find a fun and enjoyable film underneath it all. But, if you want your films to make sense or have some semblance of realism, then this one is best skipped.

The wonderfully urbane Ronald Coleman is show-cased here as in few other of his films. He is literally in every scene and this comical movie remains fresh because of him, not in spite of him. He is handsome, witty and very clever here as he remains a step ahead of his wandering, lovely wife--played perfectly by Anna Lee. The movie is based on a french play and brings all the best qualities of that farce. Most of the supporting cast is well known, at least by face if not name...and are absolutely perfect for this very funny film. The fantastic Mr. Coleman is a combination of Sean Connery and Clark Gable as he stays a step ahead of the other characters. His multi-talents can be further appreciated in the classic "Lost Horizon" which every film buff must see.

This almost unknown gem was based on a French farce--which shows, and I mean that as a compliment.

Caroline (Lee) is being courted by a wealthy Argentinian (Roland), who asks her father for her hand in marriage. But Caroline is already married to Anthony (Colman), who has just arrived by plane and launches immediately into an audience-directed reminiscence about the last time Caroline decided she was in love with someone else: a dilettante-ish sculptor (Gardiner). The film plays out the story of Anthony's strategy in uncoupling Caroline from her sculptor, and how that experience aids him with her Argentinian.

It is perfectly cast: Ronald Colman is at his most sophisticated and charming, Reginald Gardiner is at his most priggish, Gilbert Roland is at his most exotic, and Anna Lee is just deliciously whimsical. The film is wonderfully directed by Lewis Milestone (who also produced); the whole production feels like a labor of love. There are wonderful touches, such as Colman breaking frame and addressing the camera, and exceptional use of a sliding bar-cabinet door. It is a sin that it hasn't been released on DVD--this is the kind of film that can singlehandedly awaken interest in classic film.

My Life With Caroline had as its origins a play called The Parisian Life by Louis Verneuil and Georges Barr which did not do well on Broadway in its American debut. Still Ronald Colman and producer partner William Hawks saw something in it to make it the second of a two picture deal with RKO. The other film was Lucky Partners.

Colman was not happy with either film though he felt My Life With Caroline decidedly worse. If ever a film called for the Lubitsch touch My Life With Caroline is it. In his hands rather than Lewis Milestone's the film might have made it as a comedy.

The Citadel Film Series book The Films Of Ronald Colman says that leading lady Anna Lee acts a whole lot like Gracie Allen. If so than Colman has a George Burns moment at the beginning of the film. Gilbert Roland fresh from the Pampas has flipped for Lee and wants to take her back to Argentina, husband or not. Then Colman arrives on the scene and like Burns did regularly on his television show, Colman proceeds to break the fourth wall and tell Roland will not be the first or last to fall for wife Caroline, the girl just can't help it and Colman can't help but to put up with it. And as illustration Colman tells us about her last little flirtation with Reginald Gardiner and how that all ended up.

The debonair Ronald Colman is up to the task of carrying My Life With Caroline and he does bear the burden admirably. The problem is comedy should not be a burden.

Ronald Coleman's company, which produced this film for RKO, chose playwright John Van Druten to adapt a 1935 French farce by Henri Verneuill to film. Although on the surface, Colman would appear to be perfectly cast--suave, urbane, witty, charming-- something essential is missing. There is no sex in this sex comedy. Unlike the French, these sophisticated Americans don't seem to go the bed with one another, or even think about it. Instead, they take naps and drink a lot. Lubitsch, had he directed, might have found a way to add the missing attraction and tension, but the film's director, Lewis Milestone, excellent craftsman as he was, avoids it all together. Given the censorship restrictions of the time, perhaps this was an impossible project to begin with, untranslatable. There are some worthwhile moments, however, in this 1941 pre-Pearl Harbor glossy studio-bound film. Reginald Denny, for one, is far less cloying than usual, and has some wonderful moments with Colman. The rest of the cast, particularly Anna Lee, is first-rate.