Intrigas Desvendadas

I did not know this little movie produced by Republic Studios. I don't know the director either. Not a crime movie but an entertaining mystery yarn indeed. Typically from the early 40's, well paced and little comedy too. Look for Peter Lorre in the Mr Hyde character.

Dennis O'Keefe is also the good surprise of this little movie.

It's always a good surprise to find this kind of forgotten film. The score is the same as the Republic serials, especially in the action sequences. In the car chase for instance. I did not expect so much from this feature.

It's available in the Forgotten Noir disc set.

Go for it.

Someone decided that the radio series, Mr. District Attorney, was too serious and the film version should be crammed with comic relief. Thus you have Dennis O'Keefe as a Harvard law school graduate (summa cum laude no less) who's a nutcase in the courtroom and equally muddle-headed when he's assigned to find a master criminal named Hyde. From time to time, he literally bumps into Florence Rice as a newspaperwoman who's out to outwit the competition by solving the Hyde mystery. When O'Keefe isn't accidentally plunking her on her prat, she goes all out to get a scoop, hiding in the trunk of a car she suspects is en route to pick up Hyde. Fortunately, no key is required to open the trunk from the outside or the inside. Meanwhile, Peter Lorre -- as Hyde -- obviously thinks he's in a totally different movie, playing it psychotically straight, projecting the kind of sibilant menace of which he's the acknowledged master. As usual, he's terrific. Too bad the movie isn't, as well.

This is one of three movies bundled on a DVD entitled "Forgotten Noir", though I really wouldn't consider it an example of film noir. It's more a kooky movie where one of the characters just happens to work for the District Attorney. Dennis O'Keefe plays a recent Harvard Law graduate and from the start he irritates his boss to no end. So, to punish him, he's given a dead case--one no one else wants. However, when the missing witness suddenly shows up, this becomes a very hot case and O'Keefe and his spunky female reporter friend (what a cliché!!) do what any assistant DA would do--investigate the crime and get caught up in the middle of it.

The bottom line is that none of this is the least bit believable and the idea of these two kooky characters solving a crime is silly. But, the characters are likable and if you only look at it as a kooky B-mystery, you'll not be disappointed. Not bad, but clearly a low-budget B-film.

1941's Republic version of the radio series "Mr. District Attorney" is far more lighthearted than its source, starring Dennis O'Keefe as Prince Cadwallader Jones, rookie assistant to DA Winton (Stanley Ridges), assigned to an old case involving the missing Paul Hyde (Peter Lorre), whose hidden cache of embezzled loot mysteriously turns up at the race track. There are red herrings and murder victims, but it's a waste of Lorre, in a criminally small role. Florence Rice supplies much comedy as nosy reporter Terry Parker, who also shows a tendency to get into hot water. The 1947 version from Columbia was probably more faithful than this one, certainly more serious; highly enjoyable in a breezy style, upper class for Poverty Row's Republic Pictures, who followed it with a pair of little seen sequels, "Mr. District Attorney in the Carter Case" and "Secrets of the Underground" (both featuring different actors in the lead).

Dennis O'Keefe is straight out of law school. He comes to LA to wangle a job on District Attorney Stanley Ridges' staff, and promptly annoys newspaperwoman Florence Rice and gets a crook a mistrial, Then he gets assigned to a case that has gone nowhere for years, involving Peter Lorre, the missing cash from an old bank robbery, and Minor Watson, who is running for Ridges' job and looks to be a shoo-in.

It's the first movie version of the popular radio show, and a pretty lively one. It has lots of gags in the relationship between O'Keefe and Miss Rice, both of them excellent farceurs, gradually moving into a crime and action sequence, with an exciting chase. It's directed by William Morgan, one of those directors who had been editors, and thus could 'cut in the camera' for an economical shoot. His career was never particularly distinguished, but he does a good job here, with a good script. Definitely worth your time.