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IMDbPro

Sangue Acusador

Título original: Undertow
  • 1949
  • Approved
  • 1 h 11 min
AVALIAÇÃO DA IMDb
6,6/10
1 mil
SUA AVALIAÇÃO
Scott Brady, Dorothy Hart, and John Russell in Sangue Acusador (1949)
Film NoirCrimeDramaThriller

Adicionar um enredo no seu idiomaA paroled convict is framed for murder and must clear himself before the police catch him.A paroled convict is framed for murder and must clear himself before the police catch him.A paroled convict is framed for murder and must clear himself before the police catch him.

  • Direção
    • William Castle
  • Roteiristas
    • Arthur T. Horman
    • Lee Loeb
  • Artistas
    • Scott Brady
    • John Russell
    • Dorothy Hart
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    1 mil
    SUA AVALIAÇÃO
    • Direção
      • William Castle
    • Roteiristas
      • Arthur T. Horman
      • Lee Loeb
    • Artistas
      • Scott Brady
      • John Russell
      • Dorothy Hart
    • 16Avaliações de usuários
    • 16Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos64

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    Elenco principal35

    Editar
    Scott Brady
    Scott Brady
    • Tony Reagan
    John Russell
    John Russell
    • Danny Morgan
    Dorothy Hart
    Dorothy Hart
    • Sally Lee
    Peggy Dow
    Peggy Dow
    • Ann McKnight
    Bruce Bennett
    Bruce Bennett
    • Det. Charles Reckling
    Gregg Martell
    Gregg Martell
    • Frost
    Robert Anderson
    Robert Anderson
    • Stoner
    Dan Ferniel
    • Gene
    • (as Daniel Ferniel)
    Rock Hudson
    Rock Hudson
    • Detective
    • (as Roc Hudson)
    Charles Sherlock
    Charles Sherlock
    • Cooper
    Anne P. Kramer
    • Telegraph Clerk
    • (as Ann Pearce)
    Bobby Barber
    Bobby Barber
    • Tony
    • (não creditado)
    Marjorie Bennett
    Marjorie Bennett
    • Wife at Reno Bar
    • (não creditado)
    Edward Clark
    Edward Clark
    • Drugstore Clerk
    • (não creditado)
    James Conaty
    • Gambler
    • (não creditado)
    Sayre Dearing
    Sayre Dearing
    • Gambler
    • (não creditado)
    Robert Easton
    Robert Easton
    • Fisher - Parking Lot Valet
    • (não creditado)
    George Eldredge
    George Eldredge
    • Pop
    • (não creditado)
    • Direção
      • William Castle
    • Roteiristas
      • Arthur T. Horman
      • Lee Loeb
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    6,61K
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    10

    Avaliações em destaque

    6bmacv

    Pretty much pure plot, still, one of the bricks making up the noir cycle

    There's more to Undertow than the first screen credit of young `Roc' Hudson (in fact his tiny role as a police detective barely registers). It's one of a handful of noirs that William Castle directed before turning his attention to, and making his name in, gimmicky schlock. While none of them is so good as his first – When Strangers Marry, with Robert Mitchum and Kim Hunter – they're more than passable. As is Undertow.

    Scott Brady looks like Lawrence Tierney's kid brother (which in fact he was). In Reno after a stint at a mountain lodge he wants to buy and run, he bumps into an old pal from mobbed-up Chicago (John Russell). They compare the diamond rings they've bought for their respective fiancees, though that doesn't stop Brady from flirting with a girl (Peggy Dow) he met in a casino and shares a flight home with. Since the police meet him at the plane, any extracurricular romance comes to naught, so Brady dutifully hooks up with his intended (Dorothy Hart). Next thing, he's taken for a ride and framed for the murder of unseen crime boss Big Jim, who happens to be Hart's uncle. Trying to clear himself while on the lam, he enlists Dow's help; he also happens to stumble onto the fact that his fiancee and Russell's are the same woman....

    Undertow is pure story, competently enough executed if devoid of anything particular to lodge in the memory. It preserves evidence of why Brady stayed in his brother's imposing shadow, and leads one to wonder why Hart made so few movies (though, of her handful of credits, roughly half are noirs). While not an essential title in the noir cycle by any means, Undertow was one of the hundreds of titles that went into making it a cycle, and far from the weakest of them.
    dbdumonteil

    A house with a long corridor

    Today ,William Castle is known as the man who bought Ira Levin's "Rosemary's baby " rights and produced one of the best horror movies of all time.

    "Undertow" has a quite derivative screenplay but the director made the best of it and any film noir buff can give it a chance :it thoroughly deserves it.It features at least one unforgettable scene: the chase in the long corridor which gives you goose flesh.Of the two female leads,I prefer Dorothy Hart to the rather bland Peggy Dow.

    In the 1968 movie Castle produced ,there was a corridor which played a prominent part too.
    GManfred

    Not Clever But Passable

    "Undertow" is a simplistic example of a good 'B' picture, your basic Film Noir 101 movie. There are no surprises, lots of coincidences and plot contrivances, and the endgame is telegraphed about midway through. Screenwriters could have written this one in their sleep, which may account for the flawed, unsatisfying nature of Undertow.

    The cast is attractive; several familiar 'B' actors put this picture over with performances that infuse it with much-needed energy. I thought Scott Brady, John Russell, Bruce Bennett and Peggy Dow were just fine, production values were good, but the movie lacks suspense and tension. Every time a crucial scene would come up you just knew the outcome.

    Nevertheless, 'Undertow" succeeds in its own unsophisticated way, and for 40's theater audiences it would have been a good time killer while waiting for the main feature to come on.
    7bensonmum2

    A very nice surprise

    Having returned to Chicago, Tony Reagan (Scott Brady) is accused of murdering a wealthy, powerful man who happens to be his fiance's uncle. Injured and with the police hot on his trail, Reagan has few places to turn. He eventually seeks the assistance of a woman he hardly knows. He met her the previous day on the flight to Chicago. With her help, Reagan's out to clear his name.

    Undertow is a neat little film noir that, until last night, I had never heard of. I was shocked at how much I enjoyed it. The story has a lot of suspense that builds throughout. There may have been a few predictable bits in the plot (like the murderer's ID) and some big coincidences (like a friendly cop who agrees to help), but the journey is so much fun it hardly mattered. Director William Castle (yes, that William Castle) proves that he could do more than churn out sensational schlock. His pacing in Undertow is about perfect. The film also looks phenomenal. Cinematographer Irving Glassberg lensed a movie that looks far better than it has a right to. But, then again, I seem to say that about a lot of the Universal B picture output from the 40s. Finally, I enjoyed the exterior 40s-era footage. Whether it was the airport, the plane, or downtown Chicago, it was awesome stuff.

    I have no complaints as far as the acting goes. Generally, I'm not much of a fan of Scott Brady. There's just something about him that puts me off. Here, however, I thought his performance was more than adequate. As for co-star Peggy Dow - what a revelation! Considering this was her first film role, she was amazing. Dow plays the sweet, innocent, cute, trusting, fresh-faced, all-American girl about as well as anyone I've ever seen. Looking over her filmography, I'm saddened to see she only made nine films. I'm going to make it my mission to see as many of these as I can. The rest of the supporting cast - John Russell, Dorothy Hart, Bruce Bennett - are equally strong. Finally, the film features a blink-and-you'll-miss-it moment from a fresh-faced Roc (with no k) Hudson.

    Overall, a nice little film that I'm happy to have stumbled upon. Undertow gives me hope as I continue my journey through some of these smaller, lesser known film noirs.

    7/10.
    7planktonrules

    William Castle directs this dandy little noir thriller.

    Tony (Scott Brady) is the perfect patsy. He's an ex-con and the Chicago police are more than willing to believe the worst of him. So, when some unknown people kidnap him, shoot him and set him up for his future father-in-law's murder, the case seems pretty air-tight. However, like so many noir films, he investigates the case himself and aims to prove his innocence. Along the way, he gets the help from a nice lady and even from a cop.

    "Undertow" is an excellent and enjoyable film. While Peggy Dow's character makes no sense (why would anyone help a wanted man when they barely know them?!), the overall story is quite well made and keeps your attention. It has some excellent twists and the acting is quite good despite the actors mostly being second-tier. It sure helped having the excellent director William Castle in charge, as he had a habit of making the most of lower budgets.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Large speaking role for Gene (Dan Ferniel), the black chauffeur. There is also a black butler with more than just a few lines. A few black people can be seen in the background in some of the crowd scenes walking down the street in Chicago.
    • Erros de gravação
      When Ann McKnight is throwing the dice at the roulette table, her purse changes orientation from cut to cut. It starts with her holding it under her arms then it is resting on the roulette table and then it is under her arms again.

    Principais escolhas

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    Perguntas frequentes14

    • How long is Undertow?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 3 de dezembro de 1949 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Streaming on "Broken Trout" YouTube Channel
    • Idioma
      • Inglês
    • Também conhecido como
      • Undertow
    • Locações de filme
      • Chicago, Illinois, EUA
    • Empresa de produção
      • Universal International Pictures (UI)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 11 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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