O Médico e o Monstro

Spencer Tracy is magnificent in this, doing Mr Hyde basically with changes in behavior and agility rather than heavy make-up. He scared me to death when he vaulted over a railing and down a couple fo flights of stairs.

This is more of a thriller than a horror movie and done long before it became fashionable to throw tons of money and big-name performers at horror classics in order to produce blockbusters that were once just silly.

This supposedly cleaned-up version has Hyde asking Ingrid Bergman if she likes him because he's a little bit Jeckyll or Jeckyll because he's a little bit Hyde.

So many people are fussing that this movie turns the prostitute into a bar maid. Folks, in that part of London at that time, bar maids WERE prostitutes.

I find any moster more scary with no facial hair or deformities added. This Mr Hyde could well exist in real life. In fact, he DOES exist in real life. Once in a while we manage to prove it and put him in prison.

I just saw this movie for the first time a few days ago and really enjoyed it. I must say I was a little surprised by the bits of "erotic" imagery. I wonder what people thought of that back in 1941. The performances by Ingrid Bergman and Spencer Tracy were very good. Ingrid is mesmerizing and beautifully effervescent. Her strange accent though is at first hard to comprehend. (Is she supposed to be Swedish, Irish, Cockney or what?) It's also fun to see how they managed the special effects - if you look closely at any one of the action scenes involving Mr. Hyde, there are many very obvious stunt doubles and other endearing "mistakes". I also thought it had just enough philosophical underpinnings to make it not just a old fluff "horror" movie.

I had the fortune of seeing BOTH this version and the 1931 Frederic March version only about a week apart. Because of this it gave me an excellent chance to compare and contrast them. And it also gave me a chance to see that the two films were extremely similar--so similar that the later MGM film seems more a remake of the 1931 film and not an adaptation of the original book. There was much more similarity between the movies than the book. And, while they both are good, I would definitely say that I preferred the earlier version.

Since the 1931 film was made during the so-called "Pre-Code" era before the guidelines of the production code governing morality in pictures was enforced, it is a more "earthy" and sexually charged film. In this earlier version, March develops the chemical formula simply out of curiosity and a desire to "sow wild oats" without detection. In other words, since Mr. Hyde looked more like a half-man/half-chimp, he could whore around without getting caught or ruining his reputation. The 1941 version had much nobler intent, as nice-guy Dr. Jekyll created his elixir in order to separate the good and evil aspects of our personalities so we could live purer and more wholesome lives without our subconscious evil desires impeding us! In addition, since the 1931 version was pre-Code, it tended to show more skin and imply more about sex, whereas the 1941 version showed Hyde more as a sadist. In general, the 1941 version was a little bit tamer and more "family-friendly", though I think both are fine for older kids.

There were a few negatives I noticed in this otherwise well-made film. One was that Hyde looked almost exactly like Dr. Jekyll. This MIGHT have been a daring and intelligent way to take the movie (though certainly NOT in keeping with Robert Lewis Stevenson's book)--showing the "monster" as looking like a sloppy man, but a man nevertheless. However, this makes no sense, as Ingrid Bergman (the woman Hyde desires) already met Dr. Jekyll BEFORE meeting Hyde and yet couldn't see that they were the same guy! At the very least, she should have thought they were brothers! But, to go to Dr. Jekyll and complain about how abusive Hyde was just seemed silly.

Also another quibble is with the choice of Ms. Bergman as the earthy barmaid (in the 1931 version, she seemed more like a prostitute than a member of the working poor). Changing her part a bit wasn't the problem, but that Ingrid sounded like a Swedish lady trying to sound Cockney--which is what she was! At times, she forgot the accent altogether and at other times she just sounded kind of weird. She was a wonderful actress, but the casting decision was dumb.

As far as Tracy goes, he was fine as Jekyll, but there were times when it was obvious that you were watching a stuntman instead of Tracy. The scenes just weren't done very well and you can't blame Tracy for this but the director. Just watch the scene in the hallway after Hyde's confrontation with Bergman--it's pretty obvious that the guy jumping about isn't Tracy and it doesn't look much like him.

One observation about Tracy. I've recently read a biography about him and choosing him to play the lead was pretty interesting because in real life, Tracy definitely had a "Jekyll and Hyde" personality. When he was sober (which apparently wasn't often enough), he was a sweet guy, but when he drank he was abusive and very reminiscent of the dreaded Hyde. I wonder if anyone at the time noticed this.

For years I knew that Fredric March had won one of his Oscars for DR. JEKYLL AND MR. HYDE back in the '30s and always assumed that because of this his performance was superior to Spencer Tracy's.

But having just seen the Tracy-Bergman-Turner version, my opinion has changed. Whereas the make-up for March makes him look like a cheap monster in a Universal thriller and almost Simian, Tracy achieves a distinctly chilling effect simply through posture and facial expressions alone with a minimum of make-up. His first encounter with the barmaid Ivy (Ingrid Bergman) is beautifully done with both of them registering emotions as they play against each other--Tracy with a wicked gleam in his eye and Bergman trying to hide her fear. She creates a really sympathetic character, especially when she realizes the extent of her degradation. Her scenes with Tracy where he is sadistically taunting her remind one of the cat-and-mouse game she played with Charles Boyer in "Gaslight".

The B&W photography realistically captures Victorian London after dark with its swirling mists and street lamps. All of the performances are first rate except for an uncertain Lana Turner who has a pallid role and can do little with it.

The only flaws are the film's length--it takes too long to tell the tale with its long-winded speeches--and the leisurely pace under Victor Fleming's direction makes the horror more muted than it need be.

It was probably too soon for Spencer Tracy to have tried a remake of Dr. Jekyll and Mr. Hyde. Ten years was not long enough for people to forget Fredric March's Oscar winning performance from the Paramount classic of 1931. This version of the Robert Louis Stevenson horror novel drew for Tracy some of the few bad reviews he ever got as a player because it was too soon. Time has been good to this film and we can see the differences in interpretation.

The Jekyll character that Tracy creates is a soft spoken guy, a lot like Father Flannagan. He's a medical doctor, more interested in research than in a practice. Before Sigmund Freud ever coined the terms ego and id to describe man's duel nature of good and evil, Stevenson had those same notions about man's behavior and incorporated them in his novel.

The Hyde character was a bold experiment. Tracy was probably the player in Hollywood who disliked makeup the most. Yet for this film and for few others, he allowed himself to be made up ever so slightly to suggest the evil Hyde. It was a far cry from the simian appearance of Fredric March's Hyde and Tracy got criticized for it. Retrospectives now are kinder to him and his method of interpretation.

Stepping into the female roles played by Rose Hobart and Miriam Hopkins in the March version are Lana Turner and Ingrid Bergman. Lana Turner although later she played quite a few sexpots was at this stage of her career playing very winsome proper young ladies and not doing a bad job of it.

Ingrid Bergman plays Champagne Ivy, probably one of the most luckless characters in fiction. Ivy was not in the original novel, she was in the play that was adapted from the Stevenson novel and she's come down to us ever since. This poor girl, no better than she ought to be meets Tracy as Jekyll and he's attracted, but engaged to Turner. When he becomes Hyde, the beast within him remembers and stalks Bergman mercilessly ending in tragedy all around.

Besides March and Tracy other actors who've tried this most difficult of parts are John Barrymore, Jack Palance, and Kirk Douglas. Only the best can and are willing to tackle Jekyll and Hyde. And there ain't no doubt that Tracy is one of the best.