Sorte de Cabo de Esquadra

I saw this movie when it was re-released as a supporting feature at a cinema here in Melbourne about 1951. Don't remember much about it, except the scene where the hero (Hope) loses control of a tank and runs it into the side of the colonel's Cadillac limo (it might have been a Chrysler) but the audience was appalled, as I was, because luxury cars like this were rarely seen here in those years. It wasn't faked either, as I recall. Can someone advise what the car was? I'm compiling a list of cars used in the movies. Apart from that I thought it was a quite passable comedy and I'm hoping it might come up on late-nite TV sometime as they have occasionally shown other Paramount movies of the era. TT.

Bob Hope starred as cowardly movie star Don Bolton. When he reads that the government is going to increase the military draft age to include 21-to-35 year olds, he panics at the prospect of being conscripted. He comes up with the idea of getting married, which at the time removed him from draft eligibility, and so he woos army brat Antoinette (Dorothy Lamour). In his haste to get her to marry him, he inadvertently signs up for the Army anyway. He and his pals (Eddie Bracken and Lynne Overman), who join up as well, try to survive basic training.

This agreeable-though-not-groundbreaking comedy ended up being one of the biggest hits of 1941. Hope is fun as the weasly Bolton, and Eddie Bracken is fun as his young assistant. Dorothy Lamour is beautiful, and when her character is first spotted by Hope's, he remarks, "She looks like Dorothy Lamour with clothes on." She has a few lines that were directed at the audience as much as Hope's character about how the military needs soldiers even during peacetime, since no one knows how long that peace will last. The movie premiered about five months before the attack on Pearl Harbor.

Caught in the Draft is directed by David Butler and written by Wilkie C. Mahoney and Harry Tugend. It stars Bob Hope, Dorothy Lamour, Lynne Overman, Eddie Bracken and Clarence Kolb. Music is by Victor Young and cinematography by Karl Struss.

It's an old saying, but comedy "is" very subjective, something that makes recommending or writing reviews about comedy films troublesome. Bob Hope movies are a mixed bunch, suffice to say that for every fan prepared to stand up and say that "such and such" is a great and funny Hope movie, another will say it's a lame effort. Caught in the Draft, to my Hope fan mind, is one of his best films. The "forces comedy" has many entries in the cinema drawer, from Bud and Lou to Martin & Lewis, and into the modern era with Stripes et al, it's a well farmed premise. Caught in the Draft, however, is up with the best of them.

Film finds Hope as Don Bolton, a movie star who is so cowardly he can't even stand loud noises. To dodge the draft, he plots to marry Dorothy Lamour's Antoinette 'Tony' Fairbanks, who happens to be a Colonel's daughter. But sure enough, Don and his two crony side-kicks enlist by mistake. Cue mishaps and chaos during basic training. Don's incentive is that if he by some miracle achieves the rank of Corporal, then the Colonel will let him stay on base and continue his relationship with Antoinette.

It was tailored as an ensemble piece, with Bracken etc slotted in alongside Hope as the big sell, but Hope, as his subsequent career bares out, didn't need help because he dominates the comedy and steals every scene he is in. And this in spite of Bracken, Overman and Kolb also doing fine work as well. The gag quota is high, visually and orally, a one liner or a brisk set piece is never far away, and Lamour continues to be the perfect lady foil for Hope's ebullient japery. Whether it's the cowardly comedy antics or fluke bravado, it's a film showcasing the best of Bob Hope and a character persona that served him so well over the years. If only for a tank sequence this deserves a chance to lift your blues, as it is, it's all good, even now, never mind in 1941! 8/10

Movie star Bob Hope is sensitive to loud noises—when shooting a war movie scene he expects the director to stage the battle silently and then put in the shooting sounds later. And so talk of the impending military draft soon has Bob and his agents Eddie Bracken and Lynne Overton discussing…marriage? Yes—avoiding the draft seems highly desirable, and a marriage deferment seems a likely strategy.

Alas, having fallen for a colonel's daughter, a best-laid scheme to fake his enlistment goes awry and he finds himself a private after all. The bulk of the picture follows Hope's efforts to adapt to army life—and his continuing efforts to woo the girl he had originally hoped to marry as a means to deferment.

Dorothy Lamour is quite lovely as the object of Hope's attentions; she's easy to root for as she tries to balance her affection for Bob with her loyalty to her military father, who understandably thinks Hope is an idiot. Clarence Kolb is excellent as the colonel—crusty and acerbic, he nevertheless displays love and grudging patience as well. Eddie Bracken is super as always as the buddy; Lynne Overman is good, too, as the agent who never quite forgets that Hope's safety is his own livelihood.

There's plenty of typical Hope humor—"Of course I'm not a coward. I'm just allergic to bullets"—mixed in with doses of real patriotism from Dorothy: "How do you know? You can be scared and still be a hero. You know, some of the bravest men have been scared to death going over the top. But they kept on going."

It would be a rare Hope movie without at least one winking reference signaling to the audience that we all know it's just a movie; here it's his comment when first glimpsing Lamour through a window: "Mmm, that's a bundle. She looks like Dorothy Lamour with clothes on."

No, it's not as riotously funny as Buck Privates or as wisecrack-packed as My Favorite Brunette, but it's nevertheless a very pleasant and solid little picture.

This is the first pairing of Bob Hope and Dorothy Lamour without Bing Crosby. It is funny, but the comedy is better when Bing is part of the equation. The Army takes the place of Bing in this one, and the Army can be pretty funny at times. I like the gag that Hope cannot stand loud noises and is in the military. There were three great comedy teams during this time period; Laurel and Hardy (who were close to the end of the great run), Abbott and Costello (who were just beginning their great run) and Bob Hope and Bing Crosby with their wonderful road pictures). What made Bob Hope films at this time, different from the other two comedy teams was his dominance with one-liners; no one could match Hope with one-liners. The other two teams did better physical comedy, but the Hope films had better scripts and situations. Be sure to catch this one with the whole family for an hour of fun.