Flores do Pó

A good film for a Sunday afternoon, or any other time if you're busy on Sunday.

None of the scenes are dragged out, even the death scenes are treated briefly. Nothing is going to get in the way of the narrative, beginning with a woman overcoming bereavement by taking in the unwanted children an orphans of Texas.

The film then goes on the challenge the very language we use when it comes to these children, with Edna Gladney rejecting the words 'orphan' and 'illegitimate'.

'There are no illegitimate children, only illegitimate parents', she boldly announces to the Texan senate.

And so Gladney's local endeavour becomes a political, state-wide one, and though she never falters in her moral drive, her initial loss is evoked once again in the most cherished of her foundlings.

Fast-paced, fade-outs and an all round good story.

I found this to be a fast-moving, compassionate (supposedly) true-life story of a woman who helped babies get homes to live in while fighting to have the word "illegitimate" stricken from all record books since it was unfairly penalizing the children.

The three lead actors in the film - Greer Garson, Walter Pigeon and Felix Bressart - are all fun to watch. Garson gives a great speech to Congress near the end of the movie. It's also a nice color film, something that wasn't made much in 1941.

Story-wise, the early tragedies are not dwelled on in here. In fact, they come and go quickly and that's nice because it makes this more of an upbeat movie with a positive message. That's the intent, so why dwell on the negatives?

The only negatives, in my opinion were too much usage of the word "darling," to the point where it's annoying, and the last scene is drawn out a bit too much. But, overall, it's a very powerful movie and guaranteed to bring tears to anyone's eyes. It should appeal to most people. I would like to see this put on a DVD.

Edna Gladney was a true inspiration, very ahead of her time and a pioneering figure in the adoption and nursery care field, with a great story worth telling. 'Blossoms in the Dust' is very notable for being the first of eight pairings with Greer Garson and Walter Pidgeon, both fine actors with a legendary partnership at the time. Mervyn LeRoy did do his fair share of great films, especially 'Random Harvest', 'Gold Diggers of 1933' and 'Waterloo Bridge'.

'Blossoms in the Dust' is a beautifully made, beautifully acted and intelligently written film. It is not perfect, but it manages to make the subject accessible, inspiring and worth investing in, at the time where biopic-like films could be too dry and conventional. 'Blossoms in the Dust' also does very well in showing how great a woman in her field Gladney was, while still making her a real person/character and not just an icon. While LeRoy and Pidgeon did even better work than this, Garson's role here for me is one of her best.

It is a shame that the early tragedies weren't dwelled upon enough, near glossed over and too come and go. It is good that the film didn't want to be too serious, but the early tragedies in my mind are crucial to how Gladney came to be the way she became and it would have provided even more depth.

Maybe there could have been fewer characters, figuring out who was who with the children was not always easy.

However, 'Blossoms in the Dust' is a gorgeous looking film, espeically the sumptuous interiors and the Technicolor which is the epitome of first rate. The music is stirring and richly orchestrated, without being excessively melodramatic. LeRoy directs with utmost professionalism and class throughout and never lets things get dull or dry. The acting is very good, while the supporting cast are all dependable with Felix Bressart and dignified Marsha Hunt standouts Pidgeon and especially Garson make more memorable impressions. Pidgeon is a charming presence but this is Garson's film, a nuanced and bold performance that never rings false and wholly successful in making Gladney come over as a real person and not a caricature.

The script is intelligent and sincere, that climactic speech is uplifting and makes one want to stand up and cheer but it is also a tear-jerker. The truly inspirational line "there are no illegitimate children. There are only illegitimate parents" is a line for the ages. The story is always engaging and beautifully told, it has such a warm heart and upbeat quality, while also being very moving without being over-sentimental and compassionately respectful to Gladney, her trials and her achievements. It is not an easy subject to make interesting if one has no prior knowledge about Gladney and her pioneering work, but her story is told accessibly and being someone who has had to overcome a lot it inspired me greatly. It warmed my heart and moved me too, especially later on.

Concluding, very, very good and blossoms in its beauty. 8/10.

"There are no illegitimate children, only illegitimate parents" what a great line. Greer Garson is wonderful in this movie. She really does a great job portraying Edna Gladney. Living in Fort Worth, were Edna Gladney's home is still in operation, and working in the Court house, this movie really made an impact on me. I have seen old adoption records actually signed by Edna Gladney. What a wonderful lady - she changed the world! What a wonderful movie - get it and watch it, you'll love it!

Blossoms in the Dust is a Excellent Powerful Moving True Story Drama. As others have noted--since it is a true story film--this is an added plus. One reason to see this film alone is Greer Garson. Her acting is superb. She is one of my all time favorite actress's of yesteryear. Walter Pidgeon is wonderful also. Some others that have commented on this film have said that it was fine but their one negative was that the phrase "Darling" was used to much. Yes this is true--but hey folks this was a very common popular word used a lot in the 30's & 40" films.-No big deal--at least it is clean & for all family member's. This great story is basically about Edna-played by Garson who marries Sam-played by Pidgeon-an operator of a wheat mill. They have a son who is killed when he is young. Edna discovers by chance how the law treats children who are without parents & decides to do something about it. She opens a home for foundlings & orphans & begins to place children in good homes-despite the opposition of conservative citizens-narrow minded back them of this subject matter-who would condemn illegitimate children being born out of wedlock. She them fights for them through the court. This is a great classic film.