AVALIAÇÃO DA IMDb
6,4/10
989
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaFictionalized story of how the Dalton brothers were wronged by a crooked development company and became outlaws when the corrupt local courts offered them no justice.Fictionalized story of how the Dalton brothers were wronged by a crooked development company and became outlaws when the corrupt local courts offered them no justice.Fictionalized story of how the Dalton brothers were wronged by a crooked development company and became outlaws when the corrupt local courts offered them no justice.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Edgar Dearing
- Sheriff
- (as Edgar Deering)
Dorothy Granger
- Nancy
- (as Dorothy Grainger)
Robert McKenzie
- Jim - the Photographer
- (as Bob McKenzie)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Lawyer Randolph Scott arrives in Kansas just in time to witness childhood friends the Dalton brothers turned into outlaws and thieves, after doing battle with crooked business interests, stacked courts, and violent mobs of mindless vigilantes.
Top-billed Scott melts into the background as the film is easily stolen by it's real stars Broderick Crawford, Brian Donlevy, and Andy Devine, who plays an overweight, hayseed version of Casanova, who joins the Dalton boys in order to get away from the large amount of aggressive women in his life!
Excellent, rowdy entertainment, this features some really awesome stunt work from Yakima Cannut, including the classic stagecoach backslide, where the stuntman goes from being dragged between the horses to the back of the coach by letting go and grabbing the back axle, as well as several horse jumps onto and from trains and cliffs, truly eye-popping! There's some exciting gun-play at work here too.
A good example of twisted Hollywood history, there's so much sympathy for the outlaws here, it's hard to imagine this making it past the National Board Of Review!
Top-billed Scott melts into the background as the film is easily stolen by it's real stars Broderick Crawford, Brian Donlevy, and Andy Devine, who plays an overweight, hayseed version of Casanova, who joins the Dalton boys in order to get away from the large amount of aggressive women in his life!
Excellent, rowdy entertainment, this features some really awesome stunt work from Yakima Cannut, including the classic stagecoach backslide, where the stuntman goes from being dragged between the horses to the back of the coach by letting go and grabbing the back axle, as well as several horse jumps onto and from trains and cliffs, truly eye-popping! There's some exciting gun-play at work here too.
A good example of twisted Hollywood history, there's so much sympathy for the outlaws here, it's hard to imagine this making it past the National Board Of Review!
A fast paced and often light-hearted film that purports to tell the story of the infamous Dalton gang, "When the Daltons Rode" boasts a fine cast of stalwart western actors under the sure direction of veteran George Marshall. Tod Jackson, a lawyer, stops in Kansas en route to Oklahoma to visit his childhood friends, the Dalton family. Convinced to stay long enough for a good visit, Jackson is smitten with the local telegraph operator and becomes involved in the Daltons' problems with a corrupt land-development company. The exciting action swings from a humorous melee in a courtroom to a wild shootout on the streets to robberies aboard speeding trains, although the film climaxes in a too-tidy finale.
Western icon Randolph Scott has top billing as Jackson, but he is often off screen, and Broderick Crawford, Brian Donlevy, George Bancroft, and Andy Devine all have nearly equal roles. A romantic-triangle subplot features Kay Francis, and Mary Gordon plays Ma Dalton, matriarch to the unruly Dalton brood. Devine is the comedy relief, and he has some good moments, although both he and Crawford ostensibly perform stunts that neither of the beefy actors could convincingly accomplish. However, the film's stunt team should take a bow for their outstanding work with a slide under a racing stagecoach, with leaps from rocky cliffs onto moving rail cars, and with jumps from a speeding train while on horseback. A behind-the-camera asset is Hal Mohr's fine black-and-white cinematography, which beautifully captures the action and the western landscapes.
If your Saturday matinees featured posses and gunfights, brawls and chases, laconic cowboys and pretty school marms, "When the Daltons Rode" will bring back fond memories of popcorn, Milk Duds, and 25-cent movie tickets. Lots of action, a smidgen of humor, and a touch of romance, Marshall's film may not be among the classic or even best-remembered westerns, but all the elements of a solid oater are present and in top form for an entertaining afternoon at the movies.
Western icon Randolph Scott has top billing as Jackson, but he is often off screen, and Broderick Crawford, Brian Donlevy, George Bancroft, and Andy Devine all have nearly equal roles. A romantic-triangle subplot features Kay Francis, and Mary Gordon plays Ma Dalton, matriarch to the unruly Dalton brood. Devine is the comedy relief, and he has some good moments, although both he and Crawford ostensibly perform stunts that neither of the beefy actors could convincingly accomplish. However, the film's stunt team should take a bow for their outstanding work with a slide under a racing stagecoach, with leaps from rocky cliffs onto moving rail cars, and with jumps from a speeding train while on horseback. A behind-the-camera asset is Hal Mohr's fine black-and-white cinematography, which beautifully captures the action and the western landscapes.
If your Saturday matinees featured posses and gunfights, brawls and chases, laconic cowboys and pretty school marms, "When the Daltons Rode" will bring back fond memories of popcorn, Milk Duds, and 25-cent movie tickets. Lots of action, a smidgen of humor, and a touch of romance, Marshall's film may not be among the classic or even best-remembered westerns, but all the elements of a solid oater are present and in top form for an entertaining afternoon at the movies.
The Dalton brother -- Broderick Crawford, Brian Donlevy, Frank Albertson and the murdered Stu Erwin go from peaceful farmers to desperate outlaws.
There's much to admire in this movie, from the way in which the first 20 or so minutes are lighthearted and often funny, making the fix the brothers get into tinged with a certain sense of tragedy. Kay Francis seems like luxury casting, as does George Bancroft as the banker, but undoubtedly that was a canny move, trying to replicate the major studio minor stars who had made such a hit of Marshall's DESTRY RIDES AGAIN the year before. Thus the top billing for Randolph Scott, even though the movie, as shown, centers far more on Broderick Crawford, the hot-tempered lama of the brothers who starts off engaged to Miss Francis and winds up... well....
The big sequence about two thirds of the way through, where they escape from the law -- thanks to quick thinking by Andy Devine! -- and wind up robbing a train on the way out is very well done, with lots of good trick riding. Who knew there were such towering mountains in Oklahoma, or such rushing, swollen rivers. Who knew it was even called Oklahoma all the time in the 1890s, instead of The Indian Territories (an appellation I have seen in print as current into the 1930)?
In the end, it' a big, brawling A Western that owes a lot to other recent A westerns. If it wasn't as big a hit for Universal as DESTRY RIDES AGAIN, it's very entertaining on its own sentimental terms.
There's much to admire in this movie, from the way in which the first 20 or so minutes are lighthearted and often funny, making the fix the brothers get into tinged with a certain sense of tragedy. Kay Francis seems like luxury casting, as does George Bancroft as the banker, but undoubtedly that was a canny move, trying to replicate the major studio minor stars who had made such a hit of Marshall's DESTRY RIDES AGAIN the year before. Thus the top billing for Randolph Scott, even though the movie, as shown, centers far more on Broderick Crawford, the hot-tempered lama of the brothers who starts off engaged to Miss Francis and winds up... well....
The big sequence about two thirds of the way through, where they escape from the law -- thanks to quick thinking by Andy Devine! -- and wind up robbing a train on the way out is very well done, with lots of good trick riding. Who knew there were such towering mountains in Oklahoma, or such rushing, swollen rivers. Who knew it was even called Oklahoma all the time in the 1890s, instead of The Indian Territories (an appellation I have seen in print as current into the 1930)?
In the end, it' a big, brawling A Western that owes a lot to other recent A westerns. If it wasn't as big a hit for Universal as DESTRY RIDES AGAIN, it's very entertaining on its own sentimental terms.
This story of farmers becoming outlaws when the big shots screw them over is nothing new or all that different from the Westerns of the 40's. Indeed, the film has its Hays code required ending, its requisite action scenes and the soapy love triangle. This film will not win any new devotees of the genre. But if you are fond of Westerns this a good matinee flick to throw on.
A lot of it has to do with the stunt work and action scenes. While still be identifiably 40's, they stand out as impressive and even a little more realistic than you normally get from this genre and time period. The film also benefits from well-timed comic relief and a well rounded cast. This is a B Western for sure but one of the more polished ones I have seen.
A lot of it has to do with the stunt work and action scenes. While still be identifiably 40's, they stand out as impressive and even a little more realistic than you normally get from this genre and time period. The film also benefits from well-timed comic relief and a well rounded cast. This is a B Western for sure but one of the more polished ones I have seen.
East coast lawyer Tod Jackson (Randolph Scott) travels to Kansas where he meets the Dalton brothers: Grat (Brian Donlevy), Bob (Broderick Crawford), Ben (Stuart Erwin), and Emmett (Frank Albertson). They're farmers, with Bob a local law man, but when a crooked land company tries to steal their property, the brothers end up fugitives from the law. They soon embark on a spree of bank and train robberies that mark them as the most wanted men in the region. Meanwhile, Tod makes time with Bob's girlfriend Julie (Kay Francis).
The cast is good, but the goofy script is almost 100% pure baloney, and production lurches from nicely competent to threadbare and cheap. One primary problem is that ostensible protagonist Scott is pointless to most of the story. I kept waiting for him to be reluctantly forced to go after his old friends, but that never happens. His character could have been removed from the whole thing with little change to the overall tale. I expected Donlevy to take the lead among the Daltons, but instead it's Crawford who gets the leadership role. Andy Devine plays the comic relief, naturally, but his character is also an inveterate skirt-chaser with a succession of women on his knee, not exactly what one expects from Devine.
Two odds points from the film: there's a scene where the gang robs a train, and they steal the horses belonging to lawmen on the train. The horses are on an open-top corral train car, and they actually ride them off of the side of the moving train. It looked like an extremely dangerous stunt for the horses, but it's shown with no cuts, and none of the horses seemed injured, despite some spills. There's also a big shoot-out in the movie with the gang members inside a saloon with their opponents outside in the street and on opposite buildings. There is a lengthy exchange of gunfire through the saloon's large picture window, and the window never breaks, instead the bullets passing through and leaving bullet holes. Once or twice I can believe it, but a succession of rifle and pistol shots through a large sheet of glass and no shattering? That's some strong glass!
The cast is good, but the goofy script is almost 100% pure baloney, and production lurches from nicely competent to threadbare and cheap. One primary problem is that ostensible protagonist Scott is pointless to most of the story. I kept waiting for him to be reluctantly forced to go after his old friends, but that never happens. His character could have been removed from the whole thing with little change to the overall tale. I expected Donlevy to take the lead among the Daltons, but instead it's Crawford who gets the leadership role. Andy Devine plays the comic relief, naturally, but his character is also an inveterate skirt-chaser with a succession of women on his knee, not exactly what one expects from Devine.
Two odds points from the film: there's a scene where the gang robs a train, and they steal the horses belonging to lawmen on the train. The horses are on an open-top corral train car, and they actually ride them off of the side of the moving train. It looked like an extremely dangerous stunt for the horses, but it's shown with no cuts, and none of the horses seemed injured, despite some spills. There's also a big shoot-out in the movie with the gang members inside a saloon with their opponents outside in the street and on opposite buildings. There is a lengthy exchange of gunfire through the saloon's large picture window, and the window never breaks, instead the bullets passing through and leaving bullet holes. Once or twice I can believe it, but a succession of rifle and pistol shots through a large sheet of glass and no shattering? That's some strong glass!
Você sabia?
- CuriosidadesEdgar Buchanan is one of the driest funniest actors ever produced by Hollywood. He opens the film with his dulcet humorous lines only to close the film in the same vein. Both pieces are filmed in exactly the same place and he is undertaking exactly the same task in both. And yet he is uncredited. He is brilliant.
- Erros de gravaçãoThe film's climax shows Emmett Dalton being killed in a shoot-out during an attempted bank robbery in Coffeyville, Kansas. In reality, Dalton survived the shoot-out and went on to write the book that this film was based on.
- Cenas durante ou pós-créditosTowards the end of the 19th Century in America, civilization surges ever west and in it's wake, came that inseparable pair, INJUSTICE and CRIME. In the history of the reckless violence that seized Kansas and Oklahoma, no name carried more terror than DALTON. There were more famous outlaws, but none more daring, none more desperate.
This, then, is the story of the Dalton brothers, based, to a large extent, on the tales that the old settlers still tell of them-woven together with strands of fiction. But, so incredible were the Daltons, that no man can say where fact ends and fancy begins.
- ConexõesFeatured in Gunfighters of the Old West (1992)
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- How long is When the Daltons Rode?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- When the Daltons Rode
- Locações de filme
- Jamestown, Califórnia, EUA(train robbery sequences)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 21 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was A Vingança dos Daltons (1940) officially released in India in English?
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