A Vida é uma Canção

"Tin Pan Alley" is a serviceable if slightly undernourished musical extravaganza starring Alice Faye, John Payne, Betty Grable, Jackie Oakie. I thought it would turn out to be as memorable and enchanting as Faye's greatest musicals like "That Night in Rio" or "Hello Frisco Hello" also co-starring John Payne, but it is nowhere near them. There is a sense that something is missing; the idea is there but somehow it doesn't quite coalesce, even despite the luminous presence of Faye. Nevertheless, it has one of the most spectacular dance and musical numbers ever staged: "The Sheik of Araby" - featuring Faye, Grable, and the Nicholas Brothers who also appeared in Grable's previous hit wonder, "Down Argentine Way". The dance number has a spark and excitement most of the movie lacks.

... in that it seemed so big and grand in my memory, but is actually quite small and underwhelming when revisited.

It had been years since I saw Tin Pan Alley, definitely over a decade. It was on the Fox Movie Channel back when that channel used to play classic Fox titles around the clock, but now relegates older films to twelve hours a day, and usually it is about the same twenty titles all of the time and pre 1960 titles? Forget about it.

So when it popped up available to see I decided to jump on it, and the production as a whole left me disappointed. It pretty much amounts to this - In 1915 pretty chanteuse (Alice Faye) meets two struggling song writers/publishers. They catapult to success based on a title they buy off of a performer in a restaurant, then success goes to the head of the publisher Faye loves (John Payne). Complications ensue, but none you won't see coming from a mile away. And the musical numbers are too bland and too long.

But it does have its charms. Alice Faye is great as the wholesome girl next door with the wonderful voice. Jack Oakie doesn't look or sound like somebody who would be a net positive in a musical, but he works great as long as he has somebody to bounce one liners off of, and John Payne fits the bill for that duty. Then there is Elisha Cook Jr of the noirs as a geeky gifted composer. If that doesn't sound weird then I assume you could see Hoagy Carmichael playing a psychopathic killer?

Finally there is the one really good song in this film - "You Say The Sweetest Things" by Gordon and Warren performed by Alice Faye. Fortunately, Fox knew this was the best song because it becomes a kind of background score as the plot unwinds. With a second billed Betty Grable who hardly has a line and a great cameo appearance by the Nicholas Brothers, this is probably worth your time.

This is a delightful film with some of the best stars from the 40's. Alice Faye has been a personal favorite of mine for years and her beautiful contralto singing voice is only one reason. She is also charming and beautiful, and it's no wonder she was 20th Century Fox's top blonde star for many years (until Betty Grable, who is, of course, also in this film). Alice and Betty make believable sisters and perform some knockout numbers together (especially "The Sheik of Araby", which also boasts the talents of the marvelous Nicholas Brothers). Alice is paired romantically in the film with John Payne (a frequent costar), and their chemistry makes you understand why Fox paired them often in film. The songs are delightful and the movie captures the image of Tin Pan Alley that may not have existed in reality, but isn't the image on film more romantic and lovely to look at? The only quibble I have: why, oh why wasn't this filmed in Technicolor?

Tin Pan Alley was the first try at a successful experiment Darryl Zanuck was trying. An actor who was as good looking as Tyrone Power and could contribute musically to the film. He found one in John Payne this was the first of four films that Payne and Faye did together. They were scheduled to do a fifth with The Dolly Sisters, but Alice retired after being offered that script.

Payne slipped very well into Ty Power's hero/heel character that he patented at 20th Century Fox. Payne's character Skeets Harrigan and his partner Jack Oakie are trying to hit it big in the music publishing industry pre World War I. He meets Alice Faye and her sister Betty Grable doing a vaudeville act and he falls for Faye bigtime. He loves her, but he wants success more. How they resolve their ambitions is crux of the movie.

Alice Faye and Betty Grable in their only film together play the Blane sisters. Alice is in good voice as always and she gets the best songs in the film. Payne partners her in the film's best number America I Love You and he also reprises with her in the only original song for the film, You Say The Sweetest Things, Baby.

You Say The Sweetest Things Baby was written by composer Harry Warren and lyricist Mack Gordon. Gordon had written with Harry Revel a whole group of songs that Faye introduced. But Revel left Fox and Darryl Zanuck teamed Gordon with Warren who had just left Warner Brothers. It was a felicitous teaming and Gordon and Warren wrote a whole group of some of the best loved tunes of the 40s, Chatanooga Choo Choo being the most famous and also You'll Never Know, probably Faye's best loved song.

In watching films like Tin Pan Alley something is lost unless you're an amateur historian like me. Esther Ralston does a cameo as Nora Bayes who was one of the best loved vaudeville stars pre-World War I. In 1940 people still knew who Nora Bayes was. Now I'm sure she draws a great big "who" from most people if they're asked who she is. A key scene in the movie is after Faye has delivered a smash version of America I Love You, Payne gives in to Nora Bayes request for the song because of his ambition. That's totally lost on younger viewers.

Actually Nora Bayes did introduce a very famous World War I era song, written by a guy who normally introduced his own material. She gave the first public performance of Over There written by George M. Cohan and documented nicely in Yankee Doodle Dandy.

You never ever go wrong watching an Alice Faye film.

"All good-lookin' like he is, there's no use in getting' yourself all messed up", a black boy ponders, when 'Skeets' Harrigan (John Payne) drops out of a promising boxing career to pursue his dreams of becoming a renowned Tin Pan Alley song publisher with his friend from the Midwest, Harry Calhoun (Jack Oakie). On their way to the top they meet the Blane sisters, Katie (Alice Faye) and Lily (Betty Grable). 'Skeets' and Katie fall in love, but he is adamantly focused on his career and when he gives a song meant for Katie to a famous musical star, she has had it and leaves for London with her sister. That is when World War I erupts ...

'Tin Pan Alley' has more charm than it has plot, and it's a delightful watch with charismatic actors. Faye and Grable are a wonderful pair of tap-dancing sisters, Oakie is genuinely funny as the befuddled average Joe playing at being a tough guy, and John Payne, a Robert Taylor look-alike, clearly in a role that must have been written for typical Faye co-star Tyrone Power, rises to the occasion and delivers his all, a perfect mix of athletic hunkiness and crooning abilities, not the easiest performance to pull of, as 'Skeets' is quite callous in the way he presses forward.

The film abounds with great music and showpieces, 'Honeysuckle Rose' in Faye's very nice rendition with a boy chorus, 'The Sheik of Araby' featuring glorious tap-dancing by The Nicholas Brothers, the rousing "America, I Love You", and the only song actually written for the film, Harry Warren's 'You Say the Sweetest Things (Baby)", utilized to the fullest in a clever montage.