Noiva da Fatalidade

If it weren't for some droll remarks by ERIC BLORE, this Lone Wolf entry called THE LONE WOLF MEETS A LADY hasn't got much material to distinguish it among all the other Wolf films.

Blore brings some much needed humor to the predictable formula which has the Wolf fleeing the authorities with a woman (JEAN MUIR) who has witnessed the murder of a man over the robbery of an expensive jewel. He and his valet (Blore) decide to help her free herself from the clutches of Inspector Crane (THURSTON HALL) as The Lone Wolf goes about to find the real man responsible for the crime.

The only surprise among the cast members is seeing BRUCE BENNETT pop up as an irate policeman. Bennett doesn't play his usual bland type and plays the feisty cop with a good display of temperament. Oddly enough, his name is billed last among the cast credits. WARREN HULL as Muir's fiancé is competent enough and better remembered by me as "The Green Hornet" in the serial series he did in the early '40s. As for WARREN WILLIAM, he seems completely at ease in the title role.

Nothing new here, and one of the less memorable but still enjoyable entries in this series.

The Lone Wolf Meets a Lady from 1940 stars Warren William in the eponymous role, real name Michael Lanyard, costarring Eric Blore and Jean Muir.

Muir plays Joan Bradley, a secretary to the wealthy Mrs. Penyon (Georgia Caine), who becomes engaged to her son Bob (Warren Hull). She is gifted a $100,000 necklace, a family heirloom. When she returns home to get ready for a party, her husband, believed dead, shows up.

In the end, he's murdered, the necklace is stolen, and, terrified, she runs, nearly run over by Lanyard and his assistant Jamison (Blore).

Lanyard takes Joan under his wing and works on not only getting her out of trouble but solving both the murder and the theft.

William makes a terrific Wolf, and he and Jamison are hilarious together, with Jamison practicing his singing on a recording device which is used to help the case - until it's interrupted by a tune from Jamison. The exasperated police are well played by Thurston Hall and Fred Kelsey.

Very entertaining.

"The cleverest wolf.... still ends up as a fur coat!" A witticism from the long-suffering "Insp. Crane" (Thurston Hall) as he yet again finds himself accusing his constant antagonist "Lanyard" (Warren William) of being embroiled in (fake) jewellery theft and murder! This time though, he and loyal "Jamison" (Eric Blore) are taking the fall for "Joan" (Jean Muir) who had teed up an advantageous marriage with the son of a wealthy woman before she finds herself accused of murder. After an high-speed near miss with our sleuths, she finds her future is wrapped up with their's. With the police on their trail, "Lanyard" et al must rush to find out just what happened and who did what. This adventure provides some better examples of the quickly paced and engaging banter between William and Blore, with the latter frequently making observations that raise a smile and he juggles his innate curiosity with him "never denying his cowardice"... Sure, there's little jeopardy here but Muir has a bit more to her as the put-upon dame and there's actually more comedy to appreciate here, too.

I confess that I did not know this character and that this film was my first encounter with the Lone Wolf, the nickname of the fictional character Michael Lanyard, a jewel thief turned private detective, in a series of novels written by Louis Joseph Vance (1879-1933). No less than 24 films were produced about the Lone Wolf, between 1917 and 1949. Warren William would play the character in nine of them, between 1939 and 1943, probably accompanied by his faithful servant Jamison, played by Eric Blore.

It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.

Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.

I've still a few of this series of films to see yet, but TLWMAL seems pretty typical of the William Warren Lone Wolf entries.

Basically the pretty and innocent socialite (Jean Muir) about to be married gets tangled up with theft and murder, then luckily for her gets tangled up with the Lone Wolf and his valet (Eric Blore). These two are about to go on holiday but stay to help the damsel in distress from the clutches of the law (Thurston Hall & Fred Kelsey).

There's quite a few twists and turns and the pace never lets up, especially when one of the baddies (Victor Jory) is summarily dismissed from the plot as a corpse without a shot being fired. I think one of the reasons why High Brows disdain this type of potboiler is because they're unnerved to find that it can take so much concentration to follow the story - This Should Not Be!

Favorite bit : In trying to give Muir an alibi, William runs the bath and orders her to take her clothes off - Blore is suitably and audibly outraged even though they immediately leave the room. The last few minutes are a bit frantic, but when the time was up they closed 'em down fast at Columbia.

This was good, recommended to all fans of the genre.