A Ilha das Maldições

Island of Doomed Men (1940)

*** (out of 4)

Nice little "B" picture from Columbia has a secret agent (Robert Wilcox) convicted of a crime he didn't commit but it's all good because he gets sent to an island, which he was about to investigate. On the island he and other men are forced into hard labor by the wicked owner (Peter Lorre) but soon the agent and the owner's wife (Rochelle Hudson) have their own plans for escape. If you're a fan of "B" movies or Lorre then you're going to find a whole lot to enjoy in this fast paced thriller that is pretty much fun from start to finish. What works best here is of course the performance of Lorre who you just can't help but love to hate. He brings so much evilness to his character that there really isn't an actor in history who could do it better. That mono voice, the wicked eyes and the coolness of the evil has never been topped and it's a lot of fun to watch here. The island setting will remind one of THE MOST DANGEROUS GAME and the prison stuff is certainly ripe for something we'd have seen the decade earlier in various Warner films. Wilcox makes for a good, strong supporting player and we also have Don Beddoe and George E. Stone delivering good performances. Barton is best known for his future Abbott and Costello films but he does some nice work here and keeps the film moving at a very good pace. There are many good scenes here but one of the best has to be the scene where we learn Lorre's character is terrified of a little monkey owned by the cook.

Island Of Doomed Men has Peter Lorre in the lead as the lord and master of his own private island where he has convict labor assigned there and has them digging for diamonds.

It doesn't look like the men are finding a lot of diamonds, but Lorre is sure living well, complete with trophy wife in Rochelle Hudson.

In a rather stupidly handled plot Robert Wilcox plays a government agent sent to investigate. He's convicted on a real murder charge though. I attribute the clumsy handling to some bad editing.

Not a great picture, but Lorre carries the whole thing with a Doctor Moreau like character. He may not be doing experiments on animals, but he's sure getting his jollies.

Peter Lorre fans will like this.

Peter Lorre is perfect in this role, a calm, controlling madman with a terrifying temper bubbling underneath. Flashes of his temper are the highlights of the movie. Whomever played his wife could've probably been out-acted by a beanbag, but she's pretty, so it's ok. The other main man was okay, and I was rooting for him like I was supposed to. I guess the underlying question is: Could an island of slavery actually exist? Just kidding. The movie is not that deep, or worthy of further thought. The underlying question actually is: What does Peter Lorre have against monkeys?

1940's "Island of Doomed Men" was among the 11 Columbia titles included in the SON OF SHOCK television package in the late 1950s, one of three to star Peter Lorre, followed by "The Face Behind the Mask" and "The Boogie Man Will Get You." The ill-fated actor Robert Wilcox ("The Man They Could Not Hang") is cast as Mark Sheldon, undercover agent from the Department of Justice, who certainly picks a roundabout way to conduct his investigation; convicted of a murder he didn't commit, orchestrated by the very man he's investigating, Lorre's Stephen Danel, winding up exactly where he intended to be all along after several uncertain months of good behavior. Dead Man's Isle is the place where Danel employs parolees as slave labor to mine diamonds when not being flogged for disobedience, with only three armed guards (Charles Middleton, Don Beddoe and Bruce Bennett) and an electrified fence to protect his home ("to keep out the animals and snakes!"). Also held captive is Danel's beautiful wife Lorraine (Rochelle Hudson), habitually clinging to Sheldon despite her husband's protests and seeking aid from houseboy Ziggy (George E. Stone), whose pet monkey throws a fit at the sight of the boss ("keep that monkey away from me!"). The script's characters are fairly one-dimensional, much like Warners' 1939 Karloff vehicle "Devil's Island," but Lorre's quiet, soft-spoken presence is more unnerving than any bombastic, overdone performance, making those moments when he does lose his cool quite chilling (what was it about that monkey anyway?). Every time he needs a light someone is there to fearfully do it with shaking hands, and the reactions of others matter more since Hollywood didn't dare show any depravity. The supporting cast is surprisingly strong but it's Lorre's show all the way, actually one of the few vehicles in which he's top billed as the main heavy (he and Rochelle Hudson had previously co-starred in "Mr. Moto Takes a Chance"). Despite its SHOCK! pedigree, "Island of Doomed Men" aired just once on Pittsburgh's Chiller Theater on Oct 1 1966.

Given his reputation as the archetypal crazed villain, in his long film career Peter Lorre played relatively few such characters, but his Stephen Danel in "Island of Doomed Men" is powerful enough to imprint such an image in generations of movie-watchers. With typical grace and intelligence, Lorre crafts this pulp heavy into an intricate portrayal of the quintessential fascist bully, winning through intimidation, gratified at bending others to his will yet genuinely puzzled and hurt by his inability to earn the love of his cherished captive-wife. As with so many other films he appeared in, the mercurial actor brings something real and human to this typically false and silly Hollywood pantomime.