A Ilha das Maldições

The basic story of Island of Doomed Men seems to be based on the true story of Narvassa Island. The main difference was in real life, the men were mining guano, not diamonds and they were black contract workers from the Balitmore area, not paroled convicts. Like in the movie, the men were treated brutally like slaves. This eventually led to an uprising with several of the overseers murdered. Some of the black workers were then put on trial for murder but when the true story of what was allowed to occur was publicized, they were pardoned by President Harrison. Narvassa Island, located between Cuba and Haiti, was designated a wildlife refuge in the 1990s.

1940's "Island of Doomed Men" was among the 11 Columbia titles included in the SON OF SHOCK television package in the late 1950s, one of three to star Peter Lorre, followed by "The Face Behind the Mask" and "The Boogie Man Will Get You." The ill-fated actor Robert Wilcox ("The Man They Could Not Hang") is cast as Mark Sheldon, undercover agent from the Department of Justice, who certainly picks a roundabout way to conduct his investigation; convicted of a murder he didn't commit, orchestrated by the very man he's investigating, Lorre's Stephen Danel, winding up exactly where he intended to be all along after several uncertain months of good behavior. Dead Man's Isle is the place where Danel employs parolees as slave labor to mine diamonds when not being flogged for disobedience, with only three armed guards (Charles Middleton, Don Beddoe and Bruce Bennett) and an electrified fence to protect his home ("to keep out the animals and snakes!"). Also held captive is Danel's beautiful wife Lorraine (Rochelle Hudson), habitually clinging to Sheldon despite her husband's protests and seeking aid from houseboy Ziggy (George E. Stone), whose pet monkey throws a fit at the sight of the boss ("keep that monkey away from me!"). The script's characters are fairly one-dimensional, much like Warners' 1939 Karloff vehicle "Devil's Island," but Lorre's quiet, soft-spoken presence is more unnerving than any bombastic, overdone performance, making those moments when he does lose his cool quite chilling (what was it about that monkey anyway?). Every time he needs a light someone is there to fearfully do it with shaking hands, and the reactions of others matter more since Hollywood didn't dare show any depravity. The supporting cast is surprisingly strong but it's Lorre's show all the way, actually one of the few vehicles in which he's top billed as the main heavy (he and Rochelle Hudson had previously co-starred in "Mr. Moto Takes a Chance"). Despite its SHOCK! pedigree, "Island of Doomed Men" aired just once on Pittsburgh's Chiller Theater on Oct 1 1966.

Peter Lorre is perfect in this role, a calm, controlling madman with a terrifying temper bubbling underneath. Flashes of his temper are the highlights of the movie. Whomever played his wife could've probably been out-acted by a beanbag, but she's pretty, so it's ok. The other main man was okay, and I was rooting for him like I was supposed to. I guess the underlying question is: Could an island of slavery actually exist? Just kidding. The movie is not that deep, or worthy of further thought. The underlying question actually is: What does Peter Lorre have against monkeys?

G-Man Robert Wilcox goes "undercover" as "Mr. Smith" to expose brutal conditions on an island -- somewhere in the Pacific Ocean? -- where paroled men perform slave-labor in a mine owned by Peter Lorre. In the process, Wilcox falls in love with Lorre's wife, Rochelle Hudson, who's just as much a prisoner on Dead Man's Island as he is. Timed to run just over an hour, this tightly-constructed B-movie is a fine example of its genre -- brisk, efficient, and always entertaining, though it does take awhile to actually reach the island in question. As expected, Lorre dominates the proceedings with one of his trademark performances in which he manages to be both creepy and cultured, smooth and sadistic. He even adds a homoerotic undertone to his scenes with Robert Wilcox, particularly the one in which he watches a shirtless Wilcox being bound to a post in preparation for a late-night flogging. "Don't overdo it, Captain," Lorre warns the man with the whip. "There's a lot Mr. Smith ought to tell me and he may want to tell me before you finish. Oh, and be sure that he's able to work tomorrow." Curiously, Lorre departs the scene before the whip starts cutting into Wilcox's back, but you can be sure he'll derive a great deal of pleasure in thinking over the young man's pain and suffering. Incidentally, this is one of the few movies, (along with "Damn the Defiant!"), in which two men are given separate floggings during the course of the story. Earlier in the movie, Lorre oversees the flogging of a prisoner played by Stanley Brown. It's Wilcox's flogging, however, that is of real interest. Along with Alan Ladd's meeting with a cat-o'-nine-tails in "Two Years Before the Mast," this scene qualifies as one of Hollywood's most memorable floggings of the 1940s and it ranks 16th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies." Wilcox, of course, looks much too strong, determined, and virile to faint dead away after just fourteen blows with a whip, but his loss of consciousness provides a convenient way for the scene to come to an end.

Island Of Doomed Men has Peter Lorre in the lead as the lord and master of his own private island where he has convict labor assigned there and has them digging for diamonds.

It doesn't look like the men are finding a lot of diamonds, but Lorre is sure living well, complete with trophy wife in Rochelle Hudson.

In a rather stupidly handled plot Robert Wilcox plays a government agent sent to investigate. He's convicted on a real murder charge though. I attribute the clumsy handling to some bad editing.

Not a great picture, but Lorre carries the whole thing with a Doctor Moreau like character. He may not be doing experiments on animals, but he's sure getting his jollies.

Peter Lorre fans will like this.