Capitão Cauteloso

Kenneth Roberts, newspaperman and writer of some marvelous historical novels about early America, got lucky in 1940 when two of his best selling novels were adapted into film. The first was Northwest Passage which MGM gave the A treatment with Spencer Tracy. And then there was this film adaption of Captain Caution which takes place in the opening weeks of the War of 1812.

Roberts's novels are long and complex and I got the feeling that a lot of character development was sacrificed for action. Certainly the action sequences were well done and Victor Mature in one of his earliest films made a dashing hero. And the film got an Oscar nomination for Best Sound recording.

Yet things seemed to move a little too quick. MGM when dong Northwest Passage wisely decided the novel was too long to make an entire film out of it. They concentrated on the first part about Roger's Rangers and their contribution to the French and Indian War. There were plans for a sequel, but they eventually came to naught. But they had a complete film in just what they used.

I got the feeling in Captain Caution that they tried to get the whole book in and did a slipshod job in adapting it. It's not a bad film, but it could have been a whole lot better.

Louise Platt was fresh from her triumph in Stagecoach and plays the lady owner of an American merchant vessel that gets attacked by a British navy frigate. The Americans don't know they're at war and get attacked by surprise. Louise's father, Robert Barrat, is killed and she develops an understandable case of anglophobia. And she's put out quite a bit that her intended Victor Mature isn't all fired up to turn their merchant vessel into a privateer. She gravitates towards the villainous Bruce Cabot who has his own ideas and they don't necessarily mesh with Louise's.

Alan Ladd has a small bit role as an American who was impressed into the British Navy. That was done quite a bit right before the War of 1812. He's a prisoner because he resisted the idea. I'm sure the folks at Paramount must have noticed this part because two years later, Ladd made his break out film for Paramount in This Gun for Hire.

I look at Captain Caution and wonder what might have happened if it had been done at MGM the way Northwest Passage was done.

When her father is killed by the British, his daughter (Louise Platt) and first mate (Victor Mature) take control of the ship to fight the British during the War of 1812.

Captain Caution comes across a sort of cheap version of The Sea Hawk. While Kenneth Roberts' most famous novel, Northwest Passage, was getting the MGM treatment in Technicolor, Captain Caution was being made by Hal Roach (of the Little Rascals fame) on a much smaller budget (and not in color). That's not to say Captain Caution is a bad film; it's completely average.

Victor Mature is suitably dashing as the hero, while Leo Carrillo provides good comic support. Louise Platt, fresh off her role in Stagecoach, is frankly annoying as the female lead, while Bruce Cabot is his usual dull self as the baddie. Alan Ladd was apparently in it as a sailor, but I didn't see him.

There's a couple good action sequences and some nice model work, but other than that, Captain Caution is completely undistinguishable from various other seafaring films in the 40s.

An early Victor Mature effort, CAPTAIN CAUTION tells the tale of a merchant vessel assaulted by the British at the start of the War of 1812. The vessel's captain is killed and his daughter (so-so actress Louise Platt) assumes command. She decides to pursue the British and is given the choice of Mature or Bruce (KING KONG) Cabot for first mate. The spot goes to Cabot, who turns out to be a privateer in the employ of the highest bidder, in this case the British. He convinces her to head for France rather than America, and once in port, the ship is taken. She unwisely stays with Cabot, who is now planning to sail for America, while Mature and his loyal followers are held prisoner. With the help of a very young Alan Ladd, Mature and the boys escape and pursue Cabot's ship. As you can imagine, the action never stops and the battle scenes are eye-popping even in black and white. Taken from a Kenneth Roberts novel, CAPTAIN CAUTION is a forgotten mini-masterpiece that only falls down whenever the leading lady takes center stage. But the young Victor Mature is pretty impressive in his two-fisted role and Cabot plays his traitor role just subtly enough to convince even the most jaded moviegoer. Plus the wonderful Leo (CISCO KID) Carillo is aboard for comic relief. Too bad the film wasn't shot in color.

The first few minutes of this film hooked me and I had hopes that it would be an excellent film. After all, the idea of a film set during the War of 1812 was intriguing--this is a subject rarely talked about in movies. However, after a short time, it became obvious that the film was high on the anachronism factor--in other words, having people behaving totally uncharacteristically from that time period. The notion of a lady sea captain setting off to attack and punish the British just never would have or could have happened in 1812. While this was silly, it still didn't mean the film couldn't have been exciting. Unfortunately, even if you ignore this plot problem, about a half hour into the film it also became amazingly dull and talky. Instead of an Errol Flynn-style adventure film, it just all ground to an almost complete halt. Sure, it picked up for the rousing conclusion, but by then I had really lost interest and just wanted the whole thing to end due to poor writing. Plus, in this conclusion, it made fighting in a naval battle look FUN! This "fun" element is pretty stupid as well as a bit disturbing--and further evidence it is a mediocre film.

I had totally forgotten this adventure film made by the director of SINBAD THE SAILOR, another famous adventure film, but taking place in another period...Here, the story takes place in 1812 and the message is - what a surprise - a bit anti British, instead of being anti Nazi - or simply anti German. But the director Richard Wallace was a comedy film maker instead of action films and from time to time, we can feel it properly thru light touches that we would not have found in a Raoul Walsh or Michael Curtiz's film, for instance. But the most important, the action matter, are also effective and this all long the movie. I also forgot that Victor Mature had already begun in thee business in 1940, and in a lead role....