A Amazona de Tucson

The story line in this film is basically fictional, but real names of people who lived in Tucson, Arizona Territory, in the late nineteenth century are given to members of the cast, and the set that was created specifically for its production still exists just over the hill from the real Tucson of today. As someone who remembers visiting that set during filming in 1940, I am still impressed by the place and by this film. Jean Arthur's character was indeed a prototype of the independent frontierswoman . But even more important from the perspective of today as I stand among the remnants of the old set (still used, together with a sound stage on the property, to produce "Westerns") and look back sixty years just as the producers looked back sixty years for their story, I think of it as a story within a story. Anyone visiting Arizona today would do well to think of the film "Arizona" as a true picture of 1880 and, in another context, of 1940, and let their imaginations wander. The social attitudes and mores of both periods stand in great contrast to those of the 21st century.

I have been a fan of Jean Arthur for many years, and the reason for this post is not so much to review the movie (which I enjoyed), but to share some trivia about the production. I have a letter from a man associated with the production, Charles Bimbo, and in his letter he describes working on the set and how Jean Arthur gave him the job of taking care of the farm animals that appeared in the film. His letter has the name of the film, and directors name on the envelope itself. On the back of the letter is a studio stamp from the picture.

It's just a nice piece of history, and I'm glad to own it. I have submitted an additional crew member to the cast and crew list, as he was not listed and I have historical proof of his role. It still is in excellent shape even after 73 years. Apparently he was a friend of my family and sent them an update of his life and times; just wanted to share.

Fun but overlong western with a dynamite turn by Jean Arthur as a feisty pioneer gal that's as rough and tumble as any man you'll meet. She fights corruption and villainy in the form of Porter Hall and Warren William. She also finds time for romance with handsome (and considerably younger) leading man William Holden.

Arthur's the primary reason to see this. She dominates every scene. Also some good performances from Edgar Buchanan as a drunken judge and Warren William as a slimy crook. Holden's fine but he wasn't quite ready to be an A-lister yet. The romance element is one of the weaker parts of the film. Victor Young's Oscar-nominated score is excellent. It's an enjoyable western but, like I said, it goes on too long for such a simple story.

At the risk of sounding jingoistic, this film shows in microcosm how the greatest nation the world has ever known, the United States of America, came into being. It was literally carved from the wilderness by brave frontier men and women who are played as archetypes of those heroes and heroines by screen legends William Holden (one of my favorites) and Jean Arthur (Mr. Deeds, Only Angels Have Wings, The Talk of the Town). The very precarious existence of America's pioneers is presented with stark realism in this entirely plausible film. For those who only celebrate the Fourth of July by enjoying the fireworks, let them understand the hardships (and triumphs) their ancestors faced . Terrific period drama. 7/10.

"Arizona" is a very enjoyable movie about pioneer settlement of the West. Without giving away the plot, let's just say that it has enough twists and angles to make it stand apart from the normal grind of Westerns. It gives us a little bit of all the various stock parts of Westerns – Indians, cowboys, cavalry, good guys, bad guys, guns and shootings, robbery and romance, sagebrush and scenery, horses and a stampede, a wagon train and cattle drive. But it's the way those bits are put together and woven into a nice story that sets "Arizona" apart and gives it the feel of an epic film.

Jean Arthur is excellent as Phoebe Titus. She's a self-assured, decent, hard-working, and tough Western gal with big dreams. We never learn why or how she got to Tucson on her own. But viewers are taken with her sincerity and toughness which has just a touch of humor. The men in the movie are also won over by her pies. I can't think of another Western that has a pie shop or stand in it.

William Holden is a delight as Peter Muncie. This is only the fifth movie in which he was listed in the credits. It's one of his early starring roles and his very first Western. Holden's character has a very likable, easy-going and pleasantness about him. A pity we didn't see more of that persona throughout his career. For most of his roles later on, Holden had a more straight or serious demeanor – even dour at times.

Another reviewer commented on Warren William's excellent role as Jefferson Carteret. He played the villain very well. William was a very accomplished actor who might have done some great films in the 1950s and 1960s. But he died in 1948 from cancer. He was just 53. He had played suave, sophisticated and intelligent leading men, and fiends and conniving crooks and scoundrels, equally well. I especially enjoy him as Perry Mason in the original movies about that fictional detective- lawyer.

A number of other character actors gave banner performances in this film. Edgar Buchanan, Porter Hall, Paul Harvey and Regis Toomey stand out. The direction and cinematography were excellent, and the musical score for this film was a delight. It received two Academy Award nominations, one for musical score.

Others have commented about the setting and feel of reality about the movie. "Arizona" was made in 1940, when it was possible to find space to shoot a film around Tucson that wasn't invaded by utility poles and lines, paved highways and other signs of modern times. The ramshackle settlement of the early town sure gives it a feel of reality. I'm not so sure, though, how accurate a picture that is of Tucson at the time of the story. It's taking place around the Civil War years. The town of Tucson wasn't incorporated until 1877, but the town got its start a hundred years earlier. Hugh Oconor is the founding father of Tucson. He was the military governor of northern Mexico and authorized a fort to be built there in 1775. Even before that, the very first development was the Mission San Xavier del Bac in 1700. The mission is still operating today and is a historic site south of Tucson.

Columbia Pictures built the set for the film, with a sound stage, a few miles west of present-day downtown Tucson. It sat idle for a number of years after the movie was made. Then, in 1960, it was fixed up and opened as an active movie set and tourist park. In time, more streets were added and some amusement events were staged – gunfights and bank robberies. Nearly 70 movies have been filmed in part or in whole in Old Tucson, as it is called. Most were Westerns, but a number of mysteries and dramas were made there – even a comedy or two. John Wayne filmed four of his Westerns in Old Tucson – "Rio Bravo," "McLintock," "El Dorado," and "Rio Lobo." A 1995 fire destroyed much of the set and sound stage; but the community rebuilt the movie set town and it is still open today.