O Gorila Matador

This is one of those lesser known Boris Karloff films that is an underrated horror classic! Worth watching if you enjoy the films concerning "a mad scientist", older horror classics and/or Boris Karloff.

Yes Karloff is finding a cure for polio in this underrated classic - but is he really a "mad scientist" or a man desperate to help humanity?

What does a circus, an ape, a mad scientist, a woman with polio and murder have to do with each other? If you are curious then I would recommend you watching the Karloff film "The Ape".

The copy of this film I have is clear and I can hear the movie quite well but it does jump around a little bit. I would guess the film was not preserved all that well but that has NOTHING to do with the original film before the wear and tear of time.

If you want a fairly decent copy of this film like I have then I would recommend getting the horror film pack called "Horror Classics 50 Movie Pack Collection" (with Phantom of the Opera on the cover). It's a fairly clean/decent copy although their might be a better copy of this film floating around out there that I am unaware of.

"The Ape" is a good old fashioned horror film that I do recommend to others.

8.5/10

If it weren't for the presence of Boris Karloff, this would be pretty bad. Apparently there has been a bout with polio in the community (paralysis) and there is a pretty young victim who the doctor fancies as looking like his late daughter. He makes it his life work to cure her. Unfortunately, he needs the bodily fluids of others to bring about that cure. Of course, he chooses the base, the outcast, for his work because the young pretty girl has more worth in the society than these others. He chooses his victims by judging this worth. He kills them by dressing in the skin of an ape that he killed and skinned. If this sounds silly, it's hard to defend. There's also a subplot of the jealousy of a young man who loves the young woman but may feel if she recovers she will reject him. Karloff's doctor is the constant victim of the community. They don't know what he's doing in that house and so he is victimized by the local kids (your garden variety brats), and looked on with suspicion. He is such a kindly man, it seems odd that there is such venom when it comes to him. Anyway, it's a small town and people do need their preoccupations. It just seems that a doctor with this much imagination could be a little more creative in his methods than the one he chooses. Imagine how lacking in dexterity if you were about 60 years old, running around in an ape pelt. It's rather forgettable and predictable, but it's fun to see Karloff's character.

It could be argued that the 1940's were something of a golden age for the B movie in America -at least in quantity terms - and several studios arose to make a great many cheap pictures for double bills and the sleazier end of the market . Monogram pictures were one such company and they strove with Universal for the horror end of the spectrum although with fewer resources . Like other such pictures The Ape gives a leading role to a horror icon , Boris Karloff ,while featuring unknowns, and untalented ones into the bargain, for the supporting parts . He plays Doctor Adrian who is regarded with suspicion by the small town locals but is revered by a young woman ,the wheelchair bound Frances Clifford whose paralysis he is striving to cure .His favoured method is by injection of spinal fluid but he is running out of the stuff till fate takes a hand .A giant ape escapes from the visiting circus ;unknown to the townsfolk he is shot .Adrian skins the dead beast and goes out at night dressed in the skin ,killing to obtain victims so he can continue the treatment . Karloff is his usual excellent self ,this time playing the scientist rather than a creation of a scientist ,and the script is quite sharp in its depiction of small town narrow mindedness .The ape suit is better than usual in this type of picture with this type of budget and this is a decent little horror number

William Nigh directs this low-budget Monogram picture about a circus ape escaping simultaneously with an eccentric doctor trying to cure a young girl's paralysis. Somehow the two plot strands meet and end in a very far-fetched denouement. Fantastical plot notwithstanding, The Ape is a quality picture at least as far as Monogram pictures go. Sure it has some real cheap sets and a threadbare, ridiculous story. The direction is adequate but nothing more. But what it does have is a fine performance from Boris Karloff as the doctor working endlessly to free a girl from the confines of her wheelchair all the while blurring the line of good and bad. For me there are three types of mad doctors. The first and probably most familiar is the crazed, maniacal, egocentric mad doctor looking for revenge or glory or the affections of a girl. These guys are the ones full of themselves and usually are dedicated in some form or fashion to evil. Bela Lugosi excelled at these. The second type is the same maniacal, crazed doctor but one that is more worldly. He wants money or power and position. He knows oftentimes that what he is doing is wrong(differentiates him from first type). I think Lionel Atwill played this type very well. The third type - and a very broad one - is the mad doctor who crosses the line of acceptable behaviour but his action are all done with good at the core. Karloff really perfected this type. The Ape has just such a "mad doctor" in it. Karloff gives such a good performance despite everything working against him. He creates genuine pathos in his role. The rest of the cast in this film is nothing too special. I enjoyed Henry Hall as the lawman, and Gertrude Hoffman as Karloff's quiet maid was chilling in her demeanor and silence. The Ape should not be overlooked simply because of its less than stellar roots with Monogram. Karloff rises above the material and this film rises above the standard fare usually created. The ape itself, well, quite ridiculous. In this one George Barrows gets a break and Ray "Crash" Corrigan(the alien in It! The Terror from Beyond Space)dons the unrealistic simian outfit.

A local doctor and scientist (Boris Karloff) is working on a treatment for paralysis. He finds the cure requires human spinal fluid. But to get such a thing, he must kill. And then a local circus starts on fire and a murderous ape escapes...

First, let me give a shout out to director William Nigh of Berlin, Wisconsin. I always have to support my local directors, even if they're dead. And while there was nothing really out of the ordinary as far as directing style, it was good just the same. And Nigh has a history of working with Karloff, which I'm sure helps quite a bit (look at Tim Burton and Johnny Depp).

This film has a strong point, a weak point and a mediocre pint. The strong point is the plot. My summary will sound strange to those who haven't seen the movie. There is a circus, an ape, a scientist and people are getting killed. It really fits together very nicely, and I found this to be impressive. Many older films fill time with extra fluff, but this one was only the necessities and even that was pretty thorough.

The weak point is the film quality. I don't think I can blame the movie for its quality, but the sound is not great, the picture is not great, and many frames are missing entirely. Either lost, or filmed with bad equipment. Once I adjusted, this wasn't such a big deal. But other films from this time period have fared better, so I wish this had been one of them. A restored, touched up version of this film would have been vastly superior.

The mediocre point is the costume designer. The ape was obviously a man in a costume. However, despite this being obvious it was still a very good costume and worked for the sake of the picture. Can I reasonably expect a better ape without a real ape being used (which would be much harder to control, of course)? Perhaps not. So I give them credit for the effort. (And I assume the costume here is much nicer than the one used in the earlier theatrical production.) This film was alright. As far as older, lower quality movies go, I think this is better than much of the stuff we now call "classic". Karloff delivers, as usual... and we get a good story that has a nice dark comedy element to it, or at least an element of sympathy for evil acts. And that's always nice.