Adicionar um enredo no seu idiomaPorky finds out that Ali-Baba and his Dirty Sleeves plan to attack the fort; it's up to him to go warn the fort. He gets there to discover everyone has left for the Legion convention in Bost... Ler tudoPorky finds out that Ali-Baba and his Dirty Sleeves plan to attack the fort; it's up to him to go warn the fort. He gets there to discover everyone has left for the Legion convention in Boston. Porky and his rented camel fend off the attackers themselves for a while, but when the... Ler tudoPorky finds out that Ali-Baba and his Dirty Sleeves plan to attack the fort; it's up to him to go warn the fort. He gets there to discover everyone has left for the Legion convention in Boston. Porky and his rented camel fend off the attackers themselves for a while, but when the situation gets dire, the young camel summons its mother. Momma takes care of the attacker... Ler tudo
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Avaliações em destaque
Both Bob Clampett and Porky Pig have had much better cartoons than 'Ali-Baba Bound', together and individually. 'Ali-Baba Bound' is certainly far from bad, in fact it's a pretty decent watch. Pretty decent though doesn't feel enough. Clampett showed numerous times that he was capable of great and even classic. The same goes for Porky, especially in his legendary partnership with Daffy Duck. Porky actually fares well here, he is likeable and fun, on top of that he's not underused or misused and feels like a lead.
Clampett doesn't fare as well. He directs competently enough, but other cartoons of his show off his distinctive style much more. For Clampett, 'Ali-Baba Bound' is somewhat tame and subdued, it's not wild, visually outrageously wacky, witty or anarchic enough. Far from a hack job, Clampett never stooped as low as that even in his lesser efforts, but bland by Clampett standards.
There is certainly a good deal to like about 'Ali-Baba Bound'.
Mel Blanc is outstanding as always. He always was the infinitely more preferable voice for Porky, Joe Dougherty never clicked with me, and he proves it here. Blanc shows an unequalled versatility and ability to bring an individual personality to every one of his multiple characters in a vast majority of his work, there is no wonder why he was in such high demand as a voice actor.
Animation is good if not mind-blowing, it's fluid in movement, crisp in shading and very meticulous in detail, if not as imaginative or as witty as Clampett has shown many times. Ever the master, Carl Stalling's music is typically superb. It is as always lushly orchestrated, full of lively energy and characterful in rhythm, not only adding to the action but also enhancing it.
Regarding the humour, it's timed well and raises some amused smiles but is never what one would call hilarious and in the gags department it didn't quite feel enough. Personally remembered the very inventive attack methods much more, this aspect was done very well and they and the previously mentioned longshot are where the animation most excels. The story is lively enough but is flimsy and to me the supporting characters were fun and support Porky very well but some won't take kindly to the stereotyping.
In summary, decent but comes up short somewhat. 6/10 Bethany Cox
What I mean about the political cartoon is that one of Ali Baba's men has a giant bomb tied to his head and strongly desires to get to use it. But maybe I'm the only one who ever noticed the connection.
I guess that as long as we understand the negative Arab stereotyping, it's easier to watch the cartoon, although it's far from Porky's funniest.
** 1/2 (out of 4)
Porky Pig is out riding around the desert when he receives word that Ali-Baba is going to attack the local fort. Porky goes to warn them but there's no one at the fort so he must battle the entire Arab army.
ALI-BABA BOUND is another decent, if not all that special, entry of the early Porky Pig series. I'm not going to lie, I find most of Porky's early films to be decent but they just aren't what I'd call a classic or even good. This one here once again benefits from some nice animation with the best bit being a long shot of the battle. As far as laughs go there aren't too many here. If you're a fan of Porky then perhaps you'll get more entertainment out of this but for me it was mildly entertaining but nothing more.
Você sabia?
- CuriosidadesThe title refer to the character Ali Baba from the medieval Arabic adventure tale of Ali Baba and the Forty Thieves and told in the middle eastern collection of stories, One Thousand and One Arabian Nights.
- Erros de gravaçãoIn the redrawn version, "The Brown Turban" was misspelled as "The Brown Lurbon". Also, a fly is sitting there when Porky is leaving the "Brown Lurbon".
- Versões alternativasThis cartoon was colorized in 1968 by having every other frame traced over onto a cel. Each redrawn cel was painted in color and then photographed over a colored reproduction of each original background. Needless to say, the animation quality dropped considerably from the original version with this method. The cartoon was colorized again in 1992, this time with a computer adding color to a new print of the original black and white cartoon. This preserved the quality of the original animation.
- ConexõesFeatured in Reel Bad Arabs: How Hollywood Vilifies a People (2006)
- Trilhas sonorasA Vision of Salome
(uncredited)
Music by J. Bodewalt Lampe
Played during the opening establishing shots
Principais escolhas
Detalhes
- Tempo de duração7 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1