O Filho de Tarzan

While watching Tarzan Finds A Son today it occurred to me that both this film and Tarzan's New York Adventure were about the same thing, custodial interference. The only difference is in the setting where the question is raised. In this film the issue is decided on Tarzan's home turf in the jungle. And as such he's got a definite home field advantage.

The film begins with Morton Lowry, Laraine Day and pilot Gavin Muir going down in a light plane crash in the jungle. The chimpanzees find their infant son who survived and bring him to Tarzan where Johnny Weissmuller and Maureen O'Sullivan raise the boy and name him such.

Five years later guide Henry Wilcoxon lead the Lancings, Henry Stephenson, Ian Hunter, and Frieda Inescourt into the jungle looking for a trace of their relatives. That leads O'Sullivan into a conflict with Weissmuller.

Much as she loves life with the Lord of the Jungle, O'Sullivan does see certain advantages to civilization that their 'son' now played by young Johnny Sheffield might have. Of course all the relatives motives aren't pure which leads to the inevitable conflict.

In the jungle Tarzan who's on a first name basis with every animal can call on both apes and elephants for assistance. That he does in a nice slam bang climax where both simian and pachyderm power are brought to bear.

Louis B. Mayer must have always thanked God that the shooting of Trader Horn in Africa left him with so much background jungle footage to use and not too many times over. The footage is well integrated into this story.

Tarzan Finds A Son has aged well and remains watchable.

With Tarzan (Johnny Weissmuller) and Jane (Maureen O'Sullivan) nicely settled into their treetop des-res (complete with all mod cons), it was only going to be a matter of time before we heard the pitter patter of little footsteps (other than Cheetah's, of course). However, with the Hays Code in full effect, and our arboreal lovebirds not actually wed, they sure weren't going to be permitted to have a child of their own via the normal method.

The writers of the Tarzan series get around this problem by having a child delivered from the sky by 'the great metal stork'—a plane that crashes in the jungle with a baby boy as the only survivor. Cheetah finds the wailing bundle of joy and whisks him off to Tarzan and Jane, who decide to adopt the lad, naming him Boy (Tarzan's second choice, after having Elephant rejected by Jane).

Five years of blissful family life later, and an expedition turns up at the escarpment searching for the plane and any possible survivors. But Tarzan and Jane have become rather attached to their little tyke, and aren't about to give him up, especially when they discover that two of the visitors only want Boy for his vast inheritance.

Aimed at the matinée crowd, this particular instalment features none of the graphic nastiness or raciness that can be found in the first two Tarzan films (the obligatory native killing at the end of the film—via a huge skull-cracking device—is brief and non-explicit); instead, we get mild peril as Boy is attacked by pipe-cleaner tarantulas and a back-projected rhino, comic relief courtesy of Cheetah the chimp, and a lot of fun interplay between Tarzan and his 'son', the best scene being an impressively shot moment of underwater horseplay.

6.5 out of 10, happily rounded up to 7 for the bit where Cheetah turns her lips inside-out to amuse the new arrival (which makes me laugh just thinking about it).

Most people I talk to about Tarzan films, always seem to remember this one best - it certainly was aimed at the Saturday Afternoon Matinée Audiences of the 1930"s, and from their points of view, it probably did not disappoint. It really is a kids movie, but provides escapist entertainment, and the introduction of their "son" creates new interest to a somewhat tired storyline - there are only so many elephant stampedes you can have! The acting of the principals is the same as always, with Johnny W. having a very limited script to worry about. Jane (Maureen O'S.) looks good, while Johnny Sheffield is an appealing "Boy" who became a real pain in sequels! Henry Stephenson and Freda Inescort were good support for Ian Hunter, and in a very small bit part was Laraine Day, presumably in her debut movie. I must say the Metro Tarzan movies had more class than those that followed from lesser studios.

Mysterious air currents and mechanical failures cause a private plane to crash in Africa, with only a baby boy surviving. Tarzan's chimp "Cheeta" swings by and tosses the blanketed lad to jungle king Johnny Weissmuller (as Tarzan), who has arrived to investigate. Mr. Weissmuller brings the baby home to pretty Maureen O'Sullivan (as Jane). They adopt the baby by declaration and decide to call him "Boy" (an unimaginative name, but it fits). The baby quickly grows into cute preteen Johnny Sheffield. As young Sheffield learns the ropes from Weissmuller, an expedition of his surviving family members is investigating. Naturally, they will want to take the Lancing baby away from Tarzan and Jane...

Much has been made of the fact that "Tarzan Finds a Son!" has the jungle couple's son arriving by plane crash, instead of vaginally. This is due to moral guidelines set by the Hays production code being more rigorously enforced in 1934. This raises some questions, however. It has been generally accepted that Weissmuller's "Tarzan" and O'Sullivan's "Jane" never marry, and that they adopt "Boy" in this film. However, the script of this film suggests a legal marriage has taken place off-screen. Their on-screen "adoption ceremony" appears to be on much shakier ground. More obviously, plot potential favored Sheffield's arrival by plane. This entry's highlight is sparkling underwater photography.

****** Tarzan Finds a Son! (6/16/39) Richard Thorpe ~ Johnny Weissmuller, Maureen O'Sullivan, Johnny Sheffield, Ian Hunter

Tarzan and Jane adopt a baby boy, the sole survivor of a plane crash. The boy's parents perished and so Tarzan and Jane adopt the little tyke. A few years later and he's a boy grown into the guise of Tarzan...complete with Tarzan's abilities to swing vines and talk to jungle animals. Only unknown to Tarzan and Jane, this "Boy" they made their son is actually a wealthy heir and his relatives have come to their jungle hideaway searching for him. Now Tarzan and Jane are faced with a most difficult choice..let "Boy" return to civilization and lose him forever or hold on to him themselves and have him remain in the jungle at all costs and despite the many dangers.

This one is powerful and moves the viewer through a wide range of emotions as the plight of Tarzan and Jane over Boy really puts one through the wringer. Suitable for family viewing for the most part although a scene or two may disturb more impressionable kids.