Um Dia nas Corridas

I love the Marx Brothers, and I like/love their movies. While A Day at the Races is one of my least favourites of theirs, as it is somewhat uneven, it is still very entertaining and definitely worth watching.

Why I didn't like A Day at the Races as much as an outing like A Night at the Opera, Horse Feathers or Duck Soup is because it does have some inconsistent support playing. I am not talking about Margaret Dumont for she is sterling as always, I am talking about Allan Jones and Maureen O'Sullivan whose romantic wooings came across as a little too sappy. What hurt the film more though was some of the musical interludes, some work but others miss more than they hit not because they are terrible but because they are too long and slow the film down pretty considerably. Also I would have shortened the film by about 5 or so minutes.

Criticisms aside, it looks great with fine cinematography, lighting and scenery and has good incidental scoring that is both quirky and charming. The dialogue is also very inspired and quotable, and the gags are hilarious. The "Tootsie frootsie ice cream" sketch is for me the best of Groucho/Chico's wordplay routines. And speaking of the Marx Brothers, all three are splendid particularly Groucho who is still quick-witted and a lot of fun to watch.

In conclusion, an entertaining film but not absolutely wonderful. 7/10 Bethany Cox

Well, here's one more zany uniquely-Marx Brothers film, one noted for being the longest feature movie they made at 111 minutes.

Even with the longer running time, it's still not the story but all the gags and musical talent of the Marx Brothers that is on parade here and is the selling point of the film. That was normal procedure for them. In this edition, the gag scenes were longer and the amount of music was much greater.

The major skits involve a race track tout (Chico conning Groucho) , a physical exam (Margaret Dumont, who else?), a delay of the big horse race and a bunch of other crazy skits. Some are good, some go on too long.

Maureen O'Sullivan, of Tarzan fame among other films, gives the film some beauty and Dumont is treated with more respect here than in the other Marx Brothers films. Groucho takes it easy on her because her character has the money that will save the day, so to speak.

This MB film has a ton of music, from Chico on piano, to Harpo with harp and flute solos plus a flute number with a group of black folks. Then there is Allan Jones crooning away to O'Sullivan with several ballads. Also, there are several group numbers featuring the aforementioned group of blacks . I liked their rousing gospel numbers best of all the music.

The ending of this movie reminded me of Horse Feathers, in which the most outrageous football game was ever filmed. Here, it was a horse race, unlike any you would ever see. It is so ridiculous, you just laugh out loud....and that's the idea of the movie.

Superb comedy that puts our heroes in a sanitorium to help out owner O'Sullivan and an ailing Dumont. Groucho is the doctor brought in to help things along and it equals hilarious results. He and Chico share a wonderful sequence at the racetrack with Chico, in need of quick cash, looking for a sucker to con...Groucho just happened to walk by. The telephone scene between Groucho (as numerous voices) and Leonard Ceeley is also priceless. Allan Jones appears as O'Sullivan's love interest and even sings a bit. A bit too much for me, but he still sings lovely. The long dance numbers are uninspired and lose the comic flavor after a few minutes. We get it back in the wooing scene between Groucho and beautiful Esther Muir and in the rollicking good finale. The film, under Wood's direction, is well paced, with exception to the barnyard musical numbers. They drag it down for a bit. A comedy classic nonetheless.

Overall, this is a good Marx Brothers feature that is sometimes a little uneven, but that looks pretty good as long as you don't compare it with their very best pictures. The basic setup is amusing, and it provides some good material for the cast to work with. Groucho, Chico, and Harpo all get their moments, with Margaret Dumont once again joining in the fun.

The sanitarium setting and Groucho's attempt to run it are used pretty well.

There is a very funny scene when one of the heavies tries to check on Groucho's credentials, and another one when Dr. Hackenbush has to compete with an outside expert (Sig Ruman, who is always fun in this kind of role) for Dumont's confidence.

Not all of it works quite that well, and one or two of the musical numbers could have been skipped with no loss at all. But there are plenty of good moments and creative sequences, and a satisfyingly chaotic finale as good as those in any of their films.

"A Day At The Races" is generally considered the last great movie that the Marx Brothers gave us, and I also agree that it's better than anything that followed, though all their 1938-1949 movies have their moments and are most definitely worth seeing for their fans. The secret of this film's success is that, although it remains loyal to the MGM formulas (let's face it, the pre-1935 Marxes would hardly care about a young couple in love, much less devote themselves completely into helping them out), it retains most of their anarchic and destructive spirit: from the biggest (Margaret Dumont's unorthodox "examination") to the smallest (Harpo and Chico paying one of their debts by using and re-using the same 5-dollar bill!) comedy bit, there are many hits and almost no misses here. Where the film does miss slightly is in the musical numbers: these are entertaining in their own right, but they feel tacked-on, as if they've come from a different movie altogether. Plus, there are too many of them, and they go on too long, making "A Day At The Races" the longest - by far - Marx Brothers movie (and to think that there were two more full numbers eliminated before release!). Still, this is good zany fun that mostly lives up to its reputation. *** out of 4.