Mr. Moto na Ilha do Terror

This is a murder mystery, with Mr. Moto, for those of you who don't know, as the crafty man investigating the case. Like Charlie Chan, he's a private investigator.

Peter Lorre had a "cool" charisma about him, much like Basil Rathbone, Humphrey Bogart, and others who played such roles.

Films like this either take one or a combination of two of the following: 1. Mystery with clues that the audience can use. 2. Mystery with atmosphere and humor 3. Mystery with a twist.

Just about none have all three. One may cite "Chinatown" as a possibility, but the atmosphere isn't what I would call strong in that one. Atmosphere and humor come either without twists or without clues.

This film uses the first two elements. It would be far fetched to say there is a twist. There is an abundance of atmosphere and humor, and many clues.

We know very soon who the killer is. At first it isn't easy, because all of the suspects look alike, middle aged white men with mustaches, but once we tell them apart, and once the atmosphere is established, we do know which one it is.

That doesn't take away from the adventure, though. Lots of good elements make this an enjoyable film.

Studio bound, filled with the Dumbrille's of the era, yer basic walk through. Not nearly as good as the one with all the Brits; it was a series on its way out by then. Worth a watch if you haven't caught it yet, the Willie Best type stuff is hard to put up with though. Poor guy, aka 'Sleep and Eat'...

** outta ****

Mr. Moto in Danger Island (1939)

*** (out of 4)

Seventh film in the series finds Mr. Moto (Peter Lorre) tracking down a diamond smuggling ring working from South America through Puerto Rico. Along the way various murders begin to happen with a wide range of suspects. I've read that this was originally intended to be an entry in Fox's Charlie Chan series but it works well as a Moto movie. The movie has a nice pace to it, a great supporting cast and overall nice story, which makes this here another winner. What works the best is the cast and the lead performance by Lorre. He certainly never struck me as looking Japanese but he certainly digs deep into the character and delivers all the goods in terms of manor isms and various gestures that he does throughout. Warren Hymer adds a lot of nice comic touches in his role as the dimwitted wrestler who befriends Moto early on in the film and refuses to leave his side. Richard Lane, from the Boston Blackie series, does a very good job in his role of the Commissioner and we also get nice turns by Jean Hersholt, Amanda Duff, Leon Ames and Paul Harvey. Even though the film is set in Puerto Rico, you really can't tell that but the stuff in the swamp contains some nice atmosphere. The movie is certainly one of the better entries in the series and makes for a nice, fast paced entertainment.

In the long line of 'politically incorrect' Hollywood racial casting, Hungarian born Peter Lorre's Mr Moto is probably the least in need of historical/cultural apologies to facilitate our enjoyment of the eight dandy pics he made as the polite, but not quite knowable Japanese detective. Most were smartly directed by ex-actor Norman Foster, but this late entry was helmed by 'routinier' Herbert Leeds who brings a good deal less to the party. Still, even when playing more closely within the conventions of drawing room detective yarns (and with too much forced dimwit comic relief), Lorre manages to elevate the slim story about diamond smuggling in the tropics into something entertaining and a bit perverse, with nice support from Jean Hersholt, Leon Ames, Paul Harvey & Douglas Dumbrille all in spiffy white suits.

Peter Lorre stars as Japanese investigator Mr. Moto in "Mr. Moto in Danger Island," a 1939 release also starring Jean Hersholt, Amanda Duff, Walter Hymer, Douglas Dumbrille, and Leon Ames. Originally written as a Charlie Chan script, Moto is asked to investigate the smuggling of inexpensive contraband diamonds from South America via Puerto Rico and into the U.S. that are driving down diamond prices. One investigator has already been murdered, so it's time to send in the big guns - Moto.

A professional wrestler named Twister McGurk (Hymer), whom Moto meets en route to Puerto Rico, attaches himself to the diminutive detective, which brings some comic relief.

Entertaining with a nice tropical atmosphere despite being made on a back lot, and it's always a joy to see Peter Lorre. Unfortunately for Mr. Moto, World War II ended his run.