O Terror dos Maridos

For much of the '30s, Eddie Anderson had appeared in many films as either a brief extra or somewhat of a supporting character. Then. a few years back before this movie, he became a regular on Jack Benny's radio show as his butler Rochester. In many previous pictures, Anderson had been credited as his own name but because of his fame on the radio program being announced as his character by Don Wilson, he's credited as Rochester in the opening credits though as his own name as playing Rochester by the end credits. For the rest of the Paramount films, it's his character name he's credited as. It's also to the benefit of working for Benny that Eddie has more screen time than previously including performing a couple of dance spots. And as on radio, he and Jack have great chemistry on screen. They're usually the best part of this movie which also has Benny's other co-star from his radio show, Phil Harris, doing his own wisecracking and conducting his band and singing a tune as do also Betty Grable-pre-stardom-wise-and leading lady Dorothy Lamour. I'll stop there and just say I liked the comedy plot about mistaken identity concerning who the Benny character is involved with romantically and many of the troupe dancers that were being showcased here. So that's a recommendation of Man About Town.

"Man About Town" is a very funny comedy with a wonderful cast of top actors of the day. The plot is a familiar one used in a few other good comedies. A woman is ignored by her husband who is all work and no play. So, to rekindle his interest in her she feigns interest in another man to try to make the hubby jealous and come around. Only, this film has a twist, with the other man playing the part because he wants to attract a woman he is in love with. Neither of them are married.

The plot doesn't lay supposed amorous affairs on too heavily or overboard. So it comes off smoothly - except for some wrinkled faces and egos of the characters. It's sure to make some viewers howl with laughter, and maybe some others to shake their heads in disbelief, or confusion. The setting for the film is London - that is, foggy London as the opening scene shows. That's where Bob Temple has brought his show.

Jack Benny is at the heart of this delicious farce as Bob Temple. The film works so well because Temple is a real nice guy, a show producer, and decent fellow. He's in love with his leading lady, but she thinks they wouldn't hit it off because of their differences - ergo, he's too kind, too polite, too nice and too decent a person. Had Temple been a playboy or late night partier, the film would have lost much of its allure. Instead, the situations that unfold are very, very funny.

Also in this wonderful farce are Benny's long-time radio and later TV accomplices, Rochester and Phil Harris. Harris plays Ted Nash and Eddie Anderson plays Rochester. Anderson was one of the earliest, best and long-lasting African-American comedians on the air and in TV and films. Here, his Rochester matches his boss, Bob Temple's snipes and quips jab for jab. And Rochester has a very good and funny song and dance scene. Other prominent players of the day are Edward Arnold as Sir John Arlington, Monty Woolley as Henri Dubois, and Dorothy Lamour as Temple's leading lady and flame, Diana Wilson. Binnie Barnes plays Lady Arlington, Isabel Jeans is Madame Dubois, and E. E. Clive is Hotchkiss, the Arlington's butler. Betty Grable has a small part as Susan Hayes.

"Man About Town" may have the best and funniest scene of any movie of a wife vying with business interests for the attention and love of her husband. The script is hilarious and Edward Arnold and Binnie Barnes play it superbly.

Sir John missed his lunch date with his wife, Lady Arlington. He has just placed a call to Canada when she has come to his office to see him. Sir John, to his wife, "What were you saying, dear?" Lady Arlington, "Oh, nothing, nothing. I'll save it for tonight. You, uh, you will be home tonight, won't you?" Sir John, "No, no. I've gotta spend the night in town to work with the lawyers." On the telephone, "Hello, uh, 28,646 dollars and 22 cents." To Lady Arlington, "You go ahead, dear. I can hear what you're saying, and I'm terribly sorry about that lunch." Lady Arlington, "I had lunch with a very charming young man." Sir John, "Oh, that's fine. I always said the Royal served the best 10-shilling lunch in town." Lady Arlington, "He was an actor - an American actor." Sir John, on the phone, "Yes, what? Skip the second and give me the third." To Lady Arlington, "You go ahead, dear. Tell me what you had for lunch." Lady Arlington, "An actor, and a large bowl of soup." Sir John, "Uh huh. What kind of soup?" Lady Arlington, "I don't remember. But he was very charming, very attractive, he made violent love to me, and I encouraged him." Sir John, on the phone, "That's 32,322 dollars and 84 cents - is that right?" To Lady Arlington, "And how about desert?" Lady Arlington, "Oh, for desert I shot him." Sir John, "Did you, really? Tea or coffee?" Lady Arlington, "I don't remember. But one of these days I'm gonna shoot you too" Sir John, "Ah, that's fine. Go on, dear. Tell me - who was the man you had lunch with."

This is a great comedy and a keeper to play for family and friends, and to watch again from time to time - on a foggy or rainy day, or just when one needs some laughs. Here are some more favorite lines from this film. The Quotes section on this IMDb Web page has many more.

Bob Temple, "Why, they told me inside that the fog had lifted." Hotel Doorman, "Only up to the ankles, sir." Temple, "Oh."

Diana Wilson, "Oh, but we'd never make a go of it. I'm silly and romantic, and you're so solid and respectable." Bob, "Oh, but, uh, Diana, I don't have to be so respectable." Diana, "Bob, you couldn't be anything else but."

Bob Temple, "I'll show her I can be just as big a cad as anybody else."

Bob Temple, to Lady Arington, "You see, I'm solid and respectable, and you're probably hungry."

Bob Temple, "What right did she have to call me up anyway? She knew she was married."

Bob Temple, "Rochester, you're now looking at a broken down Romeo, as of last night."

Ted Nash, "If you run out now, you're admitting your guilt. Then when Arlington kills you, there's no jury in the world that'll convict him." Bob Temple, "Well, if Arlington kills me, I really won't care whether they convict him or not."

Bob Temple, "No matter how you figure, I'm a dead pigeon."

Sir John, "Well are you enjoying yourselves, gentlemen?" Ted Nash, "Yes, indeed, Sir John." Bob Temple, "Yeah, yes." Sir John, "Well, that's fine. What I always say is, 'Enjoy yourself today because tomorrow you may be dead.'"

This is among the worst films ever made by Paramount. It's supposed to be a comedy/musical. But there are no laughs (not even a smile), and the music and the musical numbers are fourth rate. Viewers old enough to have enjoyed the Jack Benny shows on radio and television will find this 1939 movie a great disappointment.

There seems to have been a severe lack of intelligence throughout. The script is inept, Rochester is featured far beyond his talents, Dorothy Lamour and Betty Grable are wasted, and Edward Arnold and Monty Woolley were given embarrassing parts. The racial jabs at Rochester are extraordinarily offensive.

So, The Horn Blows at Midnight was not Jack Benny's worst film.

without getting into all the downer reviews, I watched this movie and delighted in the characters...Jack Benney was funny, Phil Harris was great, Dottie Lamour was THE girl of 1939, she is alluring, exotic, classy, and sings like an angel. Betty Grable is gorgeous and Edward Arnold and Monty Wooley do superb supporting comedy characters. The show becomes very memorable when they show the stage acts. The singing is terrific and Eddie Anderson (Rochester) is the true highlight. He is on of the greatest hoofers I have ever seen, he is graceful and modern. The chorus lines were full of great routines and beauty. I bought the movie and I'd buy it again. I could easily give it a 10 but it didn't have enough Lamour.

This film was a big nostalgia trip for me, having listened to Jack Benny's radio program in the late 30's and also having watched his program later when it transferred to television. His films were often silly, but knowing his personality and those of the rest of the radio cast made them enjoyable. This film fits that mold, as he brought with him Eddie Anderson and Phil Harris, two of the show's regulars. Benny and Anderson had great rapport that transferred to the screen beautifully. Anderson's character on the show and in this film was as Benny's wise-cracking valet, Rochester, and the name was so well-known that he's billed here in the opening credits simply as "Rochester," although the end credits lists him as Eddie Anderson. I was amazed at his versatility when he does two jazzed up dances in the film, which alone makes the film worth watching. The plot has Benny as an actor and producer in London, trying to make time with his star, Dorothy Lamour, by wooing Lady Binnie Barnes to get Lamour jealous, while Barnes uses Benny to get her husband, Edward Arnold, jealous and more attentive. That scheme was suggested by French friend Isabel Jeans, who does the same thing, since her husband, Monty Woolley, is likewise inattentive. The funniest sequence of the movie has Arnold and Woolley each seeing Benny kiss the other man's wife and keeping mum about it. But when the truth comes out, both are out to kill Benny.

The movie is sprinkled with musical numbers throughout, with Lamour, Harris and Betty Grable providing nice vocals for relatively forgettable songs, The Pina Troupe doing some acrobatics and the Merriel Abbott Dancers dancing, all to the music of Matty Malneck's orchestra. When you hear Benny butcher the song "Love in Bloom" on his violin, you should know that it was a running gag on his show to appreciate the humor. Isabel Jeans and Eddie Anderson are both standouts, with the rest of the supporting cast in good form. This is not a great movie, but it is certainly an enjoyable one.