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Adicionar um enredo no seu idiomaDespotic King Louis XIV discovers he has a twin brother who has grown up under the tutelage of his foster father, the patriotic musketeer D'Artagnan.Despotic King Louis XIV discovers he has a twin brother who has grown up under the tutelage of his foster father, the patriotic musketeer D'Artagnan.Despotic King Louis XIV discovers he has a twin brother who has grown up under the tutelage of his foster father, the patriotic musketeer D'Artagnan.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 1 indicação no total
Marion Martin
- Mlle. de la Valliere
- (as Marian Martin)
Nigel De Brulier
- Cardinal Richelieu
- (as Nigel de Brulier)
Reginald Barlow
- Jean Paul
- (as Reginald Barlowe)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There have been many versions over the years of the fanciful story, "The Man in the Iron Mask," the most recent one being the 1998 film starring Leonardo di Caprio. Back in the late 1970s, Richard Chamberlain took a stab at it, with highly entertaining results.
This particular version was directed to great effect by the talented James Whale, who gives us a fast, energetic, and athletic telling of the story of twins separated at birth, one who will be King of France and one who does not know that he is royalty. The twins are played by Louis Hayward, Joan Bennett is Maria Theresa, Josef Schildkraut is Fouquet, and Warren William leads the Musketeers as D'Artagnan. As one post on this board mentions, the Musketeers are getting up there in age here; Alan Hale, Miles Mander, and Bert Roach are the heroic swordsmen and friends.
It's important always that a good actor plays twins so that they have different personalities. This often is not the case. One may be mean and one may be good, but they talk the same, look the same, act the same etc. Louis Hayward does a fantastic job in his dual roles. As the arrogant King, he is foppish, cruel, dismissive and lustful. As Philip of Gascony, he is gentle and unassuming with a very different demeanor and even a different vocal timber. Hayward was a very smooth actor. It's not exactly clear what happened to his career and why he ended up in the '60s doing spaghetti westerns. Apparently this film set him up for a resume of playing twins, which he gamely did, finally becoming a very successful producer.
Although she was no match in acting for Vivien Leigh, anyone who has seen the "Gone With the Wind" screen tests knows what a beautiful Scarlett Joan Bennett would have made. She's stunning here as the confused Maria Theresa in glorious costumes, with her serene smile, porcelain skin and beautiful bone structure. Warren William, an early leading man who was the movie Perry Mason, is very likable and does well with the athletic sword fighting as D'Artagnan. Having been a leading man when talkies began, by this time he was moving into character roles. With his pencil-thin mustache, he was a familiar presence in films until his death in 1948 at the age of 54.
This is a wonderful movie, a nice remembrance of the good old Hollywood period pieces, when they really knew how to do them. Look for a young Peter Cushing as a King's messenger.
This particular version was directed to great effect by the talented James Whale, who gives us a fast, energetic, and athletic telling of the story of twins separated at birth, one who will be King of France and one who does not know that he is royalty. The twins are played by Louis Hayward, Joan Bennett is Maria Theresa, Josef Schildkraut is Fouquet, and Warren William leads the Musketeers as D'Artagnan. As one post on this board mentions, the Musketeers are getting up there in age here; Alan Hale, Miles Mander, and Bert Roach are the heroic swordsmen and friends.
It's important always that a good actor plays twins so that they have different personalities. This often is not the case. One may be mean and one may be good, but they talk the same, look the same, act the same etc. Louis Hayward does a fantastic job in his dual roles. As the arrogant King, he is foppish, cruel, dismissive and lustful. As Philip of Gascony, he is gentle and unassuming with a very different demeanor and even a different vocal timber. Hayward was a very smooth actor. It's not exactly clear what happened to his career and why he ended up in the '60s doing spaghetti westerns. Apparently this film set him up for a resume of playing twins, which he gamely did, finally becoming a very successful producer.
Although she was no match in acting for Vivien Leigh, anyone who has seen the "Gone With the Wind" screen tests knows what a beautiful Scarlett Joan Bennett would have made. She's stunning here as the confused Maria Theresa in glorious costumes, with her serene smile, porcelain skin and beautiful bone structure. Warren William, an early leading man who was the movie Perry Mason, is very likable and does well with the athletic sword fighting as D'Artagnan. Having been a leading man when talkies began, by this time he was moving into character roles. With his pencil-thin mustache, he was a familiar presence in films until his death in 1948 at the age of 54.
This is a wonderful movie, a nice remembrance of the good old Hollywood period pieces, when they really knew how to do them. Look for a young Peter Cushing as a King's messenger.
Intermittently exciting "Musketeers" tale, highlighted by the "Jekyll-Hyde" performance of Louis Hayward as the King of France and his undiscovered (then, discovered) twin brother. Mr. Hayward does a great job; especially when the "Good" twin confronts the "Evil" twin with his "Iron Mask".
"The Man in the Iron Mask" might have been better as a swashbuckling horror story; and, director James Whale could have delivered the goods. The Iron Mask of the title is designed for Edgar Allen Poe-type horror it is locked around a Hayward's neck, so that he will slowly be strangled by his own beard. A gruesome death! I expected a little more excitement, and suspense, in this film.
The other characters are enjoyable; Joseph Schildkraut was my favorite supporting character. Joan Bennett is the beautiful love interest, but she doesn't have much of an opportunity to show any acting skills. By the way, her scene in the coach shows her looking very much like Scarlet O'Hara from "Gone with the Wind." After seeing her in this, you can picture her testing for Scarlett.
******* The Man in the Iron Mask (6/26/39) James Whale ~ Louis Hayward, Joan Bennett, Joseph Schildkraut, Warren William
"The Man in the Iron Mask" might have been better as a swashbuckling horror story; and, director James Whale could have delivered the goods. The Iron Mask of the title is designed for Edgar Allen Poe-type horror it is locked around a Hayward's neck, so that he will slowly be strangled by his own beard. A gruesome death! I expected a little more excitement, and suspense, in this film.
The other characters are enjoyable; Joseph Schildkraut was my favorite supporting character. Joan Bennett is the beautiful love interest, but she doesn't have much of an opportunity to show any acting skills. By the way, her scene in the coach shows her looking very much like Scarlet O'Hara from "Gone with the Wind." After seeing her in this, you can picture her testing for Scarlett.
******* The Man in the Iron Mask (6/26/39) James Whale ~ Louis Hayward, Joan Bennett, Joseph Schildkraut, Warren William
James Whale has to be credited with some very fine direction on this version of THE MAN IN THE IRON MASK, the famous story about the twin brothers, one of whom is a black-hearted rogue who sits on the throne, the other raised in a faraway village by D'Artagnan when it becomes clear that only one twin can sit on the throne of France.
All the ingredients for a good swashbuckler are here with the added benefit of an absorbing story, extremely well played by a wonderful cast. LOUIS HAYWARD has never had a better role than the contrasting twins and the special effects are excellent when he shares scenes with his twin. JOAN BENNETT, although very beautiful, is merely a costumed prop here, exuding no real warmth as the princess who falls in love with the good twin. She was never an actress of any depth.
But the film really belongs to WARREN WILLIAM as a rather overage D'Artagnan and even more so to Joseph SCHILDKRAUT in another one of his evil impersonations as Fouquet, with ambitions to become the Minister of Finance and an appetite for treachery.
Very lavish production values, although one wishes the film could have been filmed in Technicolor (at a time when very few films were). There's a good Oscar-nominated background score in the brisk tradition of such music and there's never a dull moment in the whole film.
Summing up: A majestic, impressive version of the tale which stands up to any subsequent telling in recent years.
All the ingredients for a good swashbuckler are here with the added benefit of an absorbing story, extremely well played by a wonderful cast. LOUIS HAYWARD has never had a better role than the contrasting twins and the special effects are excellent when he shares scenes with his twin. JOAN BENNETT, although very beautiful, is merely a costumed prop here, exuding no real warmth as the princess who falls in love with the good twin. She was never an actress of any depth.
But the film really belongs to WARREN WILLIAM as a rather overage D'Artagnan and even more so to Joseph SCHILDKRAUT in another one of his evil impersonations as Fouquet, with ambitions to become the Minister of Finance and an appetite for treachery.
Very lavish production values, although one wishes the film could have been filmed in Technicolor (at a time when very few films were). There's a good Oscar-nominated background score in the brisk tradition of such music and there's never a dull moment in the whole film.
Summing up: A majestic, impressive version of the tale which stands up to any subsequent telling in recent years.
Screenwriter George Bruce, a specialist with swashbuckling tales, is at his best in this rather loose adaptation of the fanciful Alexandre Dumas novel that relates how the Three Musketeers won their final battle. The scenario tells of the birth of twin sons to King Louis XIII of France and his wife, and of how, since there can be but one dauphin, the latterly born is secretly given to the care of the King's favorite swordsman D'Artagnan who, along with the Musketeers, raises him in Gascony. The return to Paris of the untitled and untravelled son, Philip, along with the four veteran warriors, at the request of Minister Colbert, one of the few who is aware of the twin birth, and the resulting adventures largely brought about by a sharp contrast in humanity between the brothers, forms the basis for the subsequent fast-moving and exciting events. Louis Hayward brilliantly plays the dual parts of the twins King Louis XIV and the unrecognized Philip, providing a proper degree of personality disparity, along with a display of excellent fencing skill and a robust penchant for romancing the Infanta of Spain, nicely performed by Joan Bennett. Walter Kingsford and Joseph Schildkraut are sterling as ministers in competition for the King's ear, as are Albert Dekker and Doris Kenyon as Louis XIII and his queen, but it is Warren William, whose profile puts that of John Barrymore to shame, who steals the supporting cast honors with a very strong performance as D'Artagnan. James Whale's flamboyant style of direction is perfect for this cinematic transposition of the classic novel, and the editing is well-nigh perfect, capping a delightful performance by all.
Gosh I loved this film when I saw it many years ago as a young kid, and when I saw it much later on TV, I have to say I still enjoyed it greatly. Louis Hayward was excellent and Joan Bennett was truly beautiful, with the Three Musketeers (all a bit long in the tooth!) led by Warren William as D'Artagnan lots of fun, while Joseph Schildkraut was his usual malevolent villain. The scenes of the twins together were well done, and James Whale directed with his good sense of entertainment - if you get the chance to see it on DVD or Video, grab it as it is a gem from the really Golden Years. I have seen the remake with Guy Pearce, and found that enjoyable too, but must stress any resembalnce to this oldie, was purely coincidental.
Você sabia?
- CuriosidadesPeter Cushing did double duty on this film. In additional to his own role, he would feed Louis Hayward the lines for the split screen shots. Director James Whale initially cast him only to play opposite Hayward in the sequences where both twins appear together, but was impressed enough with the newcomer that he offered Cushing a small part on horseback. This was Peter Cushing's film debut, and he had the unique opportunity to view the rushes and improve his own performance, especially since none of it would be used in the finished feature. As 'Second Officer,' he can be seen 17 minutes in, with two lines of dialogue: "How could I mistake it. I've been here before".
- Erros de gravaçãoIn one chase scene, a character fires a pistol three times in quick succession. 17th century firearms had to be reloaded after each shot.
- Cenas durante ou pós-créditosThe credits are printed into a old book. An unseen male hand pages through it.
- ConexõesFeatured in Peter Cushing: A One-Way Ticket to Hollywood (1989)
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- How long is The Man in the Iron Mask?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- O Máscara de Ferro
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 53 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was O Homem da Máscara de Ferro (1939) officially released in India in English?
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