AVALIAÇÃO DA IMDb
7,3/10
6,9 mil
SUA AVALIAÇÃO
Um playboy francês e uma antiga cantora de discoteca apaixonam-se a bordo de um navio.Um playboy francês e uma antiga cantora de discoteca apaixonam-se a bordo de um navio.Um playboy francês e uma antiga cantora de discoteca apaixonam-se a bordo de um navio.
- Direção
- Roteiristas
- Artistas
- Indicado a 6 Oscars
- 3 vitórias e 6 indicações no total
Maurice Moscovitch
- Maurice Cobert
- (as Maurice Moscovich)
Mary Bayless
- Theate Patron
- (não creditado)
Scotty Beckett
- Boy on Ship
- (não creditado)
Ferike Boros
- Terry's Landlady
- (não creditado)
Mary Bovard
- Autograph Seeker
- (não creditado)
Tom Dugan
- Drunk with Christmas Tree
- (não creditado)
Bess Flowers
- Ship Passenger
- (não creditado)
George Ford
- Ship Passenger
- (não creditado)
J.C. Fowler
- Doctor
- (não creditado)
Joe Gilbert
- Theatre Patron
- (não creditado)
Dell Henderson
- Cafe Manager
- (não creditado)
Leyland Hodgson
- Doctor
- (não creditado)
Carol Hughes
- Nightclub Patron
- (não creditado)
Avaliações em destaque
What a year that was... 1939! So many great movies produced in a 12 month period! And this ranks up there with any of them. especially if you are looking for a romance.
Irene Dunne is wonderful in her role, her expressive face conveyed her emotions and reactions so well it is like reading her mind. She ws beautiful and charming and perfect in her part. Charles Boyer as the quintessential French gadabout, seemingly unfeeling toward women but true love melts his heart.
Yes this indeed was the original "Meet me at the top of the Empire Stae Building" film and it sets a standard hard to beat.
Recommended highly, would make a great triple feature with "An Affair To Remember" and "Sleepless In Seattle". (in that order)
Irene Dunne is wonderful in her role, her expressive face conveyed her emotions and reactions so well it is like reading her mind. She ws beautiful and charming and perfect in her part. Charles Boyer as the quintessential French gadabout, seemingly unfeeling toward women but true love melts his heart.
Yes this indeed was the original "Meet me at the top of the Empire Stae Building" film and it sets a standard hard to beat.
Recommended highly, would make a great triple feature with "An Affair To Remember" and "Sleepless In Seattle". (in that order)
This is a film of two genuine moods. The first half or so is a romantic story in the fine 1930s comedic tradition. The dialogue is witty, the characters charming, and the developing romance a joy to watch. The second half is a drama which is deep and engaging. The dignity with which the characters act through trying circumstances is wonderful, and a marked contrast and relief to the hysterical characters found in contemporary movies. To have two such different moods both handled with such extreme skill in the same movie makes this a rare gem.
The acting is superb; both Dunne and Boyer play with believable subtlety and emotional power. They drew me in so I cared enormously. Maria Ouspenskaya is, as always, superb. Compare her performance here with her blistering performance in her similar-but-opposite role in Dodsworth. The direction is very straightforward in its service to the story, with only the occasional standout moments: look for the superb shots of the couple's first kiss, of the reflected empire state building, and of the double headline. With a story and acting as strong as this, that's exactly as it should be.
The acting is superb; both Dunne and Boyer play with believable subtlety and emotional power. They drew me in so I cared enormously. Maria Ouspenskaya is, as always, superb. Compare her performance here with her blistering performance in her similar-but-opposite role in Dodsworth. The direction is very straightforward in its service to the story, with only the occasional standout moments: look for the superb shots of the couple's first kiss, of the reflected empire state building, and of the double headline. With a story and acting as strong as this, that's exactly as it should be.
I can't believe that this film is so forgotten by the film viewing public. This film is one of the better romances of the 1930s but, thanks to a mention of AN AFFAIR TO REMEMBER in the movie SLEEPLESS IN SEATTLE, AN AFFAIR TO REMEMBER is now considered a "classic"--But how can this be...?! After all, LOVE AFFAIR is the original and AN AFFAIR TO REMEMBER is a by-the-numbers and relatively boring remake. Charles Boyer and Irene Dunne are wonderful in this film. And, the direction and writing were excellent. However, doing NEARLY the exact same film two decades later seems pointless. I like Cary Grant and have nothing in particular against Deborah Kerr--but they just aren't as good as the originals.
Do yourself a favor. If you haven't seen either film, watch this one first. And, if you have seen only AN AFFAIR TO REMEMBER, see this film and find out how beautiful and well-made this film is. Also, if you like LOVE AFFAIR, try seeing another great romance, SMILIN' THROUGH (1932). It has a lot in common with LOVE AFFAIR and you can even see that the writers of this later film "borrowed" one of the plot twists from SMILIN' THROUGH.
Do yourself a favor. If you haven't seen either film, watch this one first. And, if you have seen only AN AFFAIR TO REMEMBER, see this film and find out how beautiful and well-made this film is. Also, if you like LOVE AFFAIR, try seeing another great romance, SMILIN' THROUGH (1932). It has a lot in common with LOVE AFFAIR and you can even see that the writers of this later film "borrowed" one of the plot twists from SMILIN' THROUGH.
When a film gets done three times for three generations, I guess you have to concede it's definitely got something going for it.
Lovers Charles Boyer/Irene Dunne, Cary Grant/Deborah Kerr, and Warren Beatty/Annette Bening all have their different appeal, but I think the story is universal. What woman who's seen this film hasn't dreamed of an ocean voyage where she will meet the love of her life?
Earnest and hopeful Irene Dunne goes on an ocean voyage where she meets continental playboy Charles Boyer. He's definitely a love 'em and leave 'em type, but there's something about Irene that keeps drawing him back.
It doesn't help that both are involved with different people. But this is the movies and we all know how things work out on film.
Mention should also be made of Maria Ouspenskaya as Boyer's beloved grandmother. She's a grand old lady and you know when I guy takes a girl home to meet granny, it's a sign he's hooked.
Lee Bowman is Irene's involvement and he's such a good guy, I kind of feel sorry for him he's getting dumped.
Leo McCarey directs these romantic films with a sure hand. For lovers of romance of all ages.
Lovers Charles Boyer/Irene Dunne, Cary Grant/Deborah Kerr, and Warren Beatty/Annette Bening all have their different appeal, but I think the story is universal. What woman who's seen this film hasn't dreamed of an ocean voyage where she will meet the love of her life?
Earnest and hopeful Irene Dunne goes on an ocean voyage where she meets continental playboy Charles Boyer. He's definitely a love 'em and leave 'em type, but there's something about Irene that keeps drawing him back.
It doesn't help that both are involved with different people. But this is the movies and we all know how things work out on film.
Mention should also be made of Maria Ouspenskaya as Boyer's beloved grandmother. She's a grand old lady and you know when I guy takes a girl home to meet granny, it's a sign he's hooked.
Lee Bowman is Irene's involvement and he's such a good guy, I kind of feel sorry for him he's getting dumped.
Leo McCarey directs these romantic films with a sure hand. For lovers of romance of all ages.
I'd always been curious about this original version of the romantic 1957 hit, "An Affair to Remember" which was a bona fide box-office success, made so memorable by the classy pairing of Cary Grant and Deborah Kerr. That CinemaScope remake in Color by DeLuxe, of this black-and-white original, was also co-written and directed by Leo McCarey, a man who wasn't afraid to regularly mix genuine sentiment with some fairly gloppy sentimentality in the same (admittedly tasty) cinematic dish.
I join those who prefer the original, thanks mostly to the restrained and very professional performances of a quite young-looking Charles Boyer and Miss Irene Dunne, who looks quite ravishing throughout (modelling some gowns that are as chic today as the first time this film was shown). And what a set of pearly whites she had... the better to charm the stuffing out of us with that glowing smile!
Anyway, Turner Classic Movies showed it the other evening and I couldn't believe the terrible condition of the print. Scratches, skips, muddiness, sound problems, every possible defect seemed to be in appalling evidence! Apparently the DVD now in circulation is every bit as bad. Hey! Come on guys! This film is considered one of the better ones during a year (1939) when Hollywood studios unleashed a cornucopia of goodies. How about giving us a version worth watching, for heaven's sake!
I join those who prefer the original, thanks mostly to the restrained and very professional performances of a quite young-looking Charles Boyer and Miss Irene Dunne, who looks quite ravishing throughout (modelling some gowns that are as chic today as the first time this film was shown). And what a set of pearly whites she had... the better to charm the stuffing out of us with that glowing smile!
Anyway, Turner Classic Movies showed it the other evening and I couldn't believe the terrible condition of the print. Scratches, skips, muddiness, sound problems, every possible defect seemed to be in appalling evidence! Apparently the DVD now in circulation is every bit as bad. Hey! Come on guys! This film is considered one of the better ones during a year (1939) when Hollywood studios unleashed a cornucopia of goodies. How about giving us a version worth watching, for heaven's sake!
Você sabia?
- CuriosidadesAfter this movie was released, restaurants were suddenly bombarded with requests for pink champagne.
- Erros de gravaçãoWhen Terry and Michel are on the ship during the day and they are next to the railing talking and reading their letters, the ocean is moving behind them. Just after the closeup on Terry, she turns and faces the ocean, and the shadow of her head can be seen on the screen that displays the ocean.
- Citações
Terry McKay: My father used to say, "It's a funny thing, but the things we like best are either illegal, immoral or fattening."
- Cenas durante ou pós-créditosOpening credits are on pages of a book, through which a female hand is paging.
- Versões alternativasThere is an Italian edition of this film on DVD, distributed by DNA srl, "LOVE AFFAIR - UN GRANDE AMORE (1939) + SE FOSSI LIBERO (1933)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexõesEdited into The Our Gang Story (1994)
- Trilhas sonorasSing My Heart
(1939)
Music by Harold Arlen
Lyrics by Ted Koehler
Performed by Irene Dunne (uncredited) at a nightclub
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- How long is Love Affair?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 1.37 : 1
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