Um Susto por Minuto

I love the films with Robert Montgomery. There was no one better at light comedy roles. And Roz was no slouch either. That's why this picture was so disappointing.

This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.

But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!

Neither ROBERT MONTGOMERY nor ROSALIND RUSSELL can do much to raise this above an average Nick and Nora type of mystery as they try to solve a crime involving a stolen Shakespearean manuscript worth a fortune. Montgomery and Russell are both adept at this sort of comedy and make an excellent pair in the leads, so different than the roles they played in NIGHT MUST FALL.

The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.

With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.

Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.

Comedy/murder-mystery with a plot that's a bit rambling, but the action is considerably boosted up by the smart, snappy patter and chemistry between the two leads, Robert Montgomery and Rosalind Russell. They play a husband/wife duo who own a rare book business, sleep in twin beds, and soon get themselves mixed up with a house full of murder, intrigue, and the constant back and forth of characters appearing in satin robes or satin gowns as our couple plays detective to try and find out who is behind the mystery of a forged Shakespeare manuscript.

This film is fun, though the plot is sort of hard to follow, and there are too many boring side characters that don't really add anything to the mix. But - Rosalind Russell is smart and funny, as usual, and gets to appear in lots of gorgeous dresses and gowns, as usual. Robert Montgomery, well, is just so darn charming and attractive, how can he miss (okay, I admit I have a crush - I'm afraid my feelings about this film may have been altered based on the fact I'm still swooning over him). Mediocre story, but nicely played by the two leads who really seemed like a married couple to me (I thought it was cute when she tied a little ribbon into a bow around a strand of his thinning hair).

'Fast Company' (already reviewed a few months back), 'Fast and Loose' and 'Fast and Furious' have been inevitably been compared to the generally superior Thin Man film series, also featuring husband and wife sleuths and mixing comedy and mystery with some of the biggest stars at that point in film history. Of the three 'Fast...' films, my personal favourite is 'Fast Company', which fared the best at balancing comedy and mystery and has the most eventful and most cohesive story although the two leads' chemistry is better here in 'Fast and Loose'.

The second film 1939's 'Fast and Loose' is a fun and inoffensive enough entry in the series but despite preferring the chemistry here and the female lead is superior here, as said already comedy and mystery were balanced better in comedy and mystery and did prefer the story in 'Fast Company'. Not that those elements were done badly here in 'Fast and Loose', just that they were done better before. This is a very watchable film if not a must watch.

Will begin with what is good. Fred MacMurray is charming and commands the screen very well, with strong comic timing. Rosalind Russell is even better when it comes to the comic delivery, never looks ill at ease, looks great and very easy to like, to me she has more presence here than Florence Rice did in 'Fast Company'. They have a very endearing and witty chemistry together that really helps lift the film, of all the 'Fast...' films this is the film for me that had the most spark between its two leads. It is slickly directed and the supporting cast do well, the standout being Etienne Giradot.

Generally the script is snappy and sophisticated enough and the story does intrigues. The production values are slick and have some elegance and William Axt's score has some moodiness and light-hearted edge.

At times though, the film could have gone at a tighter pace and could have been shorter as there isn't enough plot structurally to sustain the film. There are also a few too many twists and characters which made it not always easy to follow, parts are downright confusing. The ending seemed rushed and could have been a little more suspenseful.

Not all the characters seemed necessary to the story and seemed there to pad things out.

Decent film overall but not great. It does well in the comedy and falls a little short when it came to the mystery. 6/10

During the 1930s and 40s, MGM produced many successful "Thin Man" movies starring William Powell and Myrna Loy. They were wonderful little mystery films with a very strong emphasis on humor and the banter between the two leads. Here, MGM tries to make the formula pay off again, but this time with Robert Montgomery and Rosalind Russell in the leads. In so many ways the film was this old formula all over again, but somehow despite their best efforts the two leads just don't make it work as well as Powell and Loy--partly because the Thin Man films are so good it's hard to match them and partly because the script just isn't as good as the Thin Man scripts--it's just too complex and not all that interesting. Still, considering the Russell and Montgomery still are wonderful actors, the film pays off well enough to recommend it. I especially liked Montgomery's easy-going manner, though unfortunately the usually strong characters Russell plays aren't as evident here and she's rather over-shadowed by Montgomery.

So overall, it's not a bad little film--just don't expect the magic of Nick and Nora Charles.