Ask a Policeman

Wacky British humor abounds in this story of three bumbling policemen (including a very old man and a very overweight youth) who run the tiny station in the quiet (so quiet there's nothing out at night except, of course, the night-riding "Headless Horseman") English village of Turnbottom Round where there has not been a single arrest made in over ten years. Promoting with pride this lack of crime on a radio program one evening, the next day the station gets a notice from the chief constable that their station is no longer needed, the policemen working there to be "retired or transferred". So - our three officers come up with the idea to *create* some crime, first putting up a local "speed trap", then later getting mixed up with a gang of real smugglers.

This film is, yes, quite silly, but very entertaining and amusing - boosted up considerably by the three actors who play the policemen. They seem to have a real camaraderie and rapport with each other, all look like they're having a great deal of fun making this. One very funny scene has the oldest policeman visiting, of all things, his even older father - played by the same actor, dressed up in bed with long white beard. One missed bit of humor I thought they could have done here though - they mention that the father still has a living wife and I thought it would have been funny if they had the same actor dress as her too and come out into the room. In fact, that is what I was expecting when the woman was mentioned, but it didn't happen - ah well. A quite humorous and enjoyable film.

Because "Oh Mr Porter" was filmed two years earlier, it gets more favour from the critics, but although this film was a reworking of that plot, it stands up equally, if not better. -

There are so many great scenes. My favourite being when Harbottle (Marriott already playing a much older man) takes them to see his father, played by himself. Just shows what a superb actor he was. - The print quality seems a little worse for wear in places. Probably due to over use!

Will Hay was never better than when he was working with Graham Moffatt and Moore Marriot, both of whom had such a rapport with him (or his character) that it really is hard not to be charmed by the trio.

It's a familiar and obvious plot that Hay used to it's best - incompetent authoritative figure gets in a mess with the help of his two stooges, falls out with the boss (Chief Constable), is taken advantage of by the locals (smugglers) but eventually wins the day.

This is a joy from start to finish and very, very nearly matches Oh Mr Porter. There's gags from the very start to the very end.

A piece of classic entertainment with the virtue of being free from sex, violence and swearing. They don't make like this anymore I'm sorry to say.

This is another excellent little film from the great Will Hay, the English comic genius that no-one today has ever heard of!

I only saw this because HMV record shop (in the UK) were selling off tons of Will Hay DVDs at £6.99 each - what better chance than to discover anew the great Will Hay. I didn't even think that Will Hay would be available on DVD, yet there are many.

The three-man team of Hay, Marriott, and Moffatt are brilliant as usual, just a bunch of bumbling clowns pretending to themselves that they know what they're doing. Of course, by pure luck, they manage to catch the villains and do themselves credit.

Interesting shots of Brooklands racing circuit in the pre-War years (this circuit remains but has been chopped up in parts).

Will Hay's best-known film is the classic "Oh, Mr Porter" but this one isn't far behind. Hay is cast in his favourite role ; a seedily incompetent authority figure who conceals his uncertainty behind bluster and bombast.

This is one of those rare films where the plot is almost an intrusion ; who cares about a smuggling ring in rural England, when we can instead enjoy the antics of Hay and his cohorts, playing possibly the most inept police team in the history of law enforcement. Their attempts to set a speed trap, and then to justify their results to an irate motorist, may be the high spot of the film.