Aves Sem Rumo

This was a delightful surprise. I'd heard about the actresses who'd turned down the lead role and -- let's face it -- the title is pretty corny.

But it is a charming movie -- funny and touching by turns. The little boy in it gets fairly low billing but far too much screen time. He's icky and barely understandable in many scenes. Otherwise I'd rats the movie a full 10.

I am kind of a cynic when it comes to Americana but now and then, it really works; and this is one of those times.

The movie reminds me of "Meet Me In St. Louis," which it predates, in that it is about a strong, loving family that stays together and triumphs over odds.

Ruby Keeler is surprisingly good in the role turned down by Katharine Hepburn and others. Fay Bainter is at her most appealing. James Ellison is, as always, appealing, as are Anne Shirley and Walter Brennan. In a juicy role that came a year before the one that made her famous, Margaret Hamilton is the kind of villain moviegoers love to see get her comeuppance, which she and her hapless husband surely do, thanks to the ingenuity of the family and the two sisters' beaux.

I agree with most of the other comments that this is an enjoyable but not very noteworthy film. Keeler was surprisingly dull here; she should have stuck to musicals. What I really enjoyed, though, were some scenes with the little boy. The director simply turned him loose with some very well-chosen props and let the camera roll. The results are a child being a child--curious, mischievous, determined--and a very charming and unusual addition to the film they prove to be! The wallpaper scene is priceless.

In the 1890s, widow Margaret Carey (Fay Bainter) struggles to keep a roof over the heads of her four children. When they finally have a steady home, a scheming couple (Margaret Hamilton, Harvey Clark) try to take it away from them. Meanwhile the two daughters (Anne Shirley, Ruby Keeler) fall in love with the same man (James Ellison).

I'm always up for an Anne Shirley movie. She's one of the most under-appreciated actresses of her era and one of the prettiest, too. It's nice to see Ruby Keeler outside of a musical but it's easy to see why her career went nowhere when she wasn't tapping. After this she didn't do another movie for three years. Fay Bainter is wonderful as the saintly Mother Carey. It's too bad she isn't in the movie more in the second half. Margaret Hamilton and Walter Brennan make any movie better and that holds true here. This is the film debut of child actor Donnie Dunagan. That name might not mean much to a lot of you but Universal horror fans will recognize him as the heavily-accented boy from Tower of London and Son of Frankenstein, both also directed by this film's director Rowland V. Lee. He has lots of precocious lines and funny moments. He's not the best little actor but he still manages to steal the picture. Charming Americana that provides some laughs and tears. It's not perfect but if you like movies like Meet Me in St. Louis, you should enjoy this.

This movie was remade in 1963 called Summer Magic with Hayley Mills. Both are really good family movies. Summer Magic is more on the musical end. Both have a lot of love, kindness and care one for another.

Widowed Fay Bainter and her two sons and two daughters move into a house and turn it into a boarding house. When the house is sold from under them, what will they do?

Katherine Hepburn was originally considered for a role in this movie, which looks like a follow-up to Little Women. She turned down the role and bought out her contract. As the movie exists, with direction by Rowland Lee, it was a wise decision. Although filled with good incidents and some fine supporting players -- Walter Brennan, Margaret Hamilton, Alma Kruger, Ralph Morgan -- there is no clear sense of more to it than that. In tone it seems caught between a situation comedy and nostalgia for the simpler days of the Mauve Decade, with a strong taste of the necessity of having enough money to get by on. Daughters Anne Shirley and Ruby Keeler are cute enough, and sons Jackie Moran and Donnie Dunagan charming enough. However, while good enough on its own terms, it's little more than that.