Se Eu Fora Rei

A cunning king of France allows a rapscallion poet to become Lord High Chancellor - for the space of only one week...

IF I WERE KING is a fascinating film based on the fictionalized lives of two very real personages, Louis XI and François Villon. The performances are impeccable, Preston Sturges' script is literate and Paramount Studios provided excellent production values.

As Villon, Ronald Colman makes full use of his most magnificent talent - his beautiful speaking voice. Like honey flowing over velvet, it caresses the dialogue & adds emotional heft to the lines of Villon's poetry used in the film. While perhaps a bit mature to swashbuckle altogether convincingly, he plays the lover very creditably in the romantic scenes.

Obviously determined not to acquiesce the entire film to Colman, Basil Rathbone is hilarious as King Louis. Gaunt, wizened & cackling like a crone, he effortlessly steals his every scene. Eschewing the use of his own superb speaking voice, Rathbone plays a character that will remind some viewers of the disguises the actor would use shortly as Sherlock Holmes. The sequences between Rathbone & Colman are very enjoyable, especially since in their only other joint appearance, A TALE OF TWO CITIES (1935), they had no scenes together.

The two women involved in Villon's life are portrayed by Frances Dee & Ellen Drew, one an aristocrat, the other a wench - lovely ladies both. Smaller roles are filled by fine character actors Henry Wilcoxon, Walter Kingsford, Sidney Toler, John Miljan & Montague Love. Way down the cast list is the always reliable Ralph Forbes, playing the king's toady.

Movie mavens will spot an uncredited Lionel Belmore playing the Chief Steward of the royal palace.

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Fat & ugly, Louis XI (1423-1483) was nicknamed 'the Spider' as a grudging tribute to his remarkable skills at plotting & scheming. Although he showed talent in administration from an early age, he also was quite adept at angering his father, Charles VII, and ultimately had to take refuge at the Burgundian court until the time of his succession to the throne. Almost universally unpopular, he set up an elaborate spy network which kept him informed as to nearly all that went on in his kingdom. His overriding mission was to crush the power of the great nobles, especially Burgundy - now ruled by the successor to Louis' former protector - and this he was largely able to do, thanks to his policy of encouraging the minor nobles and the middle class. The might of the French crown was significantly strengthened during his despotic reign.

François Villon (1431-1463?) was both France's greatest lyric poet and a complete scoundrel & ruffian. Raised by a chaplain, Villon absorbed none of the virtues of the Church, consorting with the basest of companions and involving himself in numerous scrapes, misdeeds & robberies. His murder of a priest during a street brawl was but one of several outrages. Imprisoned many times both in Paris and other French municipalities, Villon was almost preternaturally fortunate in being able to take advantage of various pardons & amnesties - all undeserved. After one final clemency, he was banished from Paris for life - whereupon he completely disappears from the historical record.

Although stained by a most unsavory reputation, critics have long admired Villon's poetry and have extolled both the exquisite imagery of his tender verses and the unremitting detail in the poems describing his coarser experiences.

The bulk of the tale told in IF I WERE KING is a complete fantasy. There is no indication that Louis XI & Villon ever even met.

This is a legendary story about François Villon, the mediaeval French poet and adventurer probably best known in English for his line, « Mais où sont les neiges d'antan? » / "But where are the snows of yesteryear?" Some may recognize the line from Joseph Heller's Catch-22 take-off, "Where are the Snowdens of yesteryear?"

As I first began watching this, my immediate reaction was, "What an obvious attempt to cash in on The Hunchback of Notre Dame!", the film whose look and feel most closely resemble this one. But my chronology was backwards. The Laughton Hunchback is 1939. If you have ever seen the Chaney Hunchback from 1923, you may have been struck by how different many of the characterizations are from the more familiar version, especially that of the King. The 1923 French King is a nasty piece of work, just the sort of thinly disguised Napoleon III that Victor Hugo would conceive of. So where did the doddering but dear-hearted 1939 King played by sweet old Harry Davenport come from then? Well, that's easy. From Basil Rathbone's King in this film. They even look the same!

Rathbone, by the way, is completely unrecognizable. If he's played an impish character elsewhere, I've never seen it. He gets most of Preston Sturges's best and most typical lines of dialogue.

Sturges is the reason I was watching the film in the first place. Telltale signs are everywhere in the script, but we definitely do not get effervescent dialogue issuing forth from every mouth the way we expect from the later, classic Sturges films.

I am not a great fan of Ronald Colman ordinarily but he brings a lot of spirit to his part, even if he doesn't have quite the dash of an Errol Flynn. But he does have a lot to do with this film's overall success.

Frances Dee demonstrates once again that she is quite probably the best-looking American actress of the 1930's, although she has all the acting prowess of an Andie MacDowell. (If you insist on talent with your set decoration, then you probably would have preferred to see Paulette Goddard playing the part of the lady-in-waiting who catches Villon's eye.)

Ronald Colman gets his wish in "If I Were King," a 1938 film also starring Basil Rathbone and Francis Dee. Colman plays the vagabond poet Francois Villon, who is overheard by the disguised King (Basil Rathbone) criticizing His Highness and talking about what he would do if given the chance. He and his entire party are arrested, and Louis makes Villon the Lord High Chancellor. Villon gets to work immediately and elevates the king's reputation among the people. He opens up the stores of food at the palace and gives it to the citizens - they have no food because the city is being held by the Burgundians. The sentences he passes out to anyone arrested are merciful and fair. It seems as if he has succeeded. But what the King has failed to inform Villon is that he is only Chancellor for a week - and he has that week to convince the French army, who are refusing to fight the Burgundian army, to do so and win.

"If I Were King" is a great deal of fun, and Ronald Colman is delightful as Villon. But first, in response to a previous post, a word about accents. The previous poster asks if there was a vocal coach available, as there were people speaking in British and American accents - no French accents. Hollywood often confuses the accent issue of films set in foreign lands by casting one or two people who have some type of accent while the rest do not. The rule in acting is that no accent is necessary when doing a film or a play set in a foreign country. Why? Because the people of that country are not speaking English. They are speaking their own language. They are NOT walking around France speaking English with a French accent. This is why when actors perform Russian plays, or Hollywood did films set in Nazi Germany, Budapest, Spain or anywhere else, the actors did not have to use an accent of that country. An accent would only be necessary if a German were in America speaking English, for instance.

To get back to the cast, led by the wonderful Colman, Basil Rathbone is excellent as the hated Louis, and Frances Dee is lovely as Katherine de Vaucelles, who falls in love with the Lord High Chancellor.

Someone complained because Errol Flynn did not play this role. Flynn would have been marvelous, as he was a very charismatic actor, but I think Colman is marvelous. His Louis is not only energetic and charming, but highly intelligent, and Colman is able to shade the role in a way that Flynn, who tended to be much more superficial in his characterizations, could not.

An enchanting film, highly recommended.

I knew I was in for a treat when I saw Preston Sturges was scriptwriter for this film, which was clever and energetic, but I didn't expect such wonderful performances from both Basil Rathbone (who received an Oscar nomination) and Ronald Colman. I always felt Colman didn't pick up his lines fast enough (at least in his later years), but he's perfect playing the poet François Villon. Colman sounds like a poet whenever he speaks in all his roles! You've never seen Rathbone in any role quite like that of Louis XI. He sounds at first almost childlike, but it is a mask - he's pretty wily and knows what he is doing all the time. The script, of course, is pure hokum. You can't imagine for one moment that a king would make Grand Constable a man who was caught stealing food from the royal storehouse. As Grand Constable, he runs France! The extended scene where he, while hidden, metes out sentences to his friends who were also caught stealing, is pure delight, and very worthy of Sturges. I found fault with Villon's earlier escape, as it was too easy, and with the casting of Ellen Drew in the role of one of the wenches at the Fir Cone tavern, and who loves Villon. There was too much to enjoy in the film so those were easy to forgive. His other love is Frances Dee, playing one of the nobles at court, and she is always stunningly dressed in Edith Head's costumes. The rest of the cast was all first rate, and the Oscar-nominated sets were excellent. Curiously, the film is set in 1463, the approximate year that Villon died at the age of 32. Also, William Farnum, who plays General Barbezier in this film, played Villon in the 1920 silent of the same name as this film.

Colman was not only good looking, suave, sophisticated, and dashing, but he had a lyrical voice, an absolute necessity for a great actor. Recall the speech and voices of Peter O'Toole, James Mason, Richard Burton, Laurence Olivier: when they spoke, it was not mere prose but verse. So who better to play the poet, Francois Villon, than Ronald Colman, who possessed the voice of a poet.

Ronald Colman is my favorite actor of all time. I loved his performance in this film as well as his performances in "Random Harvest", "The Prisoner of Zenda", "The Lost Horizon", and "The Talk of the Town".

There were other great performances in this film besides that of Ronald Colman. Basil Rathbone's performance as King Louis XI is perhaps one of his finest, and deserving of an Academy Award as best supporting actor, while Frances Dee's performance as Villon's beloved is mesmerizing, the images to relive forever in one's dreams: the perfection of beauty and femininity. And Ellen Drew's portrayal of Huguette is touching without being maudlin.

Great film, great performances. Hollywood at its very best.