Mulheres Culpadas

To go out partying, sweet Jane Bryan (as Connie Heath) borrows an evening dress from sassy Sheila Bromley (as Hilda Engstrom). The dress turns out to be stolen (from smartly attired Susan Hayward, in an early appearance). Thus, innocent Ms. Bryan is guilty by association with Ms. Bromley, a "wench" who answers job priority queries with, "Boys are my work."

Soon, Bryan becomes one of many "Girls on Probation". Consequently, she loses her job, and sees her "criminal past" jeopardizing her romance with Ronald Reagan (as Neil Dillon). Veterans Elisabeth Risdon & Sig Ruman (as Roger and Kate Heath) and handsome Anthony Averill (as Tony Rand) help make this cheap tale of degradation fun to watch. Bromley is an irresistibly trashy "bad girl".

**** Girls on Probation (1938) William McGann ~ Jane Bryan, Ronald Reagan, Sheila Bromley

Connie Heath is a good girl. Her friend Hilda Engstrom is a bad girl and a bad influence. Hilda gets Connie arrested for a stolen dress and spreads the rumor of her shame. Neil Dillon (Ronald Reagan) is a lawyer from the insurance company. He believes Connie's story and gets her off from the charge. Connie leaves home away from her father to get a job in the big city. She's eager to repay Neil but she is caught in another one of Hilda's problems. Hilda is robbing a bank with her boyfriend and Connie is arrested with the pair.

I have no problem with the acting. Even Reagan is perfectly fine. He is a stiff self-assured boy scout and that's his character. I do have an issue with the blocking of the bank robbery getaway scene. The probation officer is too nice. The roles are too simple and the situations are too convenient. It makes for a simple melodrama and a fine crime drama. It's a basic afterschool special warning against the influence of the bad girl friend. It's an old fashion Lifetime movie.

"Girls on Probation" is a B-movie whose biggest claim to fame are a couple very early performances by supporting actors Ronald Reagan and Susan Hayward. Otherwise, it's full of plot holes and often irritating to watch....especially as the film progresses.

Connie (Jane Bryan) is a working lady who doesn't know that she's got a friend who is a bad egg. Hilda is very larcenous...and ends up getting Connie into trouble twice. First, when they go out dancing, Hilda lends Connie a dress...a dress that turns out to be stolen. Naturally, Hilda lies about it and Connie is left holding the bag. Second, Connie moves to another town following this and, surprise, suprise, she finds Hilda in her car....and demands Hilda tell the truth. But Hilda is in the middle of a robbery...and she's waiting in the getaway car....and soon Connie is forced at gunpoint to get in the getaway car! Soon they are chased by cops and Hilda begins shooting at them. Connie strips the gun away from her and forces the accomplice to pull over and the police arrest them.

The cops believe Connie was part of the robbery and Hilda insists she was as well...though WHY and why Connie is so vicious makes little sense. And, it makes no sense that the women are tried TOGETHER (which is odd since Connie is testifying against Hilda) and they are locked up in jail together!

Can the probation department straighten all this out and get to the truth of the matter? Or, is Connie destined to be her girl-toy in the big house?

The plot to this film strains credibility well past the breaking point. So often, Connie behaves stupidly and Hilda's strange actions just don't make much sense either. It's especially confusing and stupid when Hilda re-appears much later...trying to blackmail Connie! So, despite being made by Warner Brothers, it's a B-movie with a script with more holes than a pound of Swiss cheese!! Watchable but pretty dumb.

An interesting example of the fast-paced low-budget melodramas the Warner Bros. "B" picture unit run by producer Bryan Foy churned out by the dozens back in the thirties, this film features the pre-presidential Ronny Reagan as a do-good handsome DA who falls for and protects the very likable Jane Bryan. (In later years Bryan's millionaire husband was to become one of the future president's kitchen cabinet.) Reagan played many dreamboat roles like this one in his Warner Bros. contract days and rarely got a chance to show that he possessed real dramatic talent. At the beginning of the film, the 21 one year old Susan Hayward, at the start of her long career, has a small but very noticeable role. Not only was she remarkably beautiful but she could act! Fans of the great German comic actor, Sig Rumann, ("To Be or Not to Be") will enjoy his transformation from Jane's stern Teutonic father to the proud future father-in-law of Reagan.

With a slippery friend like Hilda, a dad like a steaming pot, plus a Cinderella dress that could send her to jail, what's poor sweet Connie to do. Well, we find out over a rather mild 60-minutes. It's a 1930's crime programmer from WB, with the usual WB elements-- a brassy blonde (Hilda), gunplay action, and a righteous hand of the law. Here, however, the sweetness of actress Bryan's Connie overshadows these gritty parts. The likable girl's caught up in a vortex of connivance and plain bad luck, that lands her in jail. At the same time, Connie's radiant close-ups, even at the worst moments, amount to a personal showcase that focuses away from the storyline. Anyway, my favorite part is the women's jail. There's real spark in those scenes, and note how similar the girls look, all slim, young, and attractive, like the result of a casting call.

Frankly, the storyline's a big stretch, particularly Hilda and Connie's enduring relationship, and that's despite Hilda's frequent betrayals. In fact, the relationship even overshadows Connie's clichéd romance with amiable attorney Neil (Reagan). (Catch Reagan's 1938 film credits-I'm surprised he ever slept.) All in all, the flick's pretty loosely put together, the elements too wobbly to achieve real impact. Nonetheless, probation comes off looking like a pretty humane idea, which I guess is the movie's main purpose.