Adicionar um enredo no seu idiomaUndercover cop John Franklin infiltrates a crime syndicate being run by the incarcerated mob boss Rocky Thorpe. Thorpe conducts his business via a short-wave radio concealed in his cell. One... Ler tudoUndercover cop John Franklin infiltrates a crime syndicate being run by the incarcerated mob boss Rocky Thorpe. Thorpe conducts his business via a short-wave radio concealed in his cell. One day before his scheduled release Thorpe is placed in solitary confinement and Franklin, T... Ler tudoUndercover cop John Franklin infiltrates a crime syndicate being run by the incarcerated mob boss Rocky Thorpe. Thorpe conducts his business via a short-wave radio concealed in his cell. One day before his scheduled release Thorpe is placed in solitary confinement and Franklin, Thorpe's physical double, takes his place. Soon changes in the gang's activities are subtly... Ler tudo
- Direção
- Roteiristas
- Artistas
- Motorist
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- Detective
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- Newspaper Reporter
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Avaliações em destaque
Bickford has a dual role in this film which gets better as it goes on. It's nothing earth-shatteringly good - it's ok. You can pretty much tell what is going to happen and that is exactly what happens. We have some shooting at the end and there are no surprises. It's a straightforward narrative. Shame that henchman Harold Huber (Panatella) plays for comedy but I guess it humanizes him more than the other cardboard cut-out gangster associates. The best tension comes from Wynne Gibson and the new girl on the block Ann Dvorak (Connie) in their scenes together - you can see Gibson is up for a fight. It would also have been good to see Michael Flatley doing some Irish dancing and some leprechauns drinking Guinness for added authenticity. As it stands, the film is pretty unbelievable.
Sure, some of the movie is marginally ham-handed and a little predictable. Much more so than not, though, I rather think it's just swell. Wherever the credit belongs for the writing (there seem to be a surprisingly large number of names attached), those behind the typewriters deserve commendations for work that is unexpectedly rich, and engaging. Other elements struggle to stand out - the direction serves its purpose but doesn't inspire; either surviving prints have deteriorated over the years before being digitized, or the cinematography and sound design were a few steps down on the list of priorities in the first place. Still, hand in hand with the screenplay, I can only express earnest pleasure as a viewer at the strength of the performances. I'm gratified to say that unlike in some other forthright features of the time, the actors filling the roles (not least of all star Charles Bickford, more or less playing two parts as Franklin and Thorpe) are allowed to show their capabilities. They match the fine substance in how those roles are written, illustrating excellent range, nuance, and poise throughout, and adapting to the needs of each scene. Hats off to them all!
It needs to be said that the very concept of the film is frankly troubling in and of itself. It's a vast understatement to say that law enforcement and correctional officers depicted in 'Gangs of New York' demonstrate an astounding overreach and abuse of power, neatly ignoring constitutional rights as the foundational plot device. I'm willing to overlook a lot of holes and errors when it comes to watching movies, but as glaring an issue as this story beat would be in real life (or at least should be, if we didn't live in Unaccountable Police State Hell), it also inherently represents a flaw in the fictional narrative that is never addressed. Yes, of course it all builds compelling drama, and a duly engrossing experience as a movie-goer - but under the circumstances, at the same time that John Franklin is centered as the protagonist, crime boss Rocky Thorpe becomes a sympathetic character in his own right. As strong as the feature is at large, this is a point worth honing in on, and analyzing.
To whatever extent it may falter, however, far and away this is a title that stands pretty tall alongside its contemporaries, and still holds up fairly well decades later. Once more: the writing is pretty solid, if imperfect, and the acting is better still. Though the very final scene is pointlessly contrived as an ending, the climax is done very well. Overall 'Gangs of New York' is a slightly mixed bag, including one necessary teachable moment of both civics, law and ethics, and screenwriting that must not be ignored. When all is said and done, though, above all it's entertaining - and that, after all, is just what it's intended to be. There's no need to go out of your way for this, but if you happen to come across it, it's a fair way to spend 66 minutes!
When the film begins, you learn that although the evil mobster, Rocky, is in prison, he's still running his criminal empire—and the police seem unable to stop them. But, when it just happens that there is an identical copy of Rocky and he works for the police, they decide to release the fake Rocky and have him infiltrate the mob and get evidence on their actions. However, because he doesn't know everything the real Rocky is supposed to know and because he doesn't act like the old Rocky, some of the gang becomes suspicious. But, when the REAL Rocky escapes , you know that something bad will happen and fast!
Yes, I know it's impossible to have a man look EXACTLY like another as well as sound EXACTLY like him, but it works. Much of it is because Charles Bickford was great in the leading roles. He was fun to watch and his gangster ways were pretty funny because they were so extreme. Also, the writing (despite the clichéd plot) was quite good—especially the dialog. It's actually one of the better Republic B-movies from the era. Well worth seeing because it's so much fun.
And plays it pretty well.
"Gangs," from an original story by Sam Fuller, is well directed by James Cruze.
There's a fair print at YouTube and it's worth watching.
Você sabia?
- CuriosidadesIn July 1938, this film was shown at the Rialto Theatre in Butte, Montana on the lower half of a double bill with Josette (1938).
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Detalhes
- Tempo de duração1 hora 7 minutos
- Cor
- Proporção
- 1.37 : 1