Adicionar um enredo no seu idiomaJudy Bellaire (Judy Garland) is the center of trouble at her exclusive, very conservative private school. She is expelled when she starts singing in a jazzy style in her music class. Mayhem ... Ler tudoJudy Bellaire (Judy Garland) is the center of trouble at her exclusive, very conservative private school. She is expelled when she starts singing in a jazzy style in her music class. Mayhem ensues as she returns home to her actress mother, playwright father and dysfunctional Russ... Ler tudoJudy Bellaire (Judy Garland) is the center of trouble at her exclusive, very conservative private school. She is expelled when she starts singing in a jazzy style in her music class. Mayhem ensues as she returns home to her actress mother, playwright father and dysfunctional Russian maid (Fanny Brice) and tries out as a blackface singer in a musical.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias no total
- Showgirl
- (não creditado)
- Minor Role
- (não creditado)
- Colvin's Music Teacher
- (não creditado)
- Police Lt. at Desk
- (não creditado)
- Stage Doorman
- (não creditado)
Avaliações em destaque
The following year the same studio would do everything right in THE WIZARD OF OZ, also with Garland and Burke, but here they do everything wrong. A stupid plot, bad dialog, and a director who doesn't know how to tone down veteran stage performers for the camera make for a shrill and charmless musical. Humor here consists of everybody yelling at each other, belting out third-rate songs and then reprising them. (Oh no! Here comes THAT lousy number again!)
Legendary stage and radio comedienne Fanny Brice's inexperience in films is painfully apparent. She gives a performance which would work on stage, but in camera close-up she comes across as hammy and annoying -- bugging her eyes, over-inflecting her lines, and making goofy faces.
Billie Burke, so funny and charming in THE WIZARD OF OZ and other films, is overbearing and shrieky here. Allan Jones, a handsome and likable young tenor, is wasted; in 1938, with operetta going out of style, the movie business no longer had a place for singers like him and Deanna Durbin.
The one reason to watch this is to witness the beginnings of the girl who the following year would blossom into the greatest musical performer in the history of film: Judy Garland. Even Judy is too loud and frantic here -- she's still Frances Gumm, vaudeville's "Little Miss Leatherlungs", with her mother hissing from the wings, "Louder, Frances! Smile, baby! Bat your eyes!!" But there are a few moments where Judy's musical phrasing or reading of a line take your breath away -- she's not yet the unique genius she would become, but she's getting there.
Garland fans should definitely see this, to see her in her "diamond in the rough" stage -- but you'll be in no hurry to see it again.
Judy plays Judy Bellaire, whose mother (Billie Burke) is a busy actress, and her father (Reginald Owen) is a producer. When Judy gets kicked out of school for turning her classical music into jazz, no one will listen to the reason she's home - they're all too busy.
Mom is in rehearsal with her leading man (Reginald Owen), her sister Sylvia (Lynne Carter) is taking a voice lesson, and her father is frantically running around.
Judy's only pals in the house are the chef, Ricky Saboni (Allan Jones), who is in love with Sylvia, and the maid (Fanny Brice), an ex-Russian performer.
Eventually Judy, though underage, gets into a show put on by Ricky, who sings at night in a club. The singing is glorious, Judy singing "Swing Mr. Mendolssohn," "Down to Melody Farm," "Swing Low, Sweet Chariot," and "Ever Since the World Began."
Brice does a specialty number, and Jones, in his beautiful tenor, sings "The Show Must Go On," "Cosi-Cosa," and "First Thing in the Morning." Pre-Wizard of Oz, and pretty Judy sings with an incredible maturity of tone.
Fun, upbeat movie.
Judy is certainly the best thing about it. It was always going to be interesting seeing her before her iconic performance in 'The Wizard of Oz', and while it is not one of her best performance she is endearingly winsome, playful and heartfelt and sings an absolute dream. Not all the cast work, but Reginalds Owen and Gardiner are fun and despite having less than subtle characters they avoid being too hammy. Fanny Brice is mostly amusingly zany, and Lynne Carver is lovely.
The songs aren't amazing and most don't stand the test of time, but they are still very pleasant, with enough fun and emotion, and well performed. They are mostly energetically and gracefully staged, again not outstanding but little of it is overblown and it's hardly static or indifferent either. 'Everybody Sings' looks good in crisp black and white, handsome enough without being lavish.
As said though, not all the cast work. While Allan Jones sounds lovely, he comes over as a very wooden actor, while Billie Burke flutters shrilly to a very annoying degree. While the song and dance numbers are above average on the whole, "Swing Lo, Sweet Chariot" is not for the faint hearted (there are definitely worse examples of black-face and one is very much aware that they were popular then, but that doesn't mean people should like them) and the finale is over-cooked.
Some of the script is witty and charming, others are excessively corny and sentimental, with some of the humour that works well in other media not working well on film (especially the "Baby Snooks" routine). The story is thin and old as the hills, with some parts that feel contrived and parts in the second half that drag.
In summary, average film as an overall whole but Judy is great and the film is worth a one-time watch for her. 5/10 Bethany Cox
The story is forgettable. The real action is on stage, where the numbers are highlighted by garlands, gals and an orchestra. I doubt everyone will like the musical performances. They are somewhat dated.
Billie Burke plays the loquacious wife who voices her every thought (again). Her performance can be annoying, but every once in a while she hits just the right note and she's laugh out loud funny.
Soon after this production, Judy and Billie would rejoin for "The Wizard of Oz" which, by comparison, shows how mediocre this film is.
Você sabia?
- CuriosidadesA boys' choir was used to provide the singing voices for the schoolgirl chorus that backs Judy on her numbers.
- Erros de gravaçãoWhen Judy Bellaire is escaping from the ship, she hides inside a container. Two workers place the container on the dock. Just before she opens the container lid to climb out, a second container appears just behind her.
- Citações
Olga Chekaloff: You make trouble for me? How do you like that? In Russia I vas bitten by a volfhound, my mother vas lost in a snowstorm, my father vas sent to Siberia, your mother and father are yelling their heads off, you sister's taking her singing lessons, I've got exactly four squabs and I can't find out how many's for dinner! And you're gonna make trouble for me?
- ConexõesEdited into Becoming Attractions: The Trailers of Judy Garland (1996)
- Trilhas sonorasSwing Mr. Mendelssohn
(1937)
(also known as "Swing Mister Mendelssohn")
Music by Bronislau Kaper and Walter Jurmann
Lyrics by Gus Kahn
Sung by Judy Garland (uncredited) and the St. Brendan's Boy Choir (uncredited)
Conducted by Robert Mitchell (uncredited)
Principais escolhas
- How long is Everybody Sing?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Everybody Sing
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 1.37 : 1