The Duke Is Tops

I watched this on CUNY TV. I was curious and stayed because it had enough elements to be entertaining. Ralph Cooper is handsome and likable. I didn't even realize that Lena Horne was the beautiful singer. I thought she was a Lena Horne knock off. She seems to have been required to slim down and had better glamour treatment in Hollywood films. Interesting because of its use of black actors and performers in ways they couldn't be shown in film other than those made for black audience. Talented singers and dancers and a window into what the TOBA houses were like in the south. And an extended snake oil routine of the rural south. Even the diner with its ham and eggs special is interesting as an historic window on life eighty years ago. I'm glad Lena Horne was able to make it out of this niche market even if she was still relatively isolated in the roles she could play.

Duke Davis has invested all his savings to back his sweetheart, Ethel, in a road show over the old T.O.B.A. circuit, on which they have both been performers since childhood.

Marshall, a New York talent scout, makes an offer to Ethel as a single and, to induce her to take it, Duke writes a fake check, made out to him, for $5000 pretending he has sold his contract with Ethel to Marshall.

Resentful and heartbroken, she accepts and becomes a big hit in New York. Marshall then books her at the swanky Century Club, plans her show himself, and it flops miserably.

Meanwhile, Duke has used his last resources to start a new show, but without Ethel it also fails.

He joins the Doc Dorando medicine show, and with him as the speiler for the quack elixir sold by Dorando, it is successful.

He becomes Doc's partner with an elaborate trailer and a company of entertainers, including Willie Covans, the Basin Street Boys, The Cats and the Fiddle, "Rubberneck" Holmes and Joe Stevenson.

Money is rolling in.

LIght skinned blacks in a black only produced film from days gone by. Fairly typical of the genre. Largely important for Lena Horne.

Duke Davis (Ralph Cooper) is the promoter for performer Ethel Andrews (Lena Horne). A big time producer wants to take her all the way to Broadway but not him. She refuses to do it without him. They are in love. Duke tricks her by pretending to have sold her contract. Believing the lie, she is angry with him. She moves onto Broadway stardom while he struggles on.

This is Lena Horne's first acting role in a theatrical film. It's a lower budget affair for the black audience. The music reflects the black music of the day. The production is competent. The acting is a bit stiff including Lena Horne. This is her acting debut. She gets better. This is her rookie card and there is extra value in that.

A great look at the black entertainment industry in 1938. A young Lena Horne shines in her performance as Ethel, a singer who makes her way to the 'big time'. Ralph Cooper plays her boyfriend Duke who is also involved in the entertainment business. As the film progresses, Duke and Erthel are separated and Duke throws his lot in with a travelling medicine show with the esteemed Doctor Dorando, played wonderfully by Laurence Criner. The time with the medicine show is one of this movies treasures as it gives the audience a rare look at how an actual medicine show operated around the South back then. Special musical guests are presented (great guitarist featured by the way...), the spiel is given and the medicine sells.

As one of the stage performers shown on stage early in the movie, look for the fantastic moves of "Rubberneck Holmes". Don't worry, you will recognize him.

A lot of these 'race movies' are a fantastic look at wonderful performers that were never presented in mainstream Hollywood. This movie is worth seeing.

This all black film was Lena Horne's screen debut. Made for black audiences, it was re-released after the cross-over success of her two great 1943 films, Cabin in the Sky and Stormy Weather. The Duke Is Tops is a typical film about stage performers, and it is certainly a B movie. Duke Davis (Ralph Cooper) and Ethel Andrews (Horne) are a songwriter/singer team. When Ethel gets bigger offers, Duke can't come with, so he breaks it off hard with her so she'll have no regrets. He travels to the South with an old friend who is selling cure-all elixirs from his wagon; meanwhile, without Duke's behind-the-scenes work, Ethel is a flop in New York. It's all fairly mediocre. Horne would become a much better actress in her later films. Fans of the singer will probably be disappointed anyways, as she is only in the film for about 15 minutes. Cooper is the star. But there are several wonderful musical performances that make the film much more worth watching than it otherwise would have been. For a much better film of the same time, definitely check out Stormy Weather, which is probably the pinnacle of the all-black films of this era. 6/10.