[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
IMDbPro

A Maldição de Caim

Título original: The Mark of Cain
  • 1947
  • 1 h 28 min
AVALIAÇÃO DA IMDb
6,1/10
180
SUA AVALIAÇÃO
A Maldição de Caim (1947)
CrimeDrama

Adicionar um enredo no seu idiomaAn attractive young French girl instigates rivalry between two brothers when she becomes the bride of the younger one.An attractive young French girl instigates rivalry between two brothers when she becomes the bride of the younger one.An attractive young French girl instigates rivalry between two brothers when she becomes the bride of the younger one.

  • Direção
    • Brian Desmond Hurst
  • Roteiristas
    • Joseph Shearing
    • W.P. Lipscomb
    • Francis Crowdy
  • Artistas
    • Eric Portman
    • Sally Gray
    • Patrick Holt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    180
    SUA AVALIAÇÃO
    • Direção
      • Brian Desmond Hurst
    • Roteiristas
      • Joseph Shearing
      • W.P. Lipscomb
      • Francis Crowdy
    • Artistas
      • Eric Portman
      • Sally Gray
      • Patrick Holt
    • 10Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos81

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 74
    Ver pôster

    Elenco principal51

    Editar
    Eric Portman
    Eric Portman
    • Richard Howard
    Sally Gray
    Sally Gray
    • Sarah Bonheur
    Patrick Holt
    Patrick Holt
    • John Howard
    Dermot Walsh
    Dermot Walsh
    • Jerome Thorn
    Denis O'Dea
    Denis O'Dea
    • Sir William Godgrey
    Therese Giehse
    Therese Giehse
    • Sister Seraphine
    • (as Therèse Giehse)
    Edward Lexy
    Edward Lexy
    • Lord Rochford
    Maureen Delaney
    Maureen Delaney
    • Daisy Cobb
    • (as Maureen Delany)
    James Hayter
    James Hayter
    • Dr. White
    Helen Cherry
    Helen Cherry
    • Mary
    Helen Goss
    Helen Goss
    • Lizzie Burt
    Vida Hope
    Vida Hope
    • Jennie
    Beryl Measor
    • Nurse Brand
    Dora Sevening
    • Mme. Bonheur
    Andrew Cruickshank
    Andrew Cruickshank
    • Sir Jonathon Dockwra
    Janet Kay
    • Sylvia
    Jean Anderson
    Jean Anderson
    • Extra
    • (não creditado)
    Jean Bowler
    • Second Programme Seller
    • (não creditado)
    • Direção
      • Brian Desmond Hurst
    • Roteiristas
      • Joseph Shearing
      • W.P. Lipscomb
      • Francis Crowdy
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários10

    6,1180
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    6ldeangelis-75708

    One performance can make a movie

    If for no other reason, I suggest checking this film out to watch Eric Portman do an excellent job of acting, as the diabolical Richard Howard. At the start, sympathies are with him, as he appears to be overshadowed by his brother John, who runs the family business and marries Sarah, the woman Richard wanted. That marriage is far from a paradise, and Richard appears to be the sympathetic friend, encouraging Sarah to be herself, not let John browbeat her, and pursue her own interests. John, for his part, comes across as domineering and overbearing, even abusive. Soon, Sarah's filing for divorce, but then has a change of heart. That's when all the trouble begins! (No need to go into detail, I'm sure you can tell from the title what's going to happen.)

    The movie's based on the real-life story of Florence Maybrick, accused of murdering her husband, but in movieland, based on tends to mean little fact and lots of fiction, so I'm sure there are better sources for Ms. Maybrick's actual story.

    What makes this movie especially worthwhile is the courtroom scene, where Mr. Portman puts on quite a performance, as he defies the judge and courtroom etiquette while attempting to clear his sister-in-law's name. By helping her, he's actually helping himself, and as his plans go awry, he begins to unravel.

    As for the rest of the actors and the storyline itself, I'd say it's about average. You won't feel you've wasted your time, but if not for Mr. Portman, you could do without watching.
    7wilvram

    Another neglected British film from the 1940s

    Beautiful young Sarah Bonheur is enchanted by the cultured Richard Howard who is visiting her château near Bordeaux on a business trip. But Richard suffers his latest and most devastating humiliation by his dominant younger brother John who takes the deal out of Richard's hands and captures the affections of Sarah whom he marries and takes back to Manchester.

    But Sarah, despite her best efforts, finds married life in John's gloomy mansion lonely and depressing and turns to Richard for advice. Now fired with hatred and jealousy toward his brother, he does his best to break up the marriage, but is ultimately unsuccessful.

    John now falls ill and Richard poisons him, slyly exploiting the latent hostility of the household's servants toward Sarah in framing her for the crime...

    This powerful drama is an interesting example of a strand of late 1940s British cinema, but has been long neglected and not shown on British TV for many years, if at all. Set in the late Victorian and early Edwardian eras, it has excellent period detail and the sets effectively highlight Sarah's alienation and despair in the Howards's suffocating and gloomy household.

    The director ensures that the film never drags, not something that can be said of all of his work, and it has a sympathetic score from Bernard Stevens, though the sinister chords that greet Richard's appearances are perhaps overdone. Star Eric Portman is memorable in this role, though tends to overact in the crucial courtroom scene. This was becoming a familiar type of role for him at the time, and perhaps contributed to contemporary critics antipathy to the film. His nemesis provides an early part for the likable Dermot Walsh, while the adorable Sally Gray provides a sensitive and intelligent performance as Sarah in a production which underlines the oppressive treatment of women at the turn of the last century.
    10clanciai

    The complicated psychology of the Cain syndrome

    Richard falls in love with Sarah in France and courts her, and then his brother John comes across and steals her away from him. John marries her, and the marriage is not a success, in spite of their one daughter Sally, because for John business is all, and he persists in working himself to death, while he neglects his wife and treats her with cruelty. Richard comes to rescue her, tries to persuade her to a divorce, but that is not legally so easy in Edwardian England. Sarah has another admirer, young Jeremy Thorn, who gets involved in her case, and he is the one who ultimately saves her from both the brothers, who both perish in their innate lifelong conflict mainly because of Richard's envy and inferiority complex. It's difficult to find a case for either of them, because they both go to recklessness in their passions and get lost in them. However, Eric Portman was a great actor in the 40s, and all his films are extremely interesting and fascinating for his very special performances, and here he excels most of them. In this film you must feel more sympathy and understanding for him than for John, and although it's impossible to acquit either of them for their recklessness, bolting blindly in their passions, for work and for love of Sarah, Eric Portman as Richard is the one you will remember, and the film mercifully refrains from telling the end of the story, although how it will all turn out is all too obvious, but you are grateful for not having to witness it.
    6boblipton

    Women Are Always Innocent

    Sally Gray weds Patrick Holt, which gives him control over her fortune. When she discovers he's been carrying on an affair, she Investigates a divorce, but it's impossible. However, when it turns out that someone sends Holt a letter that she had run into Dermot Walsh at the lawyers and was seen walking around London with him, his Victorian sense of propriety is offended, and he strikes her. There's a rapprochement, and then he falls ill, is poisoned by his jealous brother Patrick Holt, and dies. Miss Gray goes on trial for the murder.

    It's based on an actual murder case, the trial of Florence Maybrick, although those are not the facts of this movie, which is full of men with thundering tempers, an utterly innocent Miss Gray, and loyal servants: just the sort of fillum calculated to appeal to an audience who had made THE MAN IN GREY such a hit a few years before. Brian Desmond Hurst directs capably, but without much conviction.
    5malcolmgsw

    Panto villain

    By the time of this film Eric Portman was in danger of becoming a caricature.When he runs up the stairs to see his brother I thought he was going to disappear inot a flash of smoke.His performance in the courtroom scene has to be seen to be believed.I think that if the role had been played by someone less stereotyped there is a possibility it might have worked,as it is you can guess what will happen next.

    Interesses relacionados

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Família Soprano (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Film debut of William Mervyn.
    • Citações

      Richard Howard: They'll come for Sarah. She will suffer - she should suffer. She'll find out which one of us she should've married. But she won't hang - I'll see to that, I'll save her. But I'll have her at my feet, grateful, humble, willing.

      John Howard: Sarah - at your feet? Not this side of eternity.

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Detalhes

    Editar
    • Data de lançamento
      • 4 de junho de 1948 (Finlândia)
    • País de origem
      • Reino Unido
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • The Mark of Cain
    • Locações de filme
      • Denham Studios, Denham, Buckinghamshire, Inglaterra, Reino Unido
    • Empresa de produção
      • Two Cities Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 28 min(88 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.