AVALIAÇÃO DA IMDb
6,6/10
959
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn British East Africa, a fatal triangle develops involving a frustrated wife, a weak and cowardly husband, and an English big-game hunter who comes between the couple.In British East Africa, a fatal triangle develops involving a frustrated wife, a weak and cowardly husband, and an English big-game hunter who comes between the couple.In British East Africa, a fatal triangle develops involving a frustrated wife, a weak and cowardly husband, and an English big-game hunter who comes between the couple.
- Direção
- Roteiristas
- Artistas
Darby Jones
- Masai Warrior
- (não creditado)
Hassan Said
- Abdullah
- (não creditado)
Martin Wilkins
- Bartender
- (não creditado)
Avaliações em destaque
This film deserves a DVD release. Excellent script, direction, and editing carry the film into Hemingway's world. The results are excellent. The three leads do very well with their parts. I particularly liked Joan Bennett. Her cynicism and brazen effrontery towards husband Preston held my attention as she carried on an obvious affair with Peck. The dynamic between the three stars smolders across the screen as Preston attempts to "prove" his manhood by killing wild beasts. In true Hemingway style the "big game" adventure turns into one of more human proportions. Pretty bold stuff considering the Production Code was still in full swing. Reginald Denny plays with authority in a minor role.
I did not read the short story, so i can only go by what i saw and heard in the movie. It is possible I missed some dialogue along the way that would tell me how long this couple ( Bennett and Preston ) were on the safari, for Peck's character to fall in love with Bennett, who showed a side of contempt of her husband in front of him...now that really should turn a man on, right? The leads do well in their parts, but it was Bennett that surprised me...she was really a 'bitch' as they say. I couldn't see her in this role as her usual natural Blond, but since her transformation of the Hedy Lamarr look ( she dyed her hair black ) cause she was enamored of the Hedy face, as millions of others had at that time, her career got a boost. That said, and the ambiguous ending made an interesting hour and a half for me.
Based on a Hemingway short story. And Hemingway knew how to craft stories that epitomized realms of male supremacy. His world was one of combat, African safaris, bull rings
all the places where "real men" constantly had to prove masculine courage. Women were an accessory
the old "Can't live with them, Can't live without them" philosophy.
In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues who woulda guessed it?!
Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.
In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues who woulda guessed it?!
Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.
From 1947, "The Macomber Affair" is based on a Hemingway short story about a safari. I watched it knowing full well I didn't want to see animals hunted down, so I admit a certain prejudice.
Joan Bennett and Robert Preston are Margaret and Francis Macomber, an unhappy husband and wife who go on a safari guided by hunter Robert Wilson, played by Gregory Peck. Margaret is openly derisive of her husband, whom she considers somewhat of a coward, and he apparently is on this safari to prove his masculinity. It isn't very successful at first, as Francis runs like a rabbit when he's charged by a lion. I don't know who wouldn't, frankly.
Margaret is attracted to Wilson -- again, who wouldn't be, it's Gregory Peck -- and he falls for her. I don't know why because she's a very unpleasant woman. When a tragedy occurs, Wilson has to decide what really happened - was it an accident or deliberate? This film is somewhat miscast, as it required a Peter Finch or Trevor Howard in the Peck role. Peck doesn't come off as much of a big game hunter. Joan Bennett's character is a little too harsh, which I blame on the director, Zoltan Korda. There doesn't seem to be any reason for his attraction to her; she comes off as emasculating.
The film has an ambiguous ending. I didn't care how it ended, which is a major problem -- you should be invested in the characters.
This is an old-fashioned macho Hemingway story that received better treatment than most of his work. Still -- Hemingway is very difficult to film due to his spare language and all that subtext.
If you like seeing animals shot and killed (though I realize they really weren't) so someone can prove his masculinity, this is the movie for you.
Joan Bennett and Robert Preston are Margaret and Francis Macomber, an unhappy husband and wife who go on a safari guided by hunter Robert Wilson, played by Gregory Peck. Margaret is openly derisive of her husband, whom she considers somewhat of a coward, and he apparently is on this safari to prove his masculinity. It isn't very successful at first, as Francis runs like a rabbit when he's charged by a lion. I don't know who wouldn't, frankly.
Margaret is attracted to Wilson -- again, who wouldn't be, it's Gregory Peck -- and he falls for her. I don't know why because she's a very unpleasant woman. When a tragedy occurs, Wilson has to decide what really happened - was it an accident or deliberate? This film is somewhat miscast, as it required a Peter Finch or Trevor Howard in the Peck role. Peck doesn't come off as much of a big game hunter. Joan Bennett's character is a little too harsh, which I blame on the director, Zoltan Korda. There doesn't seem to be any reason for his attraction to her; she comes off as emasculating.
The film has an ambiguous ending. I didn't care how it ended, which is a major problem -- you should be invested in the characters.
This is an old-fashioned macho Hemingway story that received better treatment than most of his work. Still -- Hemingway is very difficult to film due to his spare language and all that subtext.
If you like seeing animals shot and killed (though I realize they really weren't) so someone can prove his masculinity, this is the movie for you.
THE MACOMBER AFFAIR has to be rated a success for the mere fact that it finally brings a Hemingway story to the screen pretty much intact and the way he wrote it. GREGORY PECK may not be the perfect choice to play the guide escorting a quarrelsome JOAN BENNETT and ROBERT PRESTON on a safari, but he acquits himself well enough in the role.
I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.
Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.
Well worth watching for some interesting performances.
I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.
Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.
Well worth watching for some interesting performances.
Você sabia?
- CuriosidadesFor the African scenes, Reginald Denny invented the first radio-controlled model airplane and, with Osmond Borradaile, put a camera on board in 1946.
- Erros de gravaçãoWhen Margaret and Robert start out on their safari driving across the country, in close shots they are shown looking out the right side of their truck at wildlife, but the shots of the animals they are presumably viewing are taken out the left side of a moving vehicle.
- ConexõesFeatured in O ziliarogatos (1956)
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- How long is The Macomber Affair?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Macomber Affair
- Locações de filme
- Tecate, Baja California Norte, México(doubling for the African Veldt)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 29 minutos
- Cor
- Proporção
- 1.37 : 1
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