AVALIAÇÃO DA IMDb
5,5/10
309
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA crusading newspaper reporter battles big-city gambling interests.A crusading newspaper reporter battles big-city gambling interests.A crusading newspaper reporter battles big-city gambling interests.
- Direção
- Roteiristas
- Artistas
Phillip Reed
- Steve Wilson
- (as Philip Reed)
Ann Gillis
- Susan Peabody LaRue
- (as Anne Gillis)
Robert Kent
- Jake Sebastian
- (as Douglas Blackley)
Joseph Allen
- Wally Blake--Reporter
- (as Joe Allen Jr.)
Fred Aldrich
- Police Car Driver
- (não creditado)
Don Barclay
- Gambler
- (não creditado)
Benny Bartlett
- McGonigle
- (não creditado)
Gregg Barton
- Detective
- (não creditado)
Gladys Blake
- Gambler
- (não creditado)
Dorothy Christy
- Card Shark
- (não creditado)
Sumner Getchell
- Harvey Cushman--Reporter
- (não creditado)
John Holland
- District Attorney Harding
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Hillary Brooke has published a novel and has another under contract. So she's quitting as crime reporter on the newspaper. Editor Phillip Reed doesn't want her to go, so when the publisher's niece, Ann Gillis, comes in asking for a job, he assigns her to Our Miss Brooke's beat, with a couple of weeks to train her. On Miss Gillis' suggestion, the paper begins beating the drums to close down the poker clubs around the state. Then Miss Gillis gets kidnapped by club owner Richard Travis. Or is she?
It's a Pine-Thomas production, and the Dollar Bills always turned out a decent B movie. They have exceeded themselves with this one, with a plot so twisty you can't see what's going on, and a particularly fine performance by Travis, who exudes an air of menace far from his usual nice-guy demeanor. Even Vince Barnett is enjoyable for once. There's also fun in a reference to Hildy Johnson, the center of THE FRONT PAGE. Does this mean Big Town is Chicago? The exteriors look like LA.
It's a Pine-Thomas production, and the Dollar Bills always turned out a decent B movie. They have exceeded themselves with this one, with a plot so twisty you can't see what's going on, and a particularly fine performance by Travis, who exudes an air of menace far from his usual nice-guy demeanor. Even Vince Barnett is enjoyable for once. There's also fun in a reference to Hildy Johnson, the center of THE FRONT PAGE. Does this mean Big Town is Chicago? The exteriors look like LA.
Big Town After Dark from 1947 stars Philip Reed and Hillary Brooke.
Reed is Steve, managing editor of Illustrated Press and receives the sad news that his top reporter, Lorelei Kilbourne (Brooke) has sold her novel and giving twovweeks' notice.
Steve hires the publisher's niece, Susan (Ann Gillis) as a replacement. Her uncle wanted him to convince her to stay in college, but Susan confesses that she flunked out and has actually been working part-time as a reporter. Lorelei is convinced Steve hired Susan to make her jealous.
Susan says she is on a crusade to close gambling clubs in the city, so Steve takes her to dinner at the Winners Club. During a fight, he's knocked unconscious. The next day, it appears Susan has been kidnapped. Her uncle winds up handing over $50,000 in a stock deal which he interprets as a kidnap demand.
Turns out, Susan wasn't kidnapped. Lorelei becomes suspicious and starts checking her story.
Okay programmer with an interesting plot. Reed at certain angles reminds me of Tyrone Power around the eyes. Low production values, low budget, strictly poverty row.
Reed is Steve, managing editor of Illustrated Press and receives the sad news that his top reporter, Lorelei Kilbourne (Brooke) has sold her novel and giving twovweeks' notice.
Steve hires the publisher's niece, Susan (Ann Gillis) as a replacement. Her uncle wanted him to convince her to stay in college, but Susan confesses that she flunked out and has actually been working part-time as a reporter. Lorelei is convinced Steve hired Susan to make her jealous.
Susan says she is on a crusade to close gambling clubs in the city, so Steve takes her to dinner at the Winners Club. During a fight, he's knocked unconscious. The next day, it appears Susan has been kidnapped. Her uncle winds up handing over $50,000 in a stock deal which he interprets as a kidnap demand.
Turns out, Susan wasn't kidnapped. Lorelei becomes suspicious and starts checking her story.
Okay programmer with an interesting plot. Reed at certain angles reminds me of Tyrone Power around the eyes. Low production values, low budget, strictly poverty row.
After an argument causes his best reporter "Lorelei Kilbourne" (Hillary Brooke) to tender her 2-week notice, a newspaper's managing editor "Steve Wilson" (Phillip Reed) immediately hires a fairly attractive young woman named "Susan Peabody" (Ann Gillis) to replace her. Naturally, the fact that Susan just happens to be the niece of the man who owns the newspaper causes some speculation but what concerns Lorelei even more is the suspicion that Susan isn't being totally honest about her past. However, when news breaks that Susan has been kidnapped by some local gamblers, things begin to take a deadly turn for everyone involved. Now rather than reveal any more I will just say that this was a passable crime-drama which was diminished somewhat by the paint-by-numbers direction and rather mediocre acting overall. Be that as it may, although this clearly wasn't a great movie by any means, I found it to be adequate for the time spent and for that reason I have rated it accordingly. Average.
This was the first movie I watched in a DVD collection of 50 "Crime Classics" from Mill Creek that I found in Movie Stop for $6.99. At about 14 cents per movie, I thought it was a pretty good deal. I was glad to see that this was a good transfer and the black and white detail was sharp.
This isn't quite film noir, but one can see a film noir influence. There are lots of night shots, characters who have psychological problems and a near femme fatale in Ann Gillis.
This is a B movie with "C" sets and a "B" script. It moves well and has some unexpected and unusual twists. There's nothing to knock your socks off, but the dialogue is sharp enough to get you smiling here and there.
Hillary Brook is her usual blonde ice self. She has an ephemeral presence, just floating through her scenes delivery her lines well, but without much thought or emotion.
The story is gallant and savvy newspaper reporters battling crooks. Watch for a funny inside reference to the classic newspaper play "The Front Page" at the beginning.
I understand from the reviews that there were three other Big Town movies. I am looking forward to seeing them, and looking forward to watching the 45 or so more movies in this collection that I haven't seen.
This isn't quite film noir, but one can see a film noir influence. There are lots of night shots, characters who have psychological problems and a near femme fatale in Ann Gillis.
This is a B movie with "C" sets and a "B" script. It moves well and has some unexpected and unusual twists. There's nothing to knock your socks off, but the dialogue is sharp enough to get you smiling here and there.
Hillary Brook is her usual blonde ice self. She has an ephemeral presence, just floating through her scenes delivery her lines well, but without much thought or emotion.
The story is gallant and savvy newspaper reporters battling crooks. Watch for a funny inside reference to the classic newspaper play "The Front Page" at the beginning.
I understand from the reviews that there were three other Big Town movies. I am looking forward to seeing them, and looking forward to watching the 45 or so more movies in this collection that I haven't seen.
"Big Town After Dark" is a decent B-movie from tiny Pine-Thomas, a company known for its mediocre and sub-par Bs. Fortunately, this is one of the better films they made.
Steve (Phillip Reed) is the managing editor of a newspaper. His day is looking pretty glum when his star reporter, Lorelei (Hillary Brooke) announces she's quitting to become a literary writer. He's desperate to keep her there...but he has another problem to deal with...his boss wants him to hire the niece...and she has no experience at a newspaper. Then Steve gets an idea....use the boss' niece to try to keep Lorelei with the paper. Little did he know that this would NOT be a particularly good idea!
This film has a lot of noir elements--the nasty bossman who runs the town and a local gambling den, folks getting the snot knocked out of them and murder! Well worth seeing and an interesting story once it got going.
Steve (Phillip Reed) is the managing editor of a newspaper. His day is looking pretty glum when his star reporter, Lorelei (Hillary Brooke) announces she's quitting to become a literary writer. He's desperate to keep her there...but he has another problem to deal with...his boss wants him to hire the niece...and she has no experience at a newspaper. Then Steve gets an idea....use the boss' niece to try to keep Lorelei with the paper. Little did he know that this would NOT be a particularly good idea!
This film has a lot of noir elements--the nasty bossman who runs the town and a local gambling den, folks getting the snot knocked out of them and murder! Well worth seeing and an interesting story once it got going.
Você sabia?
- CuriosidadesThe failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film.
- Citações
Susan Peabody LaRue: [putting down her poker hand] Full house, kings on the roof.
- Cenas durante ou pós-créditosOpening credits are shown on the playing cards of a gambling table.
- ConexõesFollowed by No Labirinto do Crime (1948)
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Big Town After Dark
- Locações de filme
- Los Angeles City Hall - 200 North Spring Street, Downtown, Los Angeles, Califórnia, EUA(N Spring St entrance)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 9 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Trama Sinistra (1947) officially released in Canada in English?
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