O Vale dos Zombies

Well crafted little horror jaunt. Seems long dead Murks (Keith) won't stay dead, but he does need blood to keep frightening us viewers. I guess he must have had a zombie dad and a vampire mom, or some such. Anyhow he gets his needed red stuff from a doctor's office, which is fine until he stupidly throttles his supplier. Now he gets his stuff on the hoof, and our heroes Dr. Terry (Livingston) and Nurse Susan (Gray) better figure things out before he depopulates the studio of its supporting players.

I love that opening sequence, a really funny got'cha when the sheet's pulled back. Republic may have been at the bottom of the Hollywood studios, but it was at the top of the poverty row outfits, PRC, etc. So it's not surprising this horror quickie would be a little slicker than most. Happily, director Ford manages both atmosphere and pacing. The outdoor sets may be 3-feet deep, but they're still creepy. And catch the many snappy lines from our winsome Nurse Susan, especially when she and the doc are creeping through the forrest. Now, Keith really has the malevolent glower of a fiend, but his mugging at times borders on the ludicrous. I guess he needed a few more lessons from Karloff. Good also to see Livingston get off a horse (The Three Mesquiteers) and into a medical smock, of all things. All in all, the 57- minutes remains a cut above other quickies, without being anything special.

OK, I admit it. I love 30's and 40's B horror films. They generally have great atmosphere and wonderful characters. Are both the atmosphere and the characters over-the-top? Yeah, most of the time, but that is part of the charm. You don't watch these movies looking for great cinema. You watch them for the perpetually foggy streets. What city or what country makes no difference, 9 times out of 10 there will be fog. You watch them for the crazed characters. You watch them for the dripping-with-venom dialog. You also have the wonderful look that black and white creates. Things are stark and heavily shadowed.

You watch these films simply because you love the time and the genre. Not for great writing and most times not for great performances. You either love these period B films or not. Had I lived during the era you would have never gotten me out of the theater.

Dr. Maynard (Charles Trowbridge) tells Dr. Terry Evans (Robert Livingston) and his nurse, Susan Drake (Lorna Gray), about the theft of ten pints of blood from his lab. Later, he is visited by Ormand Murks (Ian Keith), a man Maynard had once had committed to an insane asylum.

What attracted me to this film is quite simple: it is old and it is short. I am all about short films to watch while eating breakfast, and I am all about watching older movies (as a reviewer, my job simply cannot be done properly without knowing the history of film, particularly horror).

Ian Keith plays a very cool, creepy man, wrongly judged insane, who wears a grave robber outfit. He is the highlight of the film, and what makes this one more horror fans should see. There is also a fun homicide detective scene where they question Lorna Gray and try to get her to falsely confess to murder. The back and forth is pretty fun, and it makes me wish that Gray was in more films like this (or like her Three Stooges work).

Fondly remembered, just for the title. In the 70s it turned up a lot on weekends, and the later at night the better. Creature Feature or Chiller Theater time. A real gas.

A modest B film, basically what critics at the time said, but that's the key to its creepiness. Ian Keith, a veteran actor from the old school, makes an outstanding villain, in search of blood transfusions to keep himself alive. The cobwebs, an abandoned mansion and graveyard are also fun and put to good use. By the way, our heroes (Robert Livingston and Adrian Booth) are locked in a tomb for a ghoulish minute or two.

Keith plays Ormond Merks, executed years ago for past crimes, now looking for his next "blood" victim. More of a vampire-type film, and Keith keeps it going, replete with a long, black cape and the best lines. No valley or zombies, although he does hypnotize Booth and arm her with a gun. Sometimes compared to the RETURN OF DR. X (1939), starring Humphrey Bogart, though Bogey's makeup was more outlandish, also sporting a Bride of Frankenstein gray streak hairdoo.

Very good supporting cast featuring character actor Tommy Jackson playing the detective on the case. Robert "Bob" Livingston plays the two-fisted hero, known for westerns. Filmed by Republic Pictures and catch some of the area footage of surrounding Studio City (Ventura Blvd) and possibly North Hollywood back in the 40s.

Interestingly, Keith was originally considered for the role of DRACULA, before Bela Lugosi. Not too long after this film, he was considered again for the part in ABBOTT AND COSTELLO MEET FRANKENSTEIN.

Catch the closing gag line by Livingston said to gal friend Adrian Booth. Best dvd is coupled with THE VAMPIRES GHOST, released through Fast Fushion Films, and with some nice artwork. A super Halloween treat, though short running time at 56 minutes.

Valley of the Zombies (1946)

** (out of 4)

There is no valley and there are no zombies in this Republic Pictures horror flick that once again proves they certainly didn't know how to do the genre any service. In the film, Ormond Murks (Ian Keith) returns from the dead and needs plenty of blood to keep alive. A doctor (Robertin Livingston) and his nurse (Lorna Gray) get accused of one of the dead man's murders so they have to set out to clear their name and this is when they stumble across the living dead. I guess, to be fair, you could consider the murderer here a zombie but he actually plays out more like a vampire with his need for blood. It's also funny when you think that Keith was originally intended to play the title role in Universal's Dracula before the role eventually went to Bela Lugosi. As you'd expect, this "C" picture really doesn't have too much going in its favor but if you must see every zombie picture ever made then you might as well check this one out. I think the best thing you can say about the flick is that it runs a very short 55-minutes and it actually goes by rather fast. Director Ford at least keeps things moving well so the pacing never becomes an issue and at least he was smart enough not to wear out his welcome. The story itself is nothing special as we get one scene after another with the doctor and nurse trying to figure out what's going on even though the viewer was let in on the secret at the very start of the thing. The screenplay, being a Republic movie, offers up a wide range of events including a car chase, a gun fight and we even get a bunch of (bad) humor thrown in. Livingston and Gray are both fairly good in their parts but the same can't be said for Keith. He goes over the top so much that I'd compare his performance to what you'd expect to see from Tod Slaughter. VALLEY OF THE ZOMBIES is probably the rarest of the "zombie" films released after WHITE ZOMBIE and perhaps that's best as I'm sure most people are going to be disappointed with it. It's certainly far from a horrible movie but at the same time there's just really not much to it.