Hiena dos Mares

Ah, another "I wasn't in Mutiny on the Bounty" movie: Two Years Before the Mast. As countless tough guy actors got their chance to play a Captain Bligh ripoff, tons of leading man actors got their chance to play a Fletcher Christian ripoff. If you want to see a perpetually shirtless Alan Ladd in the Fletcher Christian part, and Howard Da Silva in the Captain Bligh part, rent this one.

Alan is young and inexperienced, and while in a tavern, he gets knocked over the head and kidnapped to work as a crewmember on an imposing ship. Back in the 1800s, things like that did happen, and it was pretty scary. Especially since the reason the sailors needed to kidnap their crew was because their captain was so tyrannical, no one in his right mind would volunteer.

As evil as Howard Da Silva is, Alan does have one friend aboard the ship: Brian Donlevy. Ironically, if you want to see Brian as a tough captain, check out the following year's The Song of Scheherazade. Brian is sympathetic and keeps a diary of all the atrocities committed aboard the ship. William Bendix is the first mate, torn between his loyalty to his captain and the horrors he sees. Roman Bohnen, Barry Fitzgerald, Ray Collins, and Darryl Hickman can also be seen in the supporting cast. Although you can tell the quality isn't A-tier, this one is still entertaining, so you can check it out if you're an Alan Ladd fan.

This film rather than Shane marks the high point of Alan Ladd's golden Paramount years. By the time Shane was made, Ladd and agent/wife Sue Carol had made the decision to leave Paramount.

Sue picked a good one for her husband in Two Years Before the Mast. It's based on a book of the same title by Richard Henry Dana about his experiences aboard a typical American merchant vessel during the 1840s. Dana is played by Brian Donlevy and it is through his eyes that we see the action unfold.

As the film opens Ladd is the spoiled son of a rich merchant family. While out slumming with some of the 19th century brat pack he hangs out with, Ladd gets shanghaied aboard one of his father's own ships. That ship is commanded by an American version of Captain Bligh in Howard DaSilva.

DaSilva, who's career was to be interrupted by the blacklist shortly, is maybe the best one in this fine cast. He's a career naval officer who was cashiered and he runs his ship that way. Has the crew take gunnery practice even. The essence of that part is that he doesn't see himself as cruel. This is just the way things are at sea.

Barry Fitzgerald, like in the Sea Wolf, plays the ship's cook. But Dooley is 180 degrees different from the weasel Fitzgerald portrayed in The Sea Wolf. Shows his versatility as a player.

Bill Bendix was someone Ladd liked to have in his films if he could get him. He plays the tough, but respected first mate Amazine here. Bendix was in a different class than other character actors. He was a star on radio's and later television's Life of Riley and usually because of that, got roles with some depth. Even when the roles didn't, the talented Mr. Bendix put some depth in them.

The rest of the cast assembled to support Alan Ladd is a good one. Familiar folks like Albert Dekker, Frank Faylen, Luis Van Rooten, Ray Collins fill out their roles nicely.

One part is particularly poignant. Young Darryl Hickman is an office boy in Ladd's father's company and he stows away because he's filled with dreamy adolescent notions about life at sea. Despite all he sees around him and even what happens to him, young Hickman never loses sight of the fact that he's on a great adventure.

Considering the studio origins of the film, Paramount does a very good job in a realistic portrayal of life at sea. If you like sea stories, this one's a must.

The press gang of the "Pilgrim" recruits a crew and the ship sets sail. Captain Thompson (Howard Da Silva) is only concerned with breaking speed records and has First Mate Amazeen (William Bendix) and Second Mate Foster (Luis Van Rooten) as his side-kicks to run discipline with a rod of iron. There are floggings, rations, neglect and heartless sea burials on his journey. The crew who suffer include Charles Stewart (Alan Ladd), Henry Dana (Brian Donlevy) and Brown (Albert Dekker). Dana keeps an incident log which will change merchant sea law forever. It becomes published and is called "Two Years Before The Mast"

This is a true-life account of conditions at the time and is based upon a book that introduced maritime law. The cast are all good - Howard Da Silva makes an excellent bad guy. I don't usually like children in films but the stowaway Sam Hooper (Daryl Hickman) isn't as annoying as I feared he might be, and his inclusion in the story has relevance in how the crew relate to Charles. Indeed, he also brings out a human side to Mr Amazeen. However, I am not sure what the point of having the 2 passengers was - the film dragged whenever Maria (Esther Fernandez) was on screen. It was good to watch Charles's transformation from a dislikeable oik to a man with a conscience. There were also some humorous moments thrown in, eg, when Charles goes back to eat the chicken he has stolen in front of the crew that hate him. It's a good film but I never understand the point in scrubbing the decks. What's that about?

This is a pretty fair movie about the mistreatment of seamen during the early 19th Century. However, it bears almost no resemblance to "Two Years Before the Mast". For a start, the credits say that the film is "based upon the novel by Richard Henry Dana". That, alone, is a pretty clear indication that nobody involved in the production of the movie had ever read the book because it was definitely NOT a novel. Dana was a college student at Harvard who took a sabbatical to ship out on a vessel belonging to the father of a friend of his in order to regain his health. The book was an account of his experiences, and it was NOT a work of fiction. There was no mutiny nor was anybody on board murdered. As a matter of fact, Dana did not even return on the ship started out on but on another ship that was homeward-bound, because the ship he sailed over on remained in California. Dana returned to Harvard, where he completed his studies and became a lawyer. During the course of his career he not only became an outspoken advocate not only for the rights of seamen, but for freedmen and fugitive slaves as well.

For the benefit of those who may wonder about the peculiar title, the term "before the mast" is an old term used on merchant ships to denotes sailing as a member of the crew, rather than as an officer or a passenger. The officers and passengers lived aft, in cabins. The crew lived up forward , not in cabins but in a single compartment that was originally called the "fore castle", but which was generally shortened to "focs'l". The "focs'l" was located at the forward end of the ship, forward of the masts, so that to sail "before the mast" was to be a seaman. Incidentally, although modern seamen live in individual staterooms, to this day many still refer to their stateroom as their "focs'l". Of course, none of the above applied to Navy ships, in which the officers lived in a "wardroom" and where there was no such thing as a "focs'l".

As a swashbuckling adventure movie "Two Years Before the Mast" compares favorably with others of that genre. However, those interested in the contents of Dana's book would be recommended not to take anything from this movie as representative of it.

I am disappointed to see the sparsity of votes for this very-of-guys movie. This box-office smash of 1946 which is a sly attempt to invoke the more academy award favored Mutiny on the Bounty. Obviously, this movie was made to win awards and to give prestige to the studio, producer and actors involved. It did not garner a single nomination. Based on a true story and a best-selling non-fiction book from the 19th Century, it details the kind of cruelty and inhumanity that was used back then to run a ship. The stand-out of many fine performances is Howard da Silva as the captain Thompson who is more interested in breaking arrival records than in keeping the health, morality or moue of his crew in a flush of pink. Alan Ladd is the somewhat lead for make no mistake, this is no Ladd piece but an ensemble of Paramount's finest and great character actors. William Bendix, an actor who puts to shame the theory that real acting began with those "method" actors of the fifties with everything he does, is perfect as the first mate Amanzine. Shot strictly on studio sets, it does have the necessary realism of the open seas and azure skies that could give it the needed extra texture but it tries and works all the same. Unexpected events happen and formula is avoided until a rushed third act and ending that feels to hurried to resonate. That is why I voted it an 8/10. It is just too flat, as if the producers were late for dinner or something and slapped something together. Surely, events you want to see resolved is giving the sleight of hand and the picture is only 98 mins, so why the hurry? A good guy's movie with fine performances. It could have been a classic but it's just a good movie. P.S. I cannot believe Da Silva was not nominated for his performance. That is just a plain travesty.