A Vingança da Mulher Aranha

Back in the late 1930s into the 40s, Rondo Hatton was a very sad figure in films. Bluntly put, Rondo was an ugly guy...due to the effects of acromegaly. It seems that during WWI, he was exposed to poison gas which damaged his pituitary gland...causing the disorder. This made his hands and face deformed. Sadly, Universal Studios hired him to mostly appear in horror films to take advantage of his face. It sure might have been nice had some of these movies NOT feautured him as a monstrous creature and a bit of sympathy might have been nice. Here in "The Spider Woman Strikes Back" (a film, despite its title, which is NOT a sequel), Rondo plays a mute servant who helps his mistress do experiments with human blood!

The story begins with Jean arriving in a small town to be the personal assistant and companion of Zenobia, a blind woman....or so she claims. What Jean doesn't know is that she's also been hired to supply blood to Zenobia's pet plant...a huge thing somewhat reminiscent of Audry from "Little Shop of Horrors". Now Zenobia doesn't take all of Jean's blood. Instead, she takes a bit while Jean is sleeping...leaving her, naturally, tired and anemic. To combat this as well as to knock her out, Zenobia insists Jean drink lots of milk...something she dislikes. What's next? See the film and find out for yourself.

So is this any good? Aside from the logical problem i mention in the next paragraph, it is pretty good...especially for a cheaply made B-movie. It has a nice creepy atmosphere and despite many no-name actors, it's effecive.

I have no idea why Zenobia didn't let folks know about her plant and the blood. Had she gotten locals donate very small amounts of blood for cash, this might have worked out just fine...instead of stealing it from her assistants. Heck, if the job paid well and they only took a pint here and there, I might have loved the job!

By the way, throughout the film, Gale Sondergaard plays blind Zenobia strangely. Instead of facing people who are talking with her, she stares off into space...something I never noticed any blind people doing. I think this could have been played better.

Also, the sign language Mario (Hatton) uses in the movie is nonsense and not at all related to American Sign Language.

Having read the other reviews of this movie, I am struck with the idea that people must have been expecting another Dracula or Frankenstein or The Black Cat. This movie is emblematic of dozens of B horror films of the period that were fun to watch but were hardly great art. It adds the distinction of great atmospherics: the "old dark house", the fabulously creepy Rondo Hatton, the deliciously evil Gale Sondegaard and the handsome, wholesome hero, Kirby Grant. Citizen Kane it ain't, but in the context of films like "Fog Island", "The 13th Guest", or "a Shriek in the Night" it was certainly more enjoyable. Plot wise, it incorporates elements of vampire flicks (blood sucking), wolf man flicks (rare plant research), and the good versus evil conflict within Rondo Hatton's character. Oscar material? Hardly, but great fun. Lighten up people!

I think I prefer this one to the Sherlock Holmes' adventuure yarn starring the same Gale Sondergard in the lead evil role. This very movie directed by Arthur Lubin may remind you some Jacques Tourneur's gems for RKO and produced by Val Lewton on the stories, mystery and horror mix-up, but certainly not on the atmosphere, so typical in Lewton's productions, Tourneur, Wise, Robson.... This one starring Brenda Joyce and Gale Sondergard is worth mostly because of both of them. For the story.... That's not the most exciting but I still prefer this one to the SH movie, which already was the least I liked in the series. Good little Universal horror flick anyway. No reason to miss it.

The classy Gale Sondergaard ("The Mark of Zorro") stars as Zenobia Dollard, a blind recluse who lives with a mute, hulking henchman named Mario (Rondo Hatton, "The Brute Man"). She goes through young female assistants quickly; perky, pretty Jean Kingsley (Brenda Joyce, "Pillow of Death") is the latest to offer her services. Zenobia turns out to be up to no good, with her schemes involving a greenhouse full of carnivorous, blood-sucking plants.

Although obviously a very minor genre picture from this era, with a less than stellar script, it still delivers its goods with efficiency, incorporating elements from various horror sub-genres and giving the distinctive Hatton a decent showcase as a "monster" with something of a conscience. The principal value lies with the cast. While some people may cringe seeing Ms. Sondergaard in this sort of fare, she does elevate it with her presence; she's deliciously evil. Joyce, the second actress of the sound era to play Jane in "Tarzan" movies, is appealing, as is Kirby Grant ('Sky King') as the nice guy rancher in love with her. Milburn Stone ('Gunsmoke') and Hobart Cavanaugh ("A Letter to Three Wives") round out the principal cast members.

Directed by Arthur Lubin ("The Incredible Mr. Limpet", 'Mister Ed') directs this fast-moving entertainment that may not be high art, but is NOT trying to be, either. It does just fine for people looking for a 40s B picture with a nice and trim run time (a mere 60 minutes in this case).

Six out of 10.

Despite the title and the fact that Gale Sondegaard stars in both films this is not a sequel to the Sherlock Holmes movie "The Spider Woman". Brenda Joyce plays Jean Kinsley, a young woman who gains employment as a companion to the apparently blind Zenobia Dollard (Sondegaard). However Zenobia is a cunning mad scientist, who with the help of her creepy butler/assistant Mario (Rondo Hatton) is cultivating carnivorous plants in order to drive away the farmers off land that her family once owned. The film is well filmed, fast paced and has an eerie feel to it, helped by the musical score, however the plot is pretty daft and the fiery finale is a bit weak. But the most appealing thing for me is Rondo Hatton, one of the most recognisable classic horror stars. He suffered with a growth defect called acromegaly which resulted in enlargement of the facial bones, hands etc, and unlike Lon Chaney, Boris Karloff, and so on he requited no make up to turn him into a "brute". Strikes Back was released after his tragic death.