AVALIAÇÃO DA IMDb
6,5/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBorn in a French prison in 1775, François Eugène Vidocq becomes a professional thief and is later appointed chief of Parisian police.Born in a French prison in 1775, François Eugène Vidocq becomes a professional thief and is later appointed chief of Parisian police.Born in a French prison in 1775, François Eugène Vidocq becomes a professional thief and is later appointed chief of Parisian police.
- Direção
- Roteiristas
- Artistas
Gisela Werbisek
- Aunt Ernestine
- (as Gisella Werbiseck)
Barbara Bates
- Girl by Pool
- (não creditado)
George Bruggeman
- Stage Show Spectator
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
How many "Vidocq" versions are there ? Probably more than you'd want to see.The last one was released a couple of years ago (feat Depardieu) and was a commercial and artistic flop.French versions galore are up for grabs including a miniseries in the sixties.
This American version of the thief-turned -cop is a different matter cause it is probably as far as the real life character as it can be.George Sanders' suave portrayal is actually close to Arsene Lupin the French gentleman-burglar invented by Maurice Leblanc.After all Detlef Sierck (Douglas Sirk) was European .Aunt Ernestine is some kind of equivalent of Lupin's old nanny Victoire.The parallel with Saint George and the dragon is a good idea ,when a man has actually to fight against himself on the way to redemption.
The film is highly praised in Vidocq's native France:Jacques Lourcelles writes that ,"lost in Hollywood ,Sirk is at home again in an old tale of good old Europa.
I must confess I find "scandal in Paris" a bit cold and sometimes dull and I like Sirk best in his "Melodrames Flamboyants".
This American version of the thief-turned -cop is a different matter cause it is probably as far as the real life character as it can be.George Sanders' suave portrayal is actually close to Arsene Lupin the French gentleman-burglar invented by Maurice Leblanc.After all Detlef Sierck (Douglas Sirk) was European .Aunt Ernestine is some kind of equivalent of Lupin's old nanny Victoire.The parallel with Saint George and the dragon is a good idea ,when a man has actually to fight against himself on the way to redemption.
The film is highly praised in Vidocq's native France:Jacques Lourcelles writes that ,"lost in Hollywood ,Sirk is at home again in an old tale of good old Europa.
I must confess I find "scandal in Paris" a bit cold and sometimes dull and I like Sirk best in his "Melodrames Flamboyants".
This film is excellent! I don't understand why anyone would call this the "nadir" of Sirk's career, as it is far more intelligent than any of Sirk's famous melodramas. While I enjoy those films, this remains my favorite Sirk picture. The story chronicles the misadventures of pretty rascal turned gentleman thief, Eugene Vidocq, played by the eternal screen cad George Sanders. This is one of Sanders' best caddish roles, as he sidles around chateaux and graveyards, uttering lines such as "sometimes the chains of marriage as so heavy they must be carried by three". In addition to the witty, frothy humour, there is a dark undercurrent to the film that is evidenced in its noirish photography and the amorality of the lead characters. High recommended to fans of Old Hollywood who enjoy the more eclectic films of that period!
"A Scandal in Paris" is a 1946 film starring George Sanders, Akim Tamiroff, Signe Hasso, and Carole Landis. Directed by Douglas Sirk, it's based on the memoirs of François-Eugène Vidocq, a thief who became the Chief of Police in the 18th Century. The story begins with Francois being born in a jail and covers his European escapades. At one point, he poses for a painting of St. George and rides off on the horse he sits on; later, a marquise's granddaughter (Hasso) falls in love with the face in the painting and recognizes him when he comes to stay with her grandmother...and steal her jewels.
A very witty script that is perfect for the elegant, handsome Sanders. This role seems tailor-made for him. The beautiful Carole Landis plays one of his victims, a showgirl with a valuable garter. Sadly, by this time, her career had really stalled out. She's still a bright and glamorous presence. Hasso is an odd choice for an ingénue role, though she does a good job.
Entertaining film, particularly because of George Sanders.
A very witty script that is perfect for the elegant, handsome Sanders. This role seems tailor-made for him. The beautiful Carole Landis plays one of his victims, a showgirl with a valuable garter. Sadly, by this time, her career had really stalled out. She's still a bright and glamorous presence. Hasso is an odd choice for an ingénue role, though she does a good job.
Entertaining film, particularly because of George Sanders.
The movie is totally Sanders', and one of his finest--certainly one of his finest NON-supporting roles. BUT, it is also Landis's finest performance--her Flame Song is beautifully performed and foreshadows [sic--in both sense of the term]her final demise. See it for Sanders, who is always so worthwhile, but see it for Landis--at her peak
I love George Sanders; he is actually my favorite actor of all time; and that is quite a list I have. His droll, sarcastic delivery made even the most mundane line of dialogue crackle with wit. There has not been an actor before or since who could do romantic comedy or even romantic drama as well. Cary Grant came close, as did Errol Flynn, but they both took a back seat to Sanders. There is no such thing as a romantic lead that could hold up against him; no female actress could come close to his delivery of lines. Bette Davis was about as close to him as any great actress could get; but even she paled in comparison when he was delivering lines on the big screen. This silly story of the 18th century France could have been set in any century or time period and Sanders would still have made it work. The rest of the characters are quite forgettable, but people will remember this film just for Sanders.
Você sabia?
- CuriosidadesThe real Francois-Eugene Vidocq, 1775 to 1857, was born and died in Paris. He was an adventurer and a brash youth who spent time in frequent jail sentences, mostly for petty thefts. He served admirably in the army and fought in early battles of the Revolutionary Wars in 1792. He was hired by the government in 1809 for his experience and knowledge of crime, and helped create the security police (Police de Sûreté) in France. In 1832 he was fired for allegedly planning a theft, and he set up the very first private police agency. That became the model for modern private detective firms. He is considered by historians to be the "father" of modern criminology and is credited with the introduction of undercover work, ballistics, criminology and a record-keeping system to criminal investigation. He made the first plaster cast impressions of shoe prints. He created indelible ink and unalterable bond paper with his printing company to combat forgery. Several books, including Mémoires de Vidocq (1828-1829), Les Voleurs (1837), and Les Vrais Mystères de Paris (1844), were published under his name but may have been ghost-written by others. In later life, Vidocq published two volumes of his memoirs. According to the Encyclopedia Britannica, he was friends with several leading authors of the day - Hugo, Balzac, Dumas and others.
- Erros de gravaçãoVidocq is seen reading the memoirs of Casanova at the time of Napoleon's Egyptian campaign (1798-1801). The memoirs were not published until 1822.
- Citações
Eugéne François Vidocq: Sometimes the chains of matrimony are so heavy they have to be carried by three.
- Cenas durante ou pós-créditos[prologue] Vidocq, Eugene Francois, born 1775, spent the first thirty years of his life in every kind of villainy, probably as a preparation for the work of detecting criminals which was to occupy the remainder of his life. He published two volumes of what purported to be the true history of his adventurous career...Encyclopedia Britannica.
- ConexõesReferenced in Le cavalier de Croix-Mort (1948)
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- How long is A Scandal in Paris?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 40 minutos
- Cor
- Proporção
- 1.37 : 1
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