AVALIAÇÃO DA IMDb
6,1/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 2 indicações no total
Avaliações em destaque
I enjoyed seeing Cary Grant in a movie that I had not seen this movie before. I noticed a lot of good actors as well. I understand Cole Porter wished Cary Grant to be cast to play the famous composer. It's impossible to anticipate if you will like this movie, those who wish to be more critical always find fault in every movie, but fans of Cary Grant, Cole Porter, and the many other fine actors found in this movie may be quite happy watching it. I recommend watching it to judge for yourself. You will find Monty Woolley, whose fine personality is not in enough films. Always beautiful Alexis Smith is never more beautiful. Jane Wyman plays a substantial role worth viewing. Keep an open mind and enjoy the movie!
Good musical that could have been even better if it had better editing.Starts slow and then builds momentum.The directing style was inconsistent where in there are scenes that are top quality and then there are scenes that are just done in a rushed and sloppy way which is weird because those bungled scenes are those that are easily done.Despite these faults,the MUSIC here to any big music fan will certainly encourage you to forgive and enjoy.Grant is very stiff here but this is due to his capturing Porter's mannerisms.The biography is toned down/adjusted to Porter's version for the mainstream audience,so if one really wishes to dig into his real life which is very x-rated stuff,read his bio books instead.The production of this film coupled with it's great music will be great for one who wants uncontroversial musical entertertainment.I love the 1940's color technique here too.Only for early 2oth century POP music fans and big fans of the lead actors......
The only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.
So, if you haven't guessed yet what the only reason to watch this movie is...it's:
COLE PORTER'S MUSIC!!!
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.
So, if you haven't guessed yet what the only reason to watch this movie is...it's:
COLE PORTER'S MUSIC!!!
If you want a biography of Cole Porter you better go to the library, you won't find it here. This is a highly entertaining but strictly fictional version of his life--played by no less than Cary Grant, in his usual debonair style, perhaps just a shade understated so as to appear more like Porter. Whatever, he's still Cary Grant (playing himself in a minor key) and since the music is what makes this film tick, you'll forgive whatever liberties the scriptwriters have taken. It all looks wonderful in glowing technicolor.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Have you ever liked a film you knew wasn't all that great, yet one you simply enjoyed watching? That's the way I feel about "Night and Day," a musical bio with a large dose of fantasy mixed in on that great American songwriter Cole Porter. Perhaps it's the pleasure of watching Cary Grant having a ball playing the composer, and even singing a few tunes to boot. Or maybe it's the youthful Alexis Smith as a perfect "Mrs. Porter," coping with challenges as a famous songwriter's spouse. Certainly Monty Woolley is amusing as himself, playing a role he reportedly lived with the real-life composer. Then there's that honey-coated contralto Ginny Simms looking gorgeous in Technicolor and beautifully singing some of Porter's most expressive music and lyrics. In the supporting cast is a sprighty Jane Wyman (before she became laden with heavy dramatic roles) doing several comic-singing turns, and even a surprise bit from Eve Arden as a French cabaret star, "Gabrielle," performing an early, lesser-known show number. The screen has only one bio of this outstanding American songwriter, one who is respected by both popular and "serious" composer-peers, as well as by the critics and general public alike. Surely the scripters "did a job" on Porter's factual life, yet at least we have this elaborate effort, with a gung-ho cast that's ready & willing to give it their all. They all look like they're having a great time, and I for one have fun with them. Until a better Porter bio comes along, this one will have to do.
Você sabia?
- CuriosidadesAfter attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
- Erros de gravaçãoWhen in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
- Citações
Monty Woolley: Haven't you ever wanted to be alone?
Gracie Harris: Yes, but with somebody.
- ConexõesEdited from Não Me Encerrem (1945)
- Trilhas sonorasNight and Day
(1932) (uncredited)
Written by Cole Porter
Played during the opening credits and often in the score
Sung by Bill Days
Reprised by passengers on a train
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- How long is Night and Day?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Night and Day
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.445.000 (estimativa)
- Tempo de duração2 horas 8 minutos
- Proporção
- 1.37 : 1
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