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Música, Maestro!

Título original: Make Mine Music
  • 1946
  • Livre
  • 1 h 15 min
AVALIAÇÃO DA IMDb
6,1/10
5,3 mil
SUA AVALIAÇÃO
Música, Maestro! (1946)
Animation done to contemporary popular music.
Reproduzir trailer2:05
1 vídeo
99+ fotos
Animação desenhada à mãoAnimaçãoAventuraComédiaFamíliaMúsicaMusical

Compilação de Walt Disney de 10 curtas de animação utilizando os talentos musicais de artistas como Benny Goodman.Compilação de Walt Disney de 10 curtas de animação utilizando os talentos musicais de artistas como Benny Goodman.Compilação de Walt Disney de 10 curtas de animação utilizando os talentos musicais de artistas como Benny Goodman.

  • Direção
    • Robert Cormack
    • Clyde Geronimi
    • Jack Kinney
  • Roteiristas
    • Homer Brightman
    • Dick Huemer
    • Dick Kinney
  • Artistas
    • Nelson Eddy
    • Dinah Shore
    • Laverne Andrews
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    5,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert Cormack
      • Clyde Geronimi
      • Jack Kinney
    • Roteiristas
      • Homer Brightman
      • Dick Huemer
      • Dick Kinney
    • Artistas
      • Nelson Eddy
      • Dinah Shore
      • Laverne Andrews
    • 44Avaliações de usuários
    • 19Avaliações da crítica
    • 60Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos1

    Trailer
    Trailer 2:05
    Trailer

    Fotos101

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    Elenco principal23

    Editar
    Nelson Eddy
    Nelson Eddy
    • Narrator
    • (narração)
    • …
    Dinah Shore
    Dinah Shore
      Laverne Andrews
      Laverne Andrews
      • Andrews Sisters
      • (canto)
      • (as Andrews Sisters)
      Maxene Andrews
      Maxene Andrews
      • Andrews Sisters
      • (canto)
      • (as Andrews Sisters)
      Patty Andrews
      Patty Andrews
      • Andrews Sisters
      • (canto)
      • (as Andrews Sisters)
      Benny Goodman
      Benny Goodman
      • Bandleader
      • (apenas creditado)
      Jerry Colonna
      Jerry Colonna
      • Narrator (segment "Casey at the Bat")
      • (narração)
      Andy Russell
      Andy Russell
        Sterling Holloway
        Sterling Holloway
        • Narrator (segment "Peter and the Wolf")
        • (narração)
        Tatiana Riabouchinska
        • Silhouetted Dancer
        • (as Riabouchinska)
        David Lichine
        • Silhouetted Dancer
        • (as Lichine)
        The Pied Pipers
          Ken Darby
          Ken Darby
          • The King's Men
          • (canto)
          • (as King's Men)
          • …
          Jon Dodson
          • The King's Men
          • (canto)
          • (as King's Men)
          Bud Linn
          • The King's Men
          • (canto)
          • (as King's Men)
          Rad Robinson
          • The King's Men
          • (canto)
          • (as King's Men)
          The Ken Darby Singers
            John Brown
            • Umpire
            • (narração)
            • (não creditado)
            • Direção
              • Robert Cormack
              • Clyde Geronimi
              • Jack Kinney
            • Roteiristas
              • Homer Brightman
              • Dick Huemer
              • Dick Kinney
            • Elenco e equipe completos
            • Produção, bilheteria e muito mais no IMDbPro

            Avaliações de usuários44

            6,15.3K
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            Avaliações em destaque

            8TheLittleSongbird

            Beautifully crafted binding of Disney shorts

            "Make Mine Music" is a beautifully crafted binding of Disney shorts, and I think it is an improvement over "Melody Time". "Melody Time" did have some memorable parts especially "Once Upon a Wintertime", "Bumble Boogie" and "Johnny Appleseed", but what made "Make Mine Music" better was that it had a somewhat better variety of music and that it contains some of my all time favourite Disney moments. But like it is with "Melody Time" the success of the shorts is variable.

            "The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.

            "Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.

            "All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.

            "Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.

            "Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.

            "Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.

            "Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.

            "After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.

            "Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.

            "Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.

            Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
            7nnwahler

            Mixed bag, but a winner overall!

            These "potpourri" musicals Disney made in the late 40's are usually variable, but this feature's my favorite among that whole batch. The Disney guys are always at their best in animation emphasizing characterization, and those musical sketches stressing this are the ones that work best. But one of the centerpieces here always struck me as Disney at his all-time worst: his attempts to duplicate the artistic success of "Fantasia" with a jumbled treatment of "Peter and the Wolf." I have yet to see a successful visualization of this piece....better to hear it on records, since this is largely a "theater-of-the-mind" piece, geared to help youngsters learn about some of the instruments of the orchestra. The Disney guys turn it into pure sap. But "Casey at the Bat," "Johnny Fedora & Alice Bluebonnet," "The Martins & the Coys," and especially "All the Cats Join In" and "Willie the Singing Whale" more than make up for what surrounds them.
            6waha99

            Some great sequences, and some duds...

            An episodic musical tapestry a' la Fantasia, only this one utilizes the pop music of circa 1946. Some are worth viewing, and others are worth fast-forwarding through. My own personal favorites are the two Benny Goodman numbers, "All the Cats Join In" and "After You've Gone". I haven't seen the now-deleted "The Martins and the Coys" sequence, but I do oppose the tampering of classic films in the name of "PC". If I had known this was the case with "Make Mine Music", I would have never bought the VHS tape.
            5moonspinner55

            Pop and jazz second-cousin to "Fantasia"

            Chocolate-box potpourri of Disney-animated shorts became Walt Disney's eighth animated theatrical feature, one that plays like a middling excuse to allow the studio's animators to blow off some creative steam. Divvied up into separate musical suites (utilizing pop, jazz, Big Band, and the Russian classical piece "Peter and the Wolf"), "Make Mine Music" is musically of its time, featuring the talents of Benny Goodman, Dinah Shore, Nelson Eddy, etc. In that regard, it dates far worse than "Fantasia", and comes to a virtual halt in the middle of an overstretched slapstick baseball satire, but there are incidental pleasures. The popular "Peter and the Wolf" segment, which was later serialized on Disney's TV program and found a large following, is the only segment that feels fully thought-out (and has involving animation), while "The Whale Who Wanted To Sing At The Met" is an interesting idea (with beautiful flourishes) in search of a narrative (the hero actually ends up in Heaven...complete with angel's wings!). Followed by "Melody Time", which featured more storytelling and less abstract whimsy. ** from ****
            Drewster58

            Some of my Dad's best work!

            Make Mine Music:

            What a great collection of stories! I watched it fairly recently with my Dad and some other family at his house in Pinon Hills. I still cry at the "Johnny Fedora" and "Willie The Whale" stories. I grew up watching these and so many Disney cartoons and movies on our old 16 millimeter projector. We still have it, but it needs a bulb. My nephew Kurt brought this cartoon up on DVD. It was great to see my Dad's "name up in lights," so to speak, at least for animation credits. He loved seeing it again, altho' his eyes aren't so good now at age 92. But he is still hanging in there.

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            Enredo

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            • Curiosidades
              Pedro e o Lobo (1946) has an explicitly Russian setting and Russian characters who are portrayed sympathetically. It is an example of the period it was produced. For much of World War II, the United States and the Soviet Union were allies. Pro-Russian/Soviet works such as the film Estrela do Norte (1943) were regularly produced by American creators. By 1946, when "Make Mine Music" came out, the War had recently ended and the two countries were still nominally allied. The tensions that would lead to the Cold War were already present, but major actions of hostility did not take place until 1947. It was only then than Anti-Soviet sentiment became the norm in the United States.
            • Erros de gravação
              When newspapers announcing the discovery of Willie the Whale are shown, one compares him to the "Lock Ness Monster." The correct spelling is "Loch".
            • Citações

              Narrator: Peter, don't just stand that way!

              [the wolf leans Peter downward]

              Narrator: And don't stand that way either.

            • Versões alternativas
              In 2000 Disney cut the entire "Martins & Coys" sequence from the film due to the comic gunplay which they feared could be confused with reality by children.
            • Conexões
              Edited from Without You (1946)
            • Trilhas sonoras
              Make Mine Music
              (1946) (uncredited)

              Music and Lyrics by Ken Darby and Eliot Daniel

              Sung by an offscreen chorus during the opening credits

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            Perguntas frequentes16

            • How long is Make Mine Music?Fornecido pela Alexa

            Detalhes

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            • Data de lançamento
              • 15 de agosto de 1946 (Estados Unidos da América)
            • País de origem
              • Estados Unidos da América
            • Central de atendimento oficial
              • Official site
            • Idioma
              • Inglês
            • Também conhecido como
              • Make Mine Music
            • Locações de filme
              • Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, Califórnia, EUA
            • Empresas de produção
              • Walt Disney Animation Studios
              • Walt Disney Productions
            • Consulte mais créditos da empresa na IMDbPro

            Especificações técnicas

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            • Tempo de duração
              • 1 h 15 min(75 min)
            • Proporção
              • 1.37 : 1

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