A Dama da Sorte

Mary Audrey (Barbara Hale) hates gambling and tries to reform her grandfather (Frank Morgan). Generation after generation, the Audrey women always try and fail to stop the Audrey patriarch from gambling the family fortune away. Professional gambler Larry Scott (Robert Young) falls for her.

These are well-known stars. Young and Hale would gain more fame later on. They are both cute enough and have a 50's romance. It's not the most sexual in chemistry. It's all about the gambling and the switches. This could be more fun but whatever.

There was a lot to "Lady Luck" that I liked. However, unlike the other reviews, I felt that the movie went on way too long and after a while I just wanted it all to end. At best, I see it as a time-passer.

When the film begins, there's a prologue where you see relatives of the main characters (actually played by the main characters, Barbara Hale and Frank Morgan) screwing up their lives by compulsive gambling. Now, the film jumps to the present day and Mary (Hale) is at her wits end due to her Grandfather's gambling (Morgan). She is determined NEVER to marry a gambler...and, not surprisingly, meets Scott (Robert Young)...who is a professional gambler. However, he promises never to gamble again and soon the pair marry. On their honeymoon, only a few hours after their wedding, Mary catches Scott gambling. He thinks it's all for a good cause...she will hear none of his excuses. The film is essentially about the long detour the film takes until the pair are eventually reunited.

So why was I disappointed by the movie? It's because what was going to happen was so obvious and so early on...but it seemed to take forever getting there. In addition, through the process it was rather tough to like the characters. Overall, an excellent idea indifferently executed.

If you like movies where the women cry and the men casually punch each other, this is the film for you. Also a ridiculous plot line, where Robert Young and Barbara Hale repeatedly get together and then come apart, after every easily-explained mix-up either crops up or gets resolved. But the cast rises above the plot, and it's a pretty interesting look at Las Vegas of the 1940's. A bit tedious, but a decent if mindless old movie, if you're in the mood for one.

This old-time comedy stands up pretty well and holds your interest throughout. The characters are sympathetic and well-drawn, and the story line is intriguing. Aided by a good script and fine acting from lead Bob Young, and from Frank ("Wizard of Oz") Morgan and James Gleason as Sam. Interesting for the presence of Barbara Hale, later to be Perry Mason's secretary Della Street.

This is the first of two pairings of Robert Young and Barbara Hale as romantic leads in a comedy. This, however, takes a slightly more serious tone than the other ("And Baby Makes Three", made three years later), although both films deal with serious subjects (gambling here, divorce there) in a lighthearted way. (The films are not related in either characters or subject.)

Hale's character, Mary Audrey, comes from a long line of "Mary Audreys" whose elder male relative (grandfather William Audrey, played in his typical lovable way by Frank Morgan) has always had a gambling problem. This is delightfully illustrated in the opening sequence depicting the gambling Audreys down through the ages. Thus, Mary despises the practice and won't have anything to do with gamblers, except, of course, her grandfather, whom she loves dearly.

Enter dashing Larry Scott (Robert Young), who unbeknown to Mary is a master gambler. Naturally, they fall in love; and when Larry learns how Mary detests gamblers, he vows to abandon his ways and proposes marriage. Mary, meanwhile, learns of his profession, but rather than reject him outright, she makes him prove his reformation before accepting his proposal. That roadblock out of the way, they go to Las Vegas to get married, and the title hints at the events that ensue.

Populated with a number of esteemed character actors of the day, most notably James Gleason, Harry Davenport, Lloyd Corrigan, and the aforementioned Frank Morgan, this film provides a delightful diversion. All in all, however, I have to admit a slight preference for Young and Hale's other flick (even though here they actually kiss).