Rasgando o Contrato

'The Big Snooze (1946),' a Looney Tunes short directed by Robert Clampett, is basically seven minutes of cultural references: the title is derived from Howard Hawks' classic Bogart-Bacall film-noir, 'The Big Sleep (1946),' and there are throwaway mentions of Bette Davis, Laurel and Hardy, Abbott and Costello, Damon Runyon and Mr. Jack L. Warner himself. The film's premise, in some eerie twist of Einstein's space-time continuum, even appears to reference Freddy Krueger and 'A Nightmare on Elm Street (1984),' though greater minds than mine could undoubtedly arrive at a more sensible conclusion. The opening sequence was recycled from the 1941 Bugs Bunny cartoon, 'All This and Rabbit Stew (1941),' with Elmer Fudd substituted for the black hunter from that film. 'The Big Snooze' wanders quite aimlessly through its scenario, but the idea itself is clever enough to last the total running time. As usual, Mel Blanc voiced the wabbit, but Arthur Q. Bryan (uncredited) is responsible the characterisation of Fudd.

In a shrewdly self-referential twist on the usual formula, Elmer, after being outsmarted by the mischievous Bugs for the last time, angrily tears up his Warner Bros. contract and decides to spend the rest of his days fishing. Fearing for his own career, Bugs attempts to frighten Elmer back into acting, and does so by entering into his dreams and systematically turning them into a string of terrifying nightmares, plagued by horrific armies of annoying "wabbits." With the realisation that retirement isn't quite as peaceful as he'd anticipated, Elmer promptly returns to the film set and accepts that it is simply his duty to be consistently suckered by a rascally rabbit. Just as the classic 'Duck Amuck (1954)' derived humour from its self-referential nature, Clampett's film {ironically enough, the last that he made for Warner Bros.} has some fun with the conjecture that Elmer Fudd is a contracted actor on the studio's payroll. The dream sequence is colourful, chaotic and suitably threatening, and Bugs appears to get a lot of enjoyment from tormenting the hapless little hunter.

After one time too often falling foul of Bugs Bunny's tricks, Elmer Fudd rips up his contract with Warner Brothers Studios and leaves to get some R&R fishing by the lake. Realising that his strongest career sidekick is important in his own career, Bugs goes after him and enters his dreams to encourage him to return to the job at hand.

The cartoon starts very abruptly and continues in that vein as scenes appear to just jump around very quickly and without a huge amount of internal structure. The plot cleverly acknowledges a reality of contracts (which of course, isn't reality for cartoon characters) and also has some funny asides from Bugs, but it doesn't appear to have a central plot. The dream sequence is colourful and well drawn but not necessarily funny as a result. I never fully got why Bugs took this approach to the problem!

The characters are good. Bugs does his usual stuff but doesn't seem relaxed in the cartoon - the dialogue is edited too fine and close for his style I felt. Fudd has little to do and his character doesn't serve as well as he usually does as a foil to Bugs - he simply isn't given the time to respond in a way he normally is.

Overall, almost any cartoon with Bugs and Fudd is going to be work watching for me, but this one just seemed a bit aimless - like the dream sequence was the original idea and the rest of it was just a thin excuse to get to it. It is all over a bit fast and without any really hilarious action, it is OK but really is a poor entry from this famous double act.

As usual, Elmer Fudd is hunting Bugs Bunny. Bugs puts another one over him. He has had enough and quits on the spot. He rips up his WB contract and goes fishing. Bugs finds him napping while fishing. It is a trip into his dreamland and Bugs turns it into a nightmare.

I like the turn and going meta. I am less convinced of the dreamland sequence. I can think of many ideas for dreams including Elmer Fudd turning into a rabbit being chased by Bugs Bunny dressed as a hunter. Most of all, I don't buy the ending. If he gets hounded by Bugs in his nightmare, he would never go back to his job. This is adventurous although I have questions.

In this last Bob Clampett Looney Tunes short, Elmer Fudd is thoroughly appalled by the treatment he always winds up getting from Bugs Bunny, so he decides enough is enough, tears up his Warner Brothers contract and commits himself to fishing for the rest of his days. Bugs is mortified of course (for his own job security mind you) and when he finds Elmer dreaming, he takes a sleeping pill and enters his pleasant dream to turn it into a nightmare. This is a hilarious if a wee bit surreal cartoon that can be seen on Disc 1 of the Looney Tunes Golden Collection Volume 2. It also features an optional commentary by animator Bill Melendez that is pretty good.

My Grade: A

Bob Clampett's final short for Warner Bros. is a classic Bugs & Elmer cartoon. Elmer's tired of the routine they're in where he chases Bugs but never wins. So he tears up his contract and quits the cartoon! Bugs, determined to get Elmer back, invades his dreams (like Freddy Krueger) leading to some surreal and wacky imagery. The music is bouncy and cheerful. The voice work from Mel Blanc and Arthur Q. Bryan is expectedly flawless. The animation is beautiful with well-drawn characters and backgrounds and lovely Technicolor. The dream stuff is amazing. Funny gags, lines, and fourth-wall breaking makes this one any Looney Tunes fan will want to see.