A Terra dos Homens Maus

There are so Many Names of Outlaws and Such in this Murky Story of Bandits and Marshalls that in the End it is just One Big...Ho-Hum. This Western from RKO has a Good Look about it but what it's About is Anybody's Guess.

Randolph Scott is OK but is Not the Stoic, Sombre Presence that He Assumed in the Budd Boetticher Classics. Here He is just Randolph Scott, Tall and Unwavering. The Cast has some Familiar Faces and some Not So Familiar to Casual Moviegoers.

Gabby Hayes is just a Heartbeat from Irritating and is Most Effective with a Double Take Glance than with that Grovely, Grating Galoot of a Voice that is So Recognizable. He has Much to Do in this Mediocre Western and is as Good as Anybody here.

There is a Boring Horse Race Among other Boring Things in this Long Story that is Never Woven Together Adequately. Lawrence Tierney is Wasted as Jesse James as is just about Everyone Else. The Movie Needs more Edge and more Grit, because as it Stands it is a Plate Full of Campfire Comfort that Almost Works but Ultimately is Nothing More than Name Dropping.

It's the later half of the 19th century. A strip of land, in what is today the western part of Oklahoma, has been left without legal State status after the American land grab all around it. Few lawmen are willing to venture into this legal limbo and it becomes known as badman's territory. Jesse James and his gang are some of those who find shelter in the territory after their banditry. Mark Rowley (Randolph Scott) comes after them.

The opening suggests an interesting idea for the wild wild west. It's an old style convoluted western. With more clarity and being a lot more wilder, this could have been really interesting. As it stands, it's a nice concept for an old western but it's not going to stand out. Randolph Scott's mild manners don't accentuate the dangers or the thrills. The movie never reaches the highest intensity.

One element in the enormous impact of B Westerns such as with Hopalong Cassidy, is the old school Western sidekick archetype, patented by George F. Hayes, an archetype of a free American recognizable right up to today. This Randolph Scott Western has a bigger budget, higher quality and longer running time than a B, but checks the boxes that make B's fun to watch. Gabby gets a major starring role and with good direction here gives, for him, a classic performance. This is set mostly in town but there are enough outdoor scenes, stunts, musical interludes and an extraordinary scene with an impressive band of friendly Native Americans on horses taking over the town, and is well acted. Lawrence Tierney is excellent as Jesse James and the ambiguity between who is good or bad fits the noir period of 1946. Isabel Jewell fits perfectly in this Western setting and gives a good example with Ann Richards of independent women on the frontier. This setting of ungoverned land provides a unique challenge for the mastery of Randolph Scott.

Badman's Territory is a unique Randolph Scott film in that it has as its chief villain, a bloodthirsty United States Marshal in the person of Morgan Conway. Other than playing Dick Tracy this might be Mr. Conway's finest moment on screen.

Randolph Scott is a local sheriff who's aiding Conway in pursuit of the James gang. When they get away, each blames the other, but Conway shoots Scott's brother James Warren who then is taken by the James gang to the Oklahoma panhandle, better known as the Badman's Territory. It's that because it is unorganized with no established law and therefore a haven for the famous outlaws of the west.

They do flock there, everyone, the James gang, the Dalton gang, Belle Starr and Sam Bass. In real life none of these characters ever met, but this is Hollywood. Randy goes into the territory and finds all kinds of adventure and a little romance with Ann Richards.

Conway's portrayal anticipates what Kirk Douglas did on screen many years later in his acclaimed western Posse. Conway's a bloodthirsty man who's got big ambitions for that strip of territory. Some of his actions indicate a man on horseback and in the post World War II era that would have struck a resonating tone with the movie going public.

Of course it's outlaw Bruce Dern that brings Douglas down in Posse and in 1946 you had to have an honest sheriff in Randolph Scott do the deed. Still with Code restrictions in place, Badman's Territory is a good Randolph Scott western. And I'm sure made a few dollars for RKO back in the day.

Hollywood and History do not, as a rule, go well together.

Once again a western movie is damaged by over-saturation of big-name outlaws -- real people but who lived and died very differently from the script's portrayal.

Frankly, I watched with trepidation, but was soon more than placated by the very high quality of cast -- and, shucks, the presence of Randolph Scott alone will usually save any movie.

Here he is assisted by Gabby Hayes, in an unusual but surprisingly moving characterization, and by an actress of whom I know nothing, Ann Richards, a very lovely woman, but whose allegedly English accent never did sound quite right. Turns out she is from Australia.

The bad guys were played by some, not just veterans, but champions, people such as Lawrence Tierney, Tom Tyler, Steve Brodie, and Nestor Paiva.

A character named Belle Starr just captivated, just stole each scene she was in, and looking later at the list of players I realize why: She was played by the great Isabel Jewell.

Several more wonderful actors did not even get credit, and once more we have to pause and say a little prayer of thanks for IMDb.com. There are John Hamilton, Buddy Roosevelt, Kermit Maynard, Emory Parnell, who even has some lines, and Elmo Lincoln.

The great and unheralded Bud Osborne has a pivotal role early in the film, but no credit.

Despite the foolishness in using some of the outlaw names, the script has a lot of very good dialog, and it moves, with lots of characters having lots of action.

"Badman's Territory" is, finally, a very good movie.