Esposa de Dois Maridos

"I can tell more about a woman by looking at her feet than by looking at her face". Luckily "Mary" (Claudette Colbert) doesn't wear Wellington boots in this sometimes rather confusing comedy. She is happily married to docile bank manager "Chris" (Dick Foran) who, in turn, just happens to be best pal with writer "Joe" (Don Ameche). This latter chap has a problem. He has won an award - and an $1,000 honorarium, but he needs to acquire a wife in an hurry. Who better than "Mary"? She's none too keen on "Joe" nor on this wacky idea, but for the sake of a peaceable life she agrees. Imagine the confusion that causes at home when his boss sees his wife in the newspapers married to an altogether different man! Tongues will wag and there might even be a run on the bank! Well, enter onto the scene the redoubtable Charles Dingle's "Worth" and then add a dose of mischief from a "Mary" who has decided she is going to have some fun, and we are set fair for a standard screenplay that delivers predictably, but that also showcases Colbert's engaging talent with this flighty and amiable character and an Ameche who is on good form, too. The plot does recycle itself once or twice and the scenarios do contrive the humour a little, but this has enough different about it to avoid the usual "love triangle" type of scenario, there are a few enjoyable twists, and ever since her "Cleopatra" in 1934, Colbert can do little wrong in my book.

Claudette Colbert is married to Richard Foran and is on her way on a second honeymoon when Richard's friend Don Ameche shows up minutes before they were supposed to leave for the train. It seems Claudette doesn't like to hear from him, as he is always asking Richard for help in his outlandish schemes. The latest one is that Don's boss thinks he's married, because not only did he tell him so, but he showed him a picture of his supposed wife. Claudette doesn't like the sound of this, and rightly so, because the picture of the lady in question is her. And, he now needs her to assist him to carry out this extended farce. Forced against her wishes, she goes with Don, leaving Richard behind due to a misunderstanding. Most of the rest of the film has Claudette with Don posing as his wife, while Richard is trying to get there. The film may sound pretty fun and laid-back with the stars involved, and while it does, it tries too hard to be zany and the situations feel forced, particularly when she decides to turn the tables on Don and act like she likes the position he's put her in. You could do a lot worse, even some of her own films. I've reviewed some of Claudette's pictures that are a lot worse, but considering the stars this feels more annoying in parts than it should. Chester Clute has a memorable bit as a shoe salesman on holiday in the big city, when he recognizes her, which would jeopardize her situation, and all he wants to do is check out her shoes and feet, because he knows his customers' feet! But all he can do is sneak about on the floor under the restaurants' tables, trying to get to her with no sense of direction, startling ladies and causing a commotion! "All I want to do is see her feet!" You may find this little film amusing, but by the end, you'll reach for something better.

What a fantastic premise, and a great experiment to try in real life - if you're very brave. In Guest Wife, Don Ameche plays a fast-talking newspaper man who had put across the lie that he's a happily married man. When his publisher sets up a dinner party and invites Mr. And Mrs. Ameche, Don panics. Claudette Colbert is his best friend's wife, and when she gets "loaned" to Don for the party, it brings up a lot of emotions. It brings out her husband's loyalty and trust, it brings out Don's selfishness, and it brings out Claudette's hatred for Don! Or does it...?

This screwball comedy is hilarious, and since I don't normally like that genre, it must be good. It's interesting, and true to life, that you can be the best of friends with someone and not be able to stand his/her spouse. It also makes you think about marital security. Just because you're married, does that mean you can stop working on your relationship? By pretending to be someone else's spouse for a weekend, can you really get to know them? This movie argues yes, and whether or not you end up agreeing (I did), you'll certainly enjoy the ninety minutes it takes to explain it.

Don Ameche steals the show in this black and white romantic comedy. Don Ameche is in wonderful form. He not only delivers his lines with perfection but his use of his eyes makes his character, Joe, come to life. This movie promises many laughs. Claudette Colbert also offers up a good performance as Mary, the wife that Joe borrows from his best friend Chris.

Guest Wife (Sam Wood, 1945) reunites the stars of the brilliant romantic comedy Midnight, as happily married Claudette Colbert ends up spending an inordinate amount of time posing as the wife of her husband's best friend (Don Ameche) in a bid to save the guy's job. It's OK, but the comic situations are often more stressful than funny, and the usually reliable Ameche is both cartoonish and flat. Still, Colbert does her best with the material, while character comedians Charles Dingle and Grant Mitchell work wonders in their supporting parts. Dozens of familiar faces crop up in small roles, including Irving Bacon, Harry Hayden and Chester Clute, playing a town gossip accused of voyeurism. The climactic sight gag is the best joke in the film.