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It's WWII London. Rosalind Bruce (Rita Hayworth) is the star performer at the Music Box Theatre. A Life magazine photographer is doing a story on the theatre which never closed during the Blitz. A stagehand recounts the story. In flashback, Rosalind is pursued by RAF pilot Paul Lundy (Lee Bowman).

This musical is mostly about watching Rita Hayworth doing her dancing. Of course, she's a great dancer although she is dubbed for her singing. That's perfectly fine. The romance starts well, flutters for awhile, and ends on an important note. It is melodramatic at times, but that's the movie. The war is ending soon and this is bittersweet recall of recent events.

Rita Hayworth is an American performer during the blitz in "Tonight and Every Night." The film is based on the true story of a theater that kept going during the horrific bombings London suffered, unlike other theaters, which closed their doors. In the film, a photographer from Life arrives to do a feature about the theater and hears a story about Rita and friends from a stagehand.

What a gorgeous woman and dancer Rita was, and what charisma! She sparkles on the screen and is stunningly beautiful in this Technicolor film. She looks like her magazine covers - perfect. Lee Bowman is her leading man, Janet Blair plays her best friend, and Marc Platt, a Broadway dancer who is an absolute dynamo, plays a fellow performer.

There really isn't much to this script, except that there's a somewhat unexpected plot twist and the ending isn't as expected. We're looking in one direction while the script goes in another. There are some nifty production numbers and some pretty songs - better, I think, than those found in another Hayworth vehicle, Down to Earth.

Rita's voice is always dubbed, but I wonder if she could sing or could have sung with some training. Guess we'll never know.

Seeing Rita is always worth it.

I'm floored, I 'm devastated, I could never imagine I would enjoy this film as immensely as I just did.

Yesterday I saw "The Lady is Willing" -1942- with Marlene Dietrich, and although both films belong to the same era and in both there is froth and the morality of the time, they are worlds apart; Marlene looks like an embalmed corpse while Rita Hayworth is Mother Earth personified, all beauty, glamour and warmth, plus an excellent actress and a superb dancer, maybe the best dancer of all times for this kind of vehicle.

"Tonight and Every Night" is so very well put together that it's almost a miracle, incredible how professional those people were!! Top drawer each one in whatever they were doing: The scriptwriters, the technical film crew, the dancers, the choreographers, wow, everybody and everything!! Let aside the war propaganda very understandable for those years, I was so impressed by the camaraderie, the human bondage between the company members, the warmth the whole movie is wrapped in...

Rita Hayworth is so lovely that seems to be unreal, but not unreal the way Marlene was unreal, Marlene could freeze you on the spot with just a look, Rita doesn't look fake, she is just adorable and human. Maybe the rouge on her cheeks and the eye shadow are a bit too much, but the whole movie being a fantasy, who cares!

The costumes are gorgeous, the color combinations are superb, all the dancers, male and female, have the most slender figures anyone can imagine, they look like Barbie dolls, but human --I don't know how to put it-- we talk so much nowadays about that controversial subject, anorexia, well, already in those years they have these slim figures we have nowadays, but inexplicably, they don't look emaciated, they look incredibly healthy!!

An interesting detail was that all these chorus girls were...virgins... well, according to their behavior in this movie they were. Enough, I think I made it clear that I liked this movie, didn't I?

The movie's number one sex symbol carried a lot of films to box office success on the strength of her looks and personality. But Rita Hayworth was definitely asked to tote a lot in Tonight And Every Night, a film set during the air attacks on London about a theater that never missed a performance. There was actually such a theater as the Windmill.

A whole lot of extravagant musical numbers photographed in gorgeous technicolor are held together by a plot involving Rita being the object of a campaign by Eagle Squadron RAF member Lee Bowman. Though she's warned by fellow performer and best friend Janet Blair that Bowman's a wolf in Eagle Squadron uniform, Rita plunges headlong into things. She's also got dancer Marc Platt interested in her as well.

For a British set film, this cast sure had an awful lot of Americans. This film would have been so much better done across the pond with someone like Jessie Matthews or Anna Neagle starring. The numbers are nice enough though, the musical score by Jule Styne and Sammy Cahn contained one song, Anywhere which got an Oscar nomination. A much better song of their's that Frank Sinatra sung in Anchors Aweigh, I Fall In Love Too Easily, was also nominated that year, but Rodgers and Hammerstein got the statue that year for It Might As Well Be Spring. Tonight And Every Night also got an Oscar nomination for Best Musical Scoring.

The musical numbers are great, but the plot is pretty thin.

This is not the kind of musical where the leads just start singing and dancing in mid-conversation. Almost all the song and dance occurs as performance on stage. The stage is located in the historic Windmill Theatre, in London, which is called the Music Box in this film. During the London blitz, the theater was known for never missing a performance. The film pays tribute to that record and, more broadly and more importantly, to the spirit of those who braved the blitzkrieg in London.

Released in the first few days of 1945, "Tonight and Every Night" is meant as a patriotic film to rouse spirits. There is a love story, but it is secondary to the larger story.

Rita Hayworth stars as stage performer Rosalind Bruce. She and her coworkers put on five shows a day at the Music Box. Their story is primarily told, in flashback, to a reporter from Life Magazine who is doing a spread about the theater. Janet Blair plays Judy Kane, Rosalind's best friend and fellow dancer. Marc Platt plays the part of Tommy Lawson, the other major dancer. His dance is the highlight of the film. Lee Bowman plays the pilot (Paul Lundy) who wins Rosalind's heart.

Though many scenes are darkened due to the London blackouts, the Technicolor really stands out in some spots. The designers who created the fashions worn by Rita and the others also deserve mention.