Uma Asa e uma Prece

The Movie was shot on the back lot of 20th Century Fox. The studio used sailors from NAS Longbeach Ca. as extras for about 2 weeks . In the Scene when a Bomb hits the Ship i am the first man on the fire hose . They had built part of a Carrier Deck over a lake and used SBD'S on this deck for close ups but then used film footage from actual battle scene's in between . This explains difference of planes and ships.

"Wing and a Prayer" really gives those of us not born yet a realistic idea of what life on a carrier was like going up against Japan in World War II. The tough decisions brought on by war were very poignant as were the losses of friends and shipmates in combat. The film was a bit murky at the end as to how the carrier (name?!) fit in with the Battle of Midway and the Japanese ship models were pretty cut-rate, even by 1940's standards. Using U.S. Navy Wildcat planes with white circles painted over their US star to represent Japanese planes was campy, but understandable since the US was in the process of really shooting all of the real zero's out of the sky during the time of the movie. Harry "MASH" Morgan was a 29 year old pilot hotshot that was nice to see him in his prime. Don Ameche did a very good job being a serious-as-death commander who had to be a hard *ss in order to send men into mortal combat. A great film!

It's 1944 and while the tide of war has turned in the direction of the Allied forces, the prospect of the invasion of Japan was still a deadly reality. Once again Hollywood did its part in the propaganda battle to bolster American morale. A Wing and a Prayer touched all the bases with studio stars, heroic sacrifices and plenty of action. I first saw this film as a kid in the 1950s and I still remember gripping my seat everytime a plane hit the carrier deck. Put into the context of the time it's a good film by a very good Director.

Henry Hathaway made many of the best Hollywood films, particularly in the genre of hard action, especially at war. This is one of them, still in the beginning of his age of greatness but an important prelude to what was to follow. The main star here is not Dana Andrews but Don Ameche, who plays a totally different role from his usual repertoire, but he does it more than well. Cedric Hardwicke is an unnamed admiral of only one scene in the beginning, and among the others is Charles Bickford, reliable and indomitable as usual, as the captain, with clenched teeth. The story is the build-up to the battle of Midway half a year after Pearl Harbour, which changed the course of the war to American advantage. The six months before the battle was a perpetual humiliation, the Americans constantly avoiding confrontations with the Japanese for strategic reasons, and the marines getting rather frustrated about it. When finally everything is ready for the battle, it is an immense release, and the humiliation of running the gauntlet turns to triumph. As usual in Hathaway's films, much attention and importance is attached to the human side of the drama, and many of the sailors make great individual performances with stories of their own. Some get grounded, some commit unpardonable goofs, there is some intimate music as well, and some run into martyrdom. In brief, it's an excellent almost documentary panorama of the drama leading up to Midway, and it's well worth while following every stage of it - with many U-turns on the way. But Don Ameche makes the greatest impression, although far from sympathetic and almost hated but profoundly reasonable all the way.

Three months after the greatest disaster in the american history with the surprise military strike of Pear Harbor by the imperial Japanese navy air service, December the 7th, 1941, the American HQ set up a desperate strategy based on a simulation of disarray within the American navy so that the Japanese confidence goes up artificially and incites them not to deviate from their supposed plan of campaign: to take ownership of Pearl Harbor, this objective implying beforehand a passage through Midway where the American navy is firmly waiting for the Japanese navy.

The film focuses on an aircraft carrier unexpectedly playing the role of a bait and we witness the daily life of these airmen forced to behave cowardly every time they meet a Japanese zero. The atmosphere is typical of old war movies: ultra-patriotic, childish and cheesy, pretty close to a propaganda film, in a certain manner. We globally remember the team spirit, the heroism of the airmen, the dignity of the entire crew and the excellent cinematography given the technical means of the time.