Mistério da Magia Negra

I found this film to be an enjoyable little effort from monogram I really liked the pairing of Lugosi and Zucco as the villians and also having John Carradine as an evil assistant....pretty much the standard fare you,ll get from most all Monogram films of this genre..but if you enjoy a simple little horror film like I do,this is a great one for a rainy day or a dark night...

I'm glad that I purchased "Voodoo Man". It is a pleasant way to pass an hour for fans of 1940's horror films. It is weird and strange, but has a certain beauty to it as well. I believe that it's the best of the horror films that Bela Lugosi made for Monogram during that time. Lugosi is a devoted husband to a wife that has been dead (although, still beautiful and looking as if she were in a trance) for 22 years. He has two of his helpers kidnap young women motorists off of a deserted road so that the young women's life forces can be transferred (via Voodoo) into his dead wife in order to bring her back to life. One pretty young motorist is missed by her cousin and soon the sheriff and his deputy pay a visit to Lugosi's home. Lugosi has a whole basement full of lovely young ladies who are entranced and standing behind glass doors in large cabinets. Will the missing cousin be rescued and the other young ladies be set free? Watch "Voodoo Man" to find out. The DVD that I bought through Sinister Cinema.com has the vintage trailer for "Voodoo Man" as a bonus feature.

Sam Katzman and William Beaudine are two of the immortals of Poverty Row,and Voodoo Man is the literal definition the of the movie that is sooo bad that it's a great picture.Katzman's Banner Productions filmed Voodoo Man in 7 days in October of 1943 for Monogram Studios.What sets this apart is the appearance of Bela Lugosi, George Zucco, and John Carradine in the lead roles and all three are at their rip roarin', hammiest, and over the top best in this little horror opus.Beaudine was the acknowledged master of turning out "Economical" but extremely watchable B movies.

Lugosi is the sinister doctor who is channeling Snidely Whiplash. He would twirl his mustache if he had one and yell"curses, foiled again" at every setback. Zucco is a gas station manager and voodoo high priest who scouts out young ladies and potential victims for the doctor and chants an unrecognizable gibberish in the background much of the time. during the transference ceremony. Carradine portrays Lugosi's dimwitted gofer and bongo drum player. In a lesser actors hands the role would be a total embarrassment but Carridine is able to sell it.The scene where Carridine gets a closeup playing the bongo is so over the top that it is classical. His character really believes in the magic of the ceremony.

Micheal Ames AKA Tod Andrews, Wanda McKay,and Louise Currie do a commendable job with their roles, particularly Currie whose character is forced through the voodoo ceremony then wanders the countryside in a zombie like state while wearing flimsy and very sexy nightgown. McKay was a Paramount contract actress who did a lot of screen work for Monogram during the 1940's.Currie was another talented actress who did a lot of work at the B studios in the 1940's. She had worked with Lugosi before in the Ape Man for Monogram.

The plot of Voodoo Man is less important then getting to watch Lugosi, Zucco, and Carridine go through their paces. They could make reading the ingredients to a can of soup sinister fun!Sam Katzman would would have probably made a feature film of them doing it if he had thought of it. With Beaudine directing of course!

Sadly the days when a lone, mad scientist, toiling in the basement of his sinister mansion, could perform miracles over life and death with just a few test tubes and pulsing lights, without thought of glory or patent rights, have been curtailed by the corporate monopoly of science; the simple human desire to revivify the dead, trumped by the thirst for profit. Happily, voodoo has, thus far, eluded the grasping grip of greed (ouch!) and retained its humble individuality.

Voodoo Man returns us to that simpler time when science and magic worked hand in hand. It is another absurd poverty-row horror, filmed in seven days, in case you can't tell, by Bill "One-Shot" Beaudine for Sam Katzman's Monogram Pictures. Lugosi plays Marlowe, another mad scientist with another ailing wife. Indeed this wife is rather more than ailing: for 28 years she has been dead, but not in the sense we understand the word, of course. He tries to reanimate her by transferring to her the life force of abducted female motorists. Marlowe has some impressive technology – an impressive surveillance system, a car disabling ray, and some weird wife maintenance machinery. Still, he isn't one of those finicky skeptics who practice science nowadays. Like the alchemist, he recognizes the potential to improve scientific outcomes by utilizing magic.

This film is sensationally silly especially given the quality of the cast. This may not be Lugosi's most absurd role; unfortunately, the same can't be said for Carradine and Zucco. Carradine plays Toby, Marlowe's jogging, dimwitted henchman, who kidnaps women and doubles as Marlowe's percussion section. His bizarre performance is only over-cast by Zucco who plays Nicholas, gas station proprietor and voodoo priest. Zucco usually brings an air of dignity to the foolish roles he plays but this one is beyond him. While Toby bashes a bongo, Nicholas, in a cheap college gown and "Phyllis Diller wig," chants gibberish at a piece of string in the name of Ramboonya who is, apparently, all powerful. And, to be fair, Nicholas is getting results until meddling relatives and policemen interfere with the ceremonies.

This film has remained too obscure and deserves a far greater audience. Amazing stuff.

'Voodoo Man' is possibly the best of Bela Lugosi's Monogram minor budget films from the early 40's most, but not all, of which we horror films.

A typically brief running time of just a smidgen over one hour keeps things just about brisk enough without lapsing into repetitiveness or filler of people running in circles which are two common maladies of minor budget cheapie b-pics in my experience.

Instead there is a bit of atmosphere and tension generated in a film that centres on a cracking, creaking and cranky set up of a demented mad doctor (Bela Lugosi) organising the abduction and Voodoo exploitation of unaccompanied young women in the service of reviving his zombified wife.

All in all along with a smattering of atmospheric tension there is also a clearly delivered tone of dark, dank, dirty and dangerous human behaviour which puts the horrible into horror.

Of course Bela Lugosi is the centrepiece but he gets some willing support from a game cast.

Added value comes from the playful treatment of the whole idea of 'Voodoo Man' as being utterly sappy nonsense that only a wacky Hollywood scriptwriter hack could sell.

With sly nods to the real silliness at play with references to the films producers and its star early in the piece and then at the very end.

I rate at 5/10 and obviously this rating takes into account that 'Voodoo Man' was a very Poverty Row minor b-picture cheapie/quickie!

I recommend to anyone willing to lend large globs of suspension of disbelief and be as game at the cast. Also to anyone less charitable but looking for a laugh and a hoot.

Having said that some if the broad comedy exchanges are the only real misfires of 'Voodoo Man' for my personal taste although a grim dry humour from Lugosi is nicely included on a couple of occasions!